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A gem that lets the photography do the talking. Highly recommended. Two of history's greatest shutterbugs documented citizens during some of the country's leanest years- from the Great Depression to the end of WWII- producing haunting portraits of Dust Bowl austerity and postwar uncertainty. This intriguing new book offers a fascinating opportunity to compare and contrast the work of the two photographic masters between 1929 and 1947. This will appeal not only to all photographers, from amateurs to artists, but also to anyone interested in the history of photography and American social and cultural history. Highly recommended. By looking at images made in the United States by both photographers from 1928-1948, with Evans at the height of his career and Cartier-Bresson just beginning his, one gets a unique perspective on the differing sensibilities of these two 20th Century giants. Vintage black and white images pack a powerful survey of the perspectives and approaches of both in a collection highly recommended for any college-level art library strong in American image history and analysis.
Walker Evans and Henri Cartier-Bresson belonged to the same generation and shared an insatiable intellectual curiosity. Their works had been exhibited together in 1935 at the Julien Levy Gallery in New York and they shared a period working in America when Cartier-Bresson spent eighteen months between 1946 and 1947 preparing his show at The Museum of Modern Art. This book draws a parallel between the work about America made by Evans and Cartier-Bresson in the period from 1930 to 1947. As John Szarkowski argued, ‘Evans defined in his work the essence of the documentary aesthetic.’ Cartier-Bresson, on the other hand, was making a fresh start, leaving behind his work in moving imagery and fully embracing a career as a stills photographer. But they were both approaching their work as a form of social criticism, imbued with references to literature and painting. Photograph America presents an opportunity to confront and compare the visions of both of these seminal photographic masters at once.
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Anbieter: Andre Strong Bookseller, Blue Hill, ME, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: near fine. first edition. 8 x 10 in. 181 pages. Paper boards. Lavish B&W photo plates. Condition is FINE ; like new on all points. DJ is NEAR FINE ; not clipped, like near new. Phot. RGR. Bestandsnummer des Verkäufers 48211
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Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes Königreich
Zustand: Very Good. Ships from the UK. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Bestandsnummer des Verkäufers 4967422-6
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects. Bestandsnummer des Verkäufers 4967422-6
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Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 3309262-75
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Anbieter: Moe's Books, Berkeley, CA, USA
Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Very good. DJ spine sunned. Bestandsnummer des Verkäufers 91846
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Anbieter: BookAddiction (IOBA, IBooknet), Canterbury, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 184pp, black and white photographs throughout. Paper-covered boards; titles on front and spine. Green endpapers. 8vo. Lightly rubbed spine heel. Internally neat, clean, bright and tight. Dust jacket sun-faded, has light shelf wear, chipping to edges, mirrors book damage, not price clipped. Bestandsnummer des Verkäufers 025720
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.04. Bestandsnummer des Verkäufers G0500543704I4N00
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Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 2.04. Bestandsnummer des Verkäufers G0500543704I4N10
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Anbieter: NUDEL BOOKS, New York, NY, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Large thick 4to, bit of sticker scar on cover but v.g., VVchesttopbrm. Bestandsnummer des Verkäufers ABE-1675894070689
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Anbieter: True North Books, Trinidad, CO, USA
Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. This book draws parallels between the photographs of America made by Evans and Cartier-Bresson in the period from 1928 to 1948. Evans was well-established and had already published American Photographs. Cartier-Bresson, on the other hand, was just beginning his new career as a photo journalist. Although they both approached their subjects as a form of social observation, imbued with references to literature and painting, their practices were always quite distinct. 120 black and white photographs. As new - arrived directly from the publisher. International shipping guidelines have changed. Additional shipping may be required. Bestandsnummer des Verkäufers 000066
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