Legacy of the Dead (Inspector Ian Rutledge, Band 4) - Softcover

Todd, Charles

Softcover

ISBN 10: 0553583158 ISBN 13: 9780553583151

Verlag: Bantam, 2001

Inhaltsangabe

The weathered remains found on a Scottish mountainside may be those of Eleanor Gray, but the imperious Lady Maude Gray, Eleanor's mother, will have to be handled delicately. This is not the only ground that Inspector Ian Rutledge of Scotland Yard must tread carefully, for the case will soon lead him to Scotland, where many of Rutledge's ghosts rest uneasily. But it is an unexpected encounter that will hold the most peril.

For in Scotland Rutledge will find that the young mother accused of killing Eleanor Gray is a woman to whom he owes a terrible debt. And his harrowing journey to find the truth will lead him back through the fires of his past, into secrets that still have the power to kill.

Über diesen Titel

Über die Autorin bzw. den Autor

Charles Todd is the author of A Test of Wills, Wings of Fire, and Search the Dark. He lives on the East Coast, where he is at work on the next novel in the Inspector Ian Rutledge series, Watchers of Time.

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1
1916 Glasgow

The two women sat huddled together in the small carriage, looking around them in dismay, staring at the filthy, closed-in street, the drunken old man sprawled in one of the doorways, the tall tenements ugly and bleak and perilously ill-kept. There was no grace here, only an air of despondency and gloom and poverty.

"It's a horrible place!" one said at last. She was the elder, but not by much. They were both young and very frightened.

"Are you quite sure this is the street we want? I can't believe--" Her companion, the reins lying in her lap, let the words die.

In answer, the passenger dug in her purse for the tattered piece of paper, pulled it out, and read it again. Her lips were trembling, and she felt cold, sick. "Look for yourself. Oh--" The paper slipped from her fingers, and she caught it just before it tumbled into the fetid running gutter beneath the wheel.

It was the street and the house they had searched over an hour to find.

There was silence, only the rain and the whistle of a train somewhere in the distance making any sound at all. The horse waited patiently.

"You'll remember, won't you?" the older woman went on breathlessly. "I'm Mrs. Cook. And you're Sarah. My mother had a housekeeper called Mrs. Cook. And a sewing woman called Sarah. That makes it easier for me--" She stared at the house. "It's a cursed place, dreadful."

"I only have to remember who you are. And I've called you that all day. Mrs. Cook. Don't fret so -- you'll make yourself ill!"

"Yes." She smoothed the rug across her knees, felt its dampness.

The horse blew, shifting uncomfortably in the rain.

Finally the older woman squeezed her companion's hand and said, "We must go in, Sarah. We're expected. It must be nearly time."

They climbed stiffly out of the carriage, two respectable young women looking as out of place here as they felt. The stench of bad sewers and boiled cabbage, overlaid with coal smoke and dirty streets, heavy in the dampness, seemed to wrap itself around them. A miasma of the city.

They made their way up to the door, stepping over old newsprint and brown sacking that had been turned to the consistency of porridge by the downpour. Lifting the latch, they could just see down a dark, awful tunnel that was only a rubbish-littered hallway but seemed like the final path to hell.

The door they were after was the second on the left, a barely discernible Number Three on a grimy card marking it. Someone shouted "Come!" to their tentative knock, and they found themselves in a bare, high-ceilinged room with a half-dozen broken-down chairs and no windows. It was cold with damp, smelled of cigars and stale beer, and to their fastidious eyes hadn't been cleaned in years.

They could hear someone crying in the next room beyond a second door.

The older woman caught her friend's hand and said, "F -- Sarah -- I'm going to be sick!"

"No, it's only fright. Here, sit down." She quickly found the best chair and brought it forward, then took another one for herself. It wobbled, one leg uneven.

A nondescript paint, peeled from the walls and ceiling, gave the floor a dappled look, and the old brown carpet in the center seemed to be woven of all the hopelessness that had been brought here.

