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Inhaltsangabe
Book by Anderson Nicholas
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Reseña del editor
The Baroque style - one of the richest traditions in Western music - emerged during the late 16th century and lasted well into the 18th. Italy was the source of this new impulse, which soon spread across Europe, and the period was one of contrasts and innovations. Few other eras witnessed such a profusion of new forms: opera, oratorio, cantata, sonata and concerto. Although Baroque music contained distinct national idioms, fundamental values were shared by all the leading creative figures of the time. All aimed to stir emotions - those emotions appropriate to their two great patrons, the Church and the nobility. Ecclesiastical commissions freed composers to depict suffering, pathos and elation; whilst secular and court patrons gave them the opportunity to evoke splendour and opulence. Nicholas Anderson relates musical history to the cultural milieux of Church and court, as well as to public patronage. He considers major figures such as Bach, Handel and Vivaldi, and lesser-known artists whose music is now being avidly collected and explored - such as Telemann, Charpentier, Stradella and Leclair - allowing a broad perspective on this prolific period. Not only was the Baroque period blessed with a plethora of great composers; it also provided the foundations for all subsequent musical development. Its enduring strength is reflected in the popularity of today's "authentic" performances and recordings. Nicholas Anderson, broadcaster, writer and music scholar, was a producer for BBC Radio 3 1971-1991, specialising in the Baroque repertory. He is a Lecturer at the Royal Academy of Music, and contributes to "Gramophone" and "Early Music", as well as being consultant to the recording companies Erato and Teldec.
Biografía del autor
Nicholas Anderson is a Lecturer at the Royal Academy of Music in London.
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- VerlagThames & Hudson
- Erscheinungsdatum1995
- ISBN 10 0500016062
- ISBN 13 9780500016060
- EinbandTapa dura
- SpracheEnglisch
- Anzahl der Seiten224
- HerausgeberHarnoncourt Nikolaus
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Baroque Music
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Baroque Music: From Monteverdi to Handel
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Baroque Music: From Monteverdi to Handel: With 51 Illustrations
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Baroque Music: From Monteverdi to Handel: With 51 Illustrations
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Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1. Bestandsnummer des Verkäufers G0500016062I4N10
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Baroque Music: From Monteverdi to Handel: With 51 Illustrations
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Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1. Bestandsnummer des Verkäufers G0500016062I4N00
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Baroque Music: From Monteverdi to Handel: With 51 Illustrations
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Verkäuferbewertung 5 von 5 Sternen
Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1. Bestandsnummer des Verkäufers G0500016062I4N10
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Baroque Music: From Monteverdi to Handel
Verlag:
Thames & Hudson Ltd, United Kingdom, London, 1994
ISBN 10: 0500016062
ISBN 13: 9780500016060
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Paperback. Zustand: Very Good. The Baroque style - one of the richest traditions in Western music - emerged during the late 16th century and lasted well into the 18th. Italy was the source of this new impulse, which soon spread across Europe, and the period was one of contrasts and innovations. Few other eras witnessed such a profusion of new forms: opera, oratorio, cantata, sonata and concerto. Although Baroque music contained distinct national idioms, fundamental values were shared by all the leading creative figures of the time. All aimed to stir emotions - those emotions appropriate to their two great patrons, the Church and the nobility. Ecclesiastical commissions freed composers to depict suffering, pathos and elation; whilst secular and court patrons gave them the opportunity to evoke splendour and opulence. Nicholas Anderson relates musical history to the cultural milieux of Church and court, as well as to public patronage. He considers major figures such as Bach, Handel and Vivaldi, and lesser-known artists whose music is now being avidly collected and explored - such as Telemann, Charpentier, Stradella and Leclair - allowing a broad perspective on this prolific period. Not only was the Baroque period blessed with a plethora of great composers; it also provided the foundations for all subsequent musical development. Its enduring strength is reflected in the popularity of today's "authentic" performances and recordings. Nicholas Anderson, broadcaster, writer and music scholar, was a producer for BBC Radio 3 1971-1991, specialising in the Baroque repertory. He is a Lecturer at the Royal Academy of Music, and contributes to "Gramophone" and "Early Music", as well as being consultant to the recording companies Erato and Teldec. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR002439739
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