A new analysis of Surrealist collage in France, leading to a radical reassessment of Surrealism.
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Elza Adamowicz is Professor Emerita of French Literature and Visual Culture at Queen Mary University of London
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Soft cover. Zustand: Very Good+. No Jacket. Reprint. Cambridge Studies in French 56, B/W Illustrations, Light Rubbings to the Cover Edges. Bestandsnummer des Verkäufers 002744
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Paperback. Zustand: new. Paperback. Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and Andre Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Peret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative cliches, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs. This book offers a new analysis of Surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. Illustrating many of the collages under discussion, it offers close readings of individual collages and proposes a radical reassessment of Surrealism. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780521619875
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Paperback. Zustand: New. Elza Adamowicz presents an analysis of surrealist collage, both as a technique of cutting and pasting ready made material, and as a subversive and creative strategy. She considers verbal collage, pictorial collage, and the hybrids they generate, and discusses the works of Max Ernst and André Breton, as well as those of Aragon, Brunius, Eluard, Hugnet, Magritte, Péret, Styrsky and others. Focusing on the recycling of art-historical icons, the parodic reworking of narrative clichés, the concept of defamiliarisation of the banal, or the relations between part bodies and totalities, she offers close readings of individual collages, and links specific aspects of collage practice to central issues of surrealist aesthetic and political thought. Throughout this well illustrated study Adamowicz confronts the 'monstrous' nature of collage, grounded on excess and composed of irretrievable fragments and hovering signs. Bestandsnummer des Verkäufers LU-9780521619875
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