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Anbieter: Exquisite Corpse Booksellers, Houston, TX, USA
Wrappers. Zustand: Good. First Edition. 195 pages. Paperback. Texts in English. Moderate handling to the covers with some associated smudges and soiling. The spine has vertical creasing, with some general shelfwear to the edges. Still, the binding is tight, the interior clean and free of markings. Bound in illustrated stiff paper covers and published on the occasion of the exhibition from 5 December 1996-23 February 1997. Book. Bestandsnummer des Verkäufers 030258
Anzahl: 1 verfügbar
Anbieter: Orca Knowledge Systems, Inc., Novato, CA, USA
paperback. Zustand: Very Good. First Edition. Unread. No markings in book. Binding is fine. 196pp. Bestandsnummer des Verkäufers mon0000033782
Anzahl: 1 verfügbar
Anbieter: Sainsbury's Books Pty. Ltd., Camberwell, VIC, Australien
4to, 195pp. Colour and black & white illustrations. A very good paperback copy. Bestandsnummer des Verkäufers 133875
Anzahl: 1 verfügbar
Anbieter: Lacey Books Ltd, Cirencester, Vereinigtes Königreich
Paperback. Zustand: Fair. 1998 University of California Press large format paperback edition. Ex library copy with stamps and labels else good condition. From the cover: In the early 1920s the German art historian and psychiatrist, Hans Prinzhorn (1886-1933), amassed a remarkable collection of some 5,000 paintings, drawings, objects, and collages made by patients in European psychiatric institutions. His interest, unique at the time, was twofold: to assess the art as creative work, and to use it as a way of studying mental illness. Prinzhorn's Collection attracted the attention of many artists, including Paul Klee and Oskar Schlemmer, but by the 1930s, when the Nazis declared such work 'degenerate,' the Collection fell into disrepair.Only in recent decades has it been properly restored and made available for a wider public. This catalog accompanied the first exhibition in Britain to foreground the Prinzhorn Collection as a whole. The works represented in these pages defy simple categorization. The range is extraordinary and the art's startling sophistication, inventiveness, and beauty inevitably prompt comparison with such artists as Max Ernst and the Surrealists and with Jean Dubuffet. Three texts are immensely helpful in providing an understanding of the Collection's importance: Bettina Brand-Claussen deals with the Collection's origins within the changing culture of postwar Europe; Inge Jadi offers a meditation on the ethical, interpretative, and aesthetic questions in presenting the Collection; and Caroline Douglas sets Prinzhorn's endeavor within a broader historical and intellectual context. Questions surrounding art and madness are endlessly fascinating, no more so than today, as science moves to unlock the mysteries of the mind. The Prinzhorn Collection will do much to inspire continuing debate on the links between creativity, rationality, and illness. Bestandsnummer des Verkäufers F2-0LV0-PHSI
Anzahl: 1 verfügbar
Anbieter: Lacey Books Ltd, Cirencester, Vereinigtes Königreich
Soft cover. Zustand: Good. 1998 University of California Press large format paperback edition. Light reading wear, inscription to endpaper else very good condition. Includes promotional pamphlet. From the cover: In the early 1920s the German art historian and psychiatrist, Hans Prinzhorn (1886-1933), amassed a remarkable collection of some 5,000 paintings, drawings, objects, and collages made by patients in European psychiatric institutions. His interest, unique at the time, was twofold: to assess the art as creative work, and to use it as a way of studying mental illness. Prinzhorn's Collection attracted the attention of many artists, including Paul Klee and Oskar Schlemmer, but by the 1930s, when the Nazis declared such work 'degenerate,' the Collection fell into disrepair.Only in recent decades has it been properly restored and made available for a wider public. This catalog accompanied the first exhibition in Britain to foreground the Prinzhorn Collection as a whole. The works represented in these pages defy simple categorization. The range is extraordinary and the art's startling sophistication, inventiveness, and beauty inevitably prompt comparison with such artists as Max Ernst and the Surrealists and with Jean Dubuffet. Three texts are immensely helpful in providing an understanding of the Collection's importance: Bettina Brand-Claussen deals with the Collection's origins within the changing culture of postwar Europe; Inge Jadi offers a meditation on the ethical, interpretative, and aesthetic questions in presenting the Collection; and Caroline Douglas sets Prinzhorn's endeavor within a broader historical and intellectual context. Questions surrounding art and madness are endlessly fascinating, no more so than today, as science moves to unlock the mysteries of the mind. The Prinzhorn Collection will do much to inspire continuing debate on the links between creativity, rationality, and illness. Bestandsnummer des Verkäufers MK-BT87-7MIK
Anzahl: 1 verfügbar
Anbieter: YESIBOOKSTORE, MIAMI, FL, USA
paperback. Zustand: As New. Bestandsnummer des Verkäufers 0520217403-VB
Anzahl: 1 verfügbar
Anbieter: GoldBooks, Denver, CO, USA
Paperback. Zustand: new. New Copy. Customer Service Guaranteed. Bestandsnummer des Verkäufers 93P42_88_0520217403
Anzahl: 1 verfügbar
Anbieter: BWS BKS, Ferndale, NY, USA
Paperback. Zustand: New. 0.75 x 11.25 x 9.12 Inches. Bestandsnummer des Verkäufers 85354
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