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EUR 6,53
Von Vereinigtes Königreich nach USA
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR003687788
Anzahl: 2 verfügbar
Anbieter: Goldstone Books, Llandybie, Vereinigtes Königreich
paperback. Zustand: Good. All orders are dispatched within one working day from our UK warehouse. We've been selling books online since 2004! We have over 750,000 books in stock. No quibble refund if not completely satisfied. Bestandsnummer des Verkäufers mon0006986650
Anzahl: 1 verfügbar
Anbieter: HPB-Red, Dallas, TX, USA
paperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_335363158
Anzahl: 1 verfügbar
Anbieter: Cacklegoose Press, London, Vereinigtes Königreich
Soft cover. Zustand: Very Good. No Jacket. First World of Art Edition. 296pp, 256 plates 21 in colour. From the library of Richard Buckle. Bestandsnummer des Verkäufers 000355
Anzahl: 1 verfügbar
Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:0500200912. Bestandsnummer des Verkäufers 3939582
Anzahl: 1 verfügbar
Anbieter: San Francisco Book Company, Paris, Frankreich
Paperback. Zustand: Good. Paperback Octavo. wraps, 296 pp, spine creased, sticker to back cover, edges toned Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders. Bestandsnummer des Verkäufers 98134
Anzahl: 1 verfügbar
Anbieter: best books, St. Leonards on sea, Vereinigtes Königreich
Soft cover. Zustand: Very Good. pictorial covers. with 256 plates, 21 in colour. Bestandsnummer des Verkäufers 021469
Anzahl: 1 verfügbar
Anbieter: Adelaide Booksellers, Clarence Gardens, SA, Australien
Softcover. Reprint. Large octavo size [16x24cm approx]. Very Good condition. 256 black & white and colour reproductions. Robust, professional packaging and tracking provided for all parcels. 296 pages. Bestandsnummer des Verkäufers 325078
Anzahl: 1 verfügbar
Anbieter: Jenhams Books, Dundee, Vereinigtes Königreich
Paperback. Zustand: Very Good. Very Good condition, top edge very slightly flecked. This book is in stock now, in our UK premises. Photos of our books are available on request (dustjacket and cover illustrations vary, and unless the image accompanying the listing is marked 'Bookseller Image', it is an Abebooks Stock Image, NOT our own). BUYERS OUTSIDE UK please also note the following: 1. shipping rates apply to packets of 750g and under, and should the packed weight of an item exceed this we reserve the right to ship via 'Economy', or request extra postage prior to fulfilling the order, or cancel 2. many countries apply import or other taxes - these are the buyers responsibility; we may ask for extra payment to cover any taxes which we have to pay 'up front' on the buyer's behalf. Bestandsnummer des Verkäufers mon0000067766
Anzahl: 1 verfügbar
Anbieter: Past Pages, Oshawa, ON, Kanada
Trade Paperback. Zustand: Good. First Thus 2nd Printing. Previous Owner Markings (Highlighting); Light Creasing on Front, Rear Covers, Spine; Front, Rear Covers, Spine Lightly Chipped; Spine Slightly Cocked; Edges Lightly Soiled; Slight Yellowing Due to Age. 256 Plates; 21 in Colour. ALSO KNOWN AS: Originally published in large format as The Great Experiment: Russian Art 1863-1922. CONTENTS: Introduction; Chapter One 1860's-90's; Chapter Two 1890-1905; Chapter Three 1905-10; Chapter Four 1909-11; Chapter Five 1912-14; Chapter Six 1914-17; Chapter Seven 1917-21; Chapter Eight 1921-22; Text References; Selected Bibliography; List of Illustrations; Index. SYNOPSIS: This is the first book to examine the vitally significant Russian contribution to the modern movement in art and architecture. The author has tracked down periodicals, exhibition catalogues, and other rare documents, and out of them has reconstructed the record of her period. She has supported this with illustrations drawn not only from Western collections of Russian art, but also from the far more important collections in Russian museums which have never been seen in the West. Artists like Malevich, Tatlin, Rodchenko are now given their full stature, and the Constructivist movement which they founded is shown to have been a powerful influence on the continental movements between the wars, particularly the Bauhaus. From the aesthetic point of view, the story tells of historic experiments and discoveries. But its greatest interest, perhaps, lies in its account of an attempt to integrate art with society - an attempt that was pursued with passionate idealism through the revolutionary years which gave the movement's protagonists such a unique opportunity. In its short-lived heyday, music, drama, poetry, and all the industrial arts were embraced in an experiment which attacked at the root the problems which still concern the artist today. The original edition of this book (entitled The Great Experiment: Russian Art 1863-1922) was described by John Russell as "a massive contribution to our knowledge of one of the most fascinating and mysterious episodes in the history of modern art". It is now reissued in a smaller format, and in a revised edition, in The World of Art Library. Camilla Gray first visited Russia in 1955, as a ballet student. In 1956 she began her researches into modern Russian painting, working in England, the U.S.A., France, Holland and the U.S.S.R., and consulting the surviving individuals who took part in the story of her subject. In 1960 she returned to the U.S.S.R. to study material for the original edition of this book. She has contributed articles to specialist journals, and prepared the catalogues for the Malevich exhibition at the Whitechapel Gallery (1959) and the Arts Council exhibition of the work of Mikhail Larionov and Natalia Goncharova (1961). Size: 8vo - over 7¾" - 9¾" tall. Bestandsnummer des Verkäufers 002174
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