For this 1996 edition David Nicholls provides an explanatory essay and annotations to Henry Cowell's classic text.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
Contemporary music makes almost universal use of materials formerly considered unusable. These materials are in some degree acceptable to almost all music-lovers, and there is a tendency on the part of critics and the sophisticated public to be somewhat bored by new music which uses only old-fashioned means.
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Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. For this 1996 edition David Nicholls provides an explanatory essay and annotations to Henry Cowell s classic text.InhaltsverzeichnisPart I. Tone Combinations: 1. The influence of overtones in music 2. Polyharmony 3. Tone-quality 4. Bestandsnummer des Verkäufers 446937610
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Hardcover. Zustand: new. Hardcover. Since its original publication in 1930, Henry Cowell's New Musical Resources has become recognized as one of the few seminal technical studies to be written by a twentieth-century composer. In 1971, Virgil Thomson hailed it as "a classic." For this new edition, David Nicholls has provided an explanatory essay and annotations to Cowell's text. The essay traces the sources for the book and attempts to place Cowell's theories in the broader context of musical modernism. Contemporary music makes almost universal use of materials formerly considered unusable. These materials are in some degree acceptable to almost all music-lovers, and there is a tendency on the part of critics and the sophisticated public to be somewhat bored by new music which uses only old-fashioned means. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780521496513
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Hardcover. Zustand: new. Hardcover. Since its original publication in 1930, Henry Cowell's New Musical Resources has become recognized as one of the few seminal technical studies to be written by a twentieth-century composer. In 1971, Virgil Thomson hailed it as "a classic." For this new edition, David Nicholls has provided an explanatory essay and annotations to Cowell's text. The essay traces the sources for the book and attempts to place Cowell's theories in the broader context of musical modernism. Contemporary music makes almost universal use of materials formerly considered unusable. These materials are in some degree acceptable to almost all music-lovers, and there is a tendency on the part of critics and the sophisticated public to be somewhat bored by new music which uses only old-fashioned means. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9780521496513
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