By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.
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By examining the theme of idol-worship in medieval art, this book reveals the ideological basis of paintings, statues and manuscript illuminations that depict the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He links the abhorrence of worshipping false gods in images to an 'image-explosion' in the thirteenth century when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the Gothic style. In attempting to bring the Gothic image to life, Camille shows how images can teach us about attitudes and beliefs in a particular society.
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Versandziele, Kosten & DauerAnbieter: Zoom Books East, Glendale Heights, IL, USA
Zustand: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Bestandsnummer des Verkäufers ZEV.0521424305.G
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Anbieter: Half Price Books Inc., Dallas, TX, USA
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_444099529
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Anbieter: Lavendier Books, Foster, RI, USA
paperback. Zustand: Good. Cambridge University Press; Cambridge, 1992. Trade paperback. Reprint Edition. A Good, binding intact, some handling/scuff marks to covers, bit of cover edge/corner wear, heavy spine fade, small creases top and bottom spine, crease bottom front cover and bottom front cover corner, couple of dog-eared pages, bit of sunning to covers and verso, a good, overall clean and unmarked copy in wraps. 8vo[octavo or approx. 6 x 9], 407pp., notes, indexed. We pack securely and ship daily w/delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book. Bestandsnummer des Verkäufers SKU1044602
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Anbieter: Emile Kerssemakers ILAB, Heerlen, Niederlande
Study in English examining the theme of idol-worship in medieval art, revealing the ideological basis of paintings, statues, and manuscript illuminations depicting the worship of false gods in the 13th and 14th centuries. The author explores how images of idolatry represented those outside the Church?pagans, Muslims, Jews, heretics, homosexuals?shedding light on medieval society's views of 'others' and itself. The book includes 181 black-and-white illustrations. Bound in softcover, it comprises 442 pages and measures 25.6 x 17.7 x 2.9 cm. Very good, see picture. 1100g. Bestandsnummer des Verkäufers 78304
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Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Softcover. Red, white pictorial wraps with black lettering, xxxii, 407 pp., bw illustrations throughout. "This book examines the theme of idol-worship in medieval art. Michael Camille reveals the ideological basis of paintings, statues, and manuscript illuminations that depicted the worship of false gods in the thirteenth and fourteenth centuries. By showing that images of idolatry stood for those outside the Church - pagans, Muslims, Jews, heretics, homosexuals - Camille sheds light on how medieval society viewed both alien 'others' and itself. He also links the abhorrence of worshiping false gods in images to an 'image-explosion' in the thriteenth century, when the Christian Church was filled with cult statues, miracle-working relics, and 'real' representations in the new Gothic style. The idea of idolatry was used to criticize some of the complex social changes of the period, especially those resulting from the increased secularization of society. Cult and magic images in royal propaganda are examined as are the conventions of courtly love, in which woman were represented on pedestals as objects of desire and simultaneously denigrated as idols of perversity in the eyes of the Church. In attempting to bring the Gothic image to life, Michael Camille shows how images can teach us about attitudes and beliefs in a particular society. His provocative book will be of interest not only to historians of medieval art, but to all scholars concerned with the way representations operate as tools of communication in society." - blurb from back of book. G+ (bend in bottom front corner of cover, previous owner's inscription on title page, minimal shelf wear, all pages clear and intact). Bestandsnummer des Verkäufers 181765
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Anbieter: BennettBooksLtd, San Diego, NV, USA
Paperback. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-0521424305
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Anbieter: Toscana Books, AUSTIN, TX, USA
Paperback. Zustand: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Bestandsnummer des Verkäufers Scanned0521424305
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