From the 1860s to the 1890s, the rise of Japonisme and the Art Nouveau movement meant few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects—lacquer, metalwork, ceramics, enamels, and other decorative items—stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868–1912) were displayed at international exhibitions, in the galleries of influential dealers, and at fashionable stores.Artists from van Gogh, Whistler, Monet, and Edouard Manet to Klimt and Schiele were all, to varying degrees, influenced by the Japanese art. Van Gogh himself stated that he owed his inspiration to Japanese art, but he was probably not conscious of the full extent to which art in Europe had already been influenced by that of Japan.
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Gregory Irvine is Senior Curator in the Asian department of the Victoria and Albert Museum, London. He has published widely on many aspects of Japanese art, and has held senior teaching positions both in the UK and Japan.
From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. Superbly crafted and often highly decorated Japanese objects lacquer, metalwork, ceramics, enamels and other decorative items excited, stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (18681912) were displayed at international exhibitions, galleries of influential dealers and at fashionable stores in London, Paris and Vienna. This book includes many examples of the superlatively designed and executed decorative arts of the Meiji periods from the Khalili Collection, the greatest collection of Meiji period art in the world. Artists such as Van Gogh, Whistler, Monet, Manet, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh said that he owed his inspiration to Japanese art, but even he was probably not aware of just how much art in Europe had already been greatly influenced by that of Japan.
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Hardcover. Zustand: new. Hardcover. From the 1860s through to the 1890s the rise of Japonisme and the Art Nouveau movement meant few could resist the obsession with all things Japanese.Superbly crafted and often highly decorated Japanese objects - lacquer, metalwork, ceramics, enamels and other decorative items rich in new and exotic subject matter - stimulated and inspired Western artists and craftsmen to produce their own works. Arts of the Meiji period (1868-1912) were displayed at international exhibitions, in the galleries of influential dealers and at fashionable stores in London, Paris and Vienna. Artists from Van Gogh, Whistler, Monet, Manet, Klimt and Schiele were all, to varying degrees, influenced by the arts of Japan. Van Gogh himself stated that he owed his inspiration to Japanese art, but he was probably not conscious of the full extent to which art in Europe had already been greatly influenced by that of Japan.Here, six renowned scholars and specialists examine the influence of Japanese art and design in Europe with superlative examples from the Khalili Collection, the world's finest collection of works from the Meiji period. They demonstrate that the Japanese influence on modern Western art has been far more penetrating than has been widely recognized. From the 1860s through to the early 20th century the rise of Japonisme and the Art Nouveau movement meant that few could ignore or resist the obsession with all things Japanese. This book includes examples of the designed and executed decorative arts of the Meiji periods from the Khalili Collection. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780500239131