A lavishly illustrated look at the sources behind the paintings of Francis Bacon.
Francis Bacon famously found inspiration in photographs, film-stills and mass-media imagery. In this new, updated edition of In Camera, Martin Harrison reveals how these sources informed some of Bacon's most important paintings and triggered decisive turning points in the artist's stylistic development.
Key influences, including the masters Velázquez, Poussin and Rodin, the photographer Eadweard Muybridge and the film director Sergei Eisenstein, are given close consideration. Bacon's work is examined in relation to the precedents set by other artists working in the tradition of making use of mechanical reproductions, including Pablo Picasso and Walter Sickert, and in the context of his contemporaries Lucian Freud, Mark Rothko, Graham Sutherland and Patrick Heron.
With the aid of over 270 illustrations, including valuable source images and documents, In Camera is a bravura accomplishment of original research, addressing important questions about Bacon's painting practice and shedding fresh light on his life and work.
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Martin Harrison is one of the foremost scholars of Francis Bacon, and the editor of Francis Bacon: Catalogue Raisonné.
A lavishly illustrated look at the sources behind the paintings of Francis Bacon.
With the aid of over 250 source images and documents, many hitherto unknown, this book reveals how photography, film, mass-media imagery and other sources informed Bacons painting and, in particular, how lens-based images, as he put it, helped to trigger the most significant turning-point in his stylistic development. Key influences, including the masters Velázquez, Poussin and Rodin, the photographer Eadweard Muybridge and the film director Sergei Eisenstein, are discussed. So too are the precedents set by other artists working in the tradition of making use of mechanical reproductions artists including Picasso and Sickert. Bacons work is also viewed in the context of his contemporaries, such as Lucian Freud, Mark Rothko, Graham Sutherland and Patrick Heron. In addition, analysis of elements of Bacons biography and psychology leads to some startling and original insights into the man and the unique iconography of his art.This is a book that addresses important questions about Bacons painting practice and sheds new light on his life and work.
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