This book of fourteen essays demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary literary theory and interpretive practice.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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HARDCOVER. Zustand: Acceptable. First. Cambridge University Press. HARDCOVER. 1992. 0521401585 :Dust jacket is soiled and scuffed and has a long cut across the front, repaired with tape. Pages are sunned/soiled. From the personal collection of poet/publisher/photographer, Jonathan Williams (1929-2008) at Skywinding Farm, Scaly Mountain North Carolina. 327pp. . Acceptable. First. Bestandsnummer des Verkäufers 0521401585-01
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Not Indicated. First edition. Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. In this volume, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music and the role of aesthetic, historical and cultural understanding in concepts of text/music convergence. These fourteen essays - united here not by a common ideology but by common subject matter - demonstrate how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White locates this ambitious enterprise of contemplating 'music and text' in the larger context of intellectual history. Bestandsnummer des Verkäufers 045651
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