Who first coined the phrase graphic design, a term dating from the 1920s,or first referred to themselves as a graphic designer are issues still arguedto this day. What is certain is that the kinds of printed material a graphicdesigner could create were around long before the formulation of such aconvenient, if sometimes troublesome, term.Here David Jury explores how the jobbing printer who producedhandbills, posters, catalogues, advertisements, and labels in the eighteenth,nineteenth, and early twentieth centuries was the true progenitor of graphicdesign, rather than the noble presses of the Arts and Crafts movement.Based on original research and aided by a wealth of delightful and fullycaptioned examples that reveal the extraordinary skill, craft, design sense,and intelligence of those who created them, the book charts the evolution of print into graphic design. It will be of lasting interest to graphic designers,design and social historians, and collectors of print and printed ephemera alike.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
David Jury is an award-winning graphic designer, and head of the MA course Art, Design, and the Book at the Colchester Institute in England. His previous books include Typography Today.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Good condition ex-library book with usual library markings and stickers. Bestandsnummer des Verkäufers 00105911251
Anzahl: 1 verfügbar
Anbieter: Better World Books: West, Reno, NV, USA
Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 15574248-6
Anzahl: 1 verfügbar
Anbieter: World of Books Inc, Montgomery, IL, USA
Hardback. Zustand: Good. International in scope, this book charts the evolution of print into graphic design between 1700 and 1914. With around 850 illustrations, many specially photographed from private collections, it is of interest to graphic designers, design and social historians, as well as collectors of print and printed emphemera alike. Bestandsnummer des Verkäufers CIN0500516464G
Anzahl: 1 verfügbar
Anbieter: Oblivion Books, Seattle, WA, USA
hardcover. Zustand: Very Good. Hardcover in dust jacket. This book was puchased from a prominent local Graphic Design studio when it liquidated its library. The book inside the case features the studio's name neatly stamped on the edges of the text block and a library card pocket on front free endpaper. A good and useful reading copy. Oversized. Clean text -- NO writing, NO highlighting to text.ÂPLEASE NOTE: Domestic US media (standard) US orders ONLY. NO international orders. Bestandsnummer des Verkäufers mon0000231709
Anzahl: 1 verfügbar
Anbieter: Chiron Media, Wallingford, Vereinigtes Königreich
hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely. Bestandsnummer des Verkäufers 6666-GRD-9780500516461
Anzahl: 3 verfügbar
Anbieter: Daedalus Books, Portland, OR, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Clean and solid. ; Color Plates; 4to; 312 pages. Bestandsnummer des Verkäufers 338780
Anzahl: 1 verfügbar
Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Quarto. Softcover. Sage green boards with small illustrations. 3/4 striped green dj with white lettering. Pretty plum end papers. 312 pp. with 779 illustrations, 560 in color. Who first coined the phrase "graphic design," a term dating from the 1920s, or first referred to themselves as a "graphic designer" are issues still argued to this day. What is certain is that the kinds of printed material a graphic designer could create were around long before the formulation of such a convenient, if sometimes troublesome, term. Here David Jury explores how the "jobbing" printer who produced handbills, posters, catalogues, advertisements, and labels in the eighteenth, nineteenth, and early twentieth centuries was the true progenitor of graphic design, rather than the "noble presses" of the Arts and Crafts movement. Based on original research and aided by a wealth of delightful and fully captioned examples that reveal the extraordinary skill, craft, design sense, and intelligence of those who created them, the book charts the evolution of "print" into "graphic design." It will be of lasting interest to graphic designers, design and social historians, and collectors of print and printed ephemera alike. VG. bump to rear board near head of spine and bottom fore edge. Otherwise clean and unmarked. Bestandsnummer des Verkäufers 161527
Anzahl: 1 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers HU-9780500516461
Anzahl: 15 verfügbar
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
Paperback. Zustand: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine. Bestandsnummer des Verkäufers GOR015101606
Anzahl: 1 verfügbar
Anbieter: Brook Bookstore On Demand, Napoli, NA, Italien
Zustand: new. Bestandsnummer des Verkäufers 36175bb2488ae0495bc1be1366112086
Anzahl: 5 verfügbar