This detailed study of the earliest opera to have gained a foothold in the modern repertoire has three main sections, with contributions from experts on various aspects of the opera’s history and performance.
The book begins with a historical section, in which all the known evidence about the creation and early performances of "Orfeo" is drawn together and evaluated. The first chapter recounts the story of the early Mantuan performances, with the aid of hitherto unpublished contemporary correspondence (the texts of the letters are given, in Italian and English, in an appendix). The sources of the libretto are studied in this section, and the text of the original ending of the opera is given together with an English translation. This section ends with a detailed analytical synopsis of the opera, which considers (among other points) the reasons for believing that the opera was originally staged without breaks between the acts, and the implications of this for performers and critics today.
The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay on the opera by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of "Orfeo." The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems that it poses in performance.
This book--essential reading for all students of Monteverdi and of the early history of opera--will also enhance the enjoyment of opera-goers and record-collectors alike.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
This detailed study of the earliest opera to have gained a foothold in the modern repertoire has three main sections, with contributions from experts on various aspects of the opera's history and performance.
The book begins with a historical section, in which all the known evidence about the creation and early performances of "Orfeo" is drawn together and evaluated. The first chapter recounts the story of the early Mantuan performances, with the aid of hitherto unpublished contemporary correspondence (the texts of the letters are given, in Italian and English, in an appendix). The sources of the libretto are studied in this section, and the text of the original ending of the opera is given together with an English translation. This section ends with a detailed analytical synopsis of the opera, which considers (among other points) the reasons for believing that the opera was originally staged without breaks between the acts, and the implications of this for performers and critics today.
The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay on the opera by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of "Orfeo." The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems that it poses in performance.
This book--essential reading for all students of Monteverdi and of the early history of opera--will also enhance the enjoyment of opera-goers and record-collectors alike.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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Soft Cover. Zustand: Fine. B00K: Fine/As New/, 1999 (illustrator). B00K: Fine/As New/, Light Blue Spine With Title In Black Letters, Soft Cover B00K: Fine/As New/, Pages Are UnMarked, UnOpened, UnRead, Clean and Tight To the Spine. SYNOPSIS: A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance. $48.95. = = This B00K, Is Hard To Find, Will Be Packaged And Shipped = Carefully, To Avoid Shipping Damage And Will Make It, An Excellent Addition To Your Own Personal Library Collection, Or As A Gift. = = World Wide Shipping, AVAILABLE. = =. Bestandsnummer des Verkäufers 001242
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Paperback. Zustand: new. Paperback. A detailed study of the earliest opera to have gained a foothold in the modern repertoire, the book begins with a historical section in which all the known evidence about the creation and early performances of Orfeo is drawn together and evaluated. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of Orfeo. The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems it poses in performance. This detailed study of the earliest opera to have gained a foothold in the modern repertoire has three main sections, with contributions from experts on various aspects of the opera's history and performance. The book begins with a historical section, in which all the known evidence about the creation and early performances of "Orfeo" is drawn together and evaluated. The first chapter recounts the story of the early Mantuan performances, with the aid of hitherto unpublished contemporary correspondence (the texts of the letters are given, in Italian and English, in an appendix). The sources of the libretto are studied in this section, and the text of the original ending of the opera is given together with an English translation. This section ends with a detailed analytical synopsis of the opera, which considers (among other points) the reasons for believing that the opera was originally staged without breaks between the acts, and the implications of this for performers and critics today. The second section of the book includes a detailed history of the rediscovery of the opera; an influential essay on the opera by Joseph Kerman is reprinted here, together with a review by Romain Rolland of the first modern performance of "Orfeo." The final section includes essays by a conductor and a producer who have staged notable performances of the opera in recent years. They explain their approaches to the work, and offer solutions to some of the problems that it poses in performance. This book—essential reading for all students of Monteverdi and of the early history of opera—will also enhance the enjoyment of opera-goers and record-collectors alike. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780521284776