The older of the two began to tremble. "I'm not frightened -- I'm terrified!"

"It will be all right -- wait and see." It was a comforting lie, and they both recognized it for what it was.

They sat there for a time, not speaking, their hands gripped together, their faces blanched with the thought of what must lie ahead. The crying went on and on, and overhead there was the sound of furniture being shifted, first this way, then that, an endless screech that seemed half human, half demon. Somewhere in the hallway a man's voice shouted, and they both jumped.

Watching the inner door, they could feel the minutes drag into the half hour. "Sarah" found herself wishing it would open, then dreading that it would. They'd been here a very long time -- why had no one come out to speak to them? They had been expected at two sharp--

If only the crying would stop--

Suddenly the older woman stood up. "No, I can't do it!" Her voice was thick, unnaturally loud to her own ears.

"You must! He'll kill you if you don't!"

"I'd rather kill myself. Oh, God, I can't carry the memory of this place around with me for the rest of my life, I can't--! It was a mistake, I want to go home! Sarah -- take me home, for the love of heaven, take me home!"

Her friend, compassion in her eyes, said, "You're sure? It's not to be done again? I can't borrow the carriage again without questions being asked."

"No, just take me home!" She was shaking in earnest, cold with dread, cold with fear, cold with the decision she knew she dared not make. Her friend put an arm around her shoulders, and in the hallway, she was sick, leaning there for several minutes in such pain that she seemed to collapse in on herself, frail and helpless. Weak to the point of fainting, her breath a sob, she pressed her forehead against the drab, dirty paint, grateful for its coolness.

They could hear voices behind the other doors, barely muffled -- children crying, a man swearing, a woman singing something mournful and off-key. A cat meowing impatiently, pans banging, and thumps, as if somewhere someone was beating a carpet. But mercifully no one came out into the hall. Still -- they might -- at any moment--

"Can you walk as far as the carriage?" her companion asked softly.

"I must try--" The older woman straightened herself with an effort and pressed a handkerchief to her lips. "I wish I'd never come here -- I wish I'd never heard of this place, much less seen it! If I died, how would I have faced him, with this place on my soul!"

"He would understand. He would. It's what made him special, poor man."

"Yes." They linked arms for comfort and walked unsteadily back to the outside door. It swung open as they reached it, and a man smelling strongly of sweat and too much beer grinned knowingly at them for an instant, eyes raking both of them. The tenants here must be aware of what went on in Number Three. "Sarah" felt herself flush with embarrassment. But the man held the door wide and let them pass unmolested.

It was all the older woman could do to climb back into the carriage. Once there, she slumped to the side, clinging to one of the braces that held the top in place. Her companion gently wrapped the damp blanket around her and looked pityingly at her.

What were they to do? What were they to do?

She took her own seat, remembered she hadn't untied the horse, and climbed down again. Several people were coming down the street now, hurrying past, heads bowed, their shoes splashing in the puddles. Three children, grubby-faced and thin, stopped to stare at her, knowing her for a stranger, before running on. A sudden gust of wind sent skirts whipping, and two houses away a man's hat blew off, to roll down the street like a top. The rain began in earnest and she barked her shin climbing back to her seat. Close to tears herself, she lifted the reins and spoke to the horse. "Walk on."

It was a very long drive back to where they'd come from. Long and cold and wet and dreary. She glanced at the other woman from time to time, saw that she was silently crying with her eyes closed, her lower lip caught between her teeth. Her pale face reflected misery and exhaustion.

I don't know how I'd feel, "Sarah" said to...

Details zur Ausgabe

• Verlag: Bantam
• Erscheinungsdatum: 2001
• Sprache: Englisch
• ISBN 10: 0553583158
• ISBN 13: 9780553583151
• Einband: Taschenbuch
• Anzahl der Seiten: 384
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Buchbär; info@buchbaer.de; ; Weberstr. 67; Osnabrück; 49084; Deutschland