On the Run: A Novel - Softcover

Johansen, Iris

 
9780553586527: On the Run: A Novel

Inhaltsangabe

For eight years, single mother Grace Archer has been living a picture-perfect life raising her daughter on a horse farm in the small town of Tallanville, Alabama. Watching Frankie grow into a talented and confident young girl has made Grace as happy as any mother could hope to be. Happy enough, even, to forget the past. But the past never quite goes away. Which is why a certain charismatic man also moved to Tallanville eight years ago to watch over her.

But when violence threatens to shatter Grace and Frankie's idyllic home, the waiting is over. The ghosts of the past have returned. And they're hungry for blood. Now Grace must resume an identity she thought she had cast off forever, and match wits with an opponent as deadly as he is cunning. The prize: an extraordinary secret that only she can unfold. The forfeit: losing the thing more precious to her than life itself.

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Über die Autorin bzw. den Autor

Iris Johansen is the New York Times bestselling author of many novels, including Killer Dreams, On the Run, Countdown, Firestorm, Fatal Tide, Dead Aim, and No One to Trust. She lives near Atlanta, Georgia.

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1

El Tariq, Morocco


Get the bastard! He's trapped."

The hell he was, Kilmer thought savagely as he gunned the jeep up the hill. He wasn't about to let them catch him when he'd come this far.

A bullet tore past his ear and splintered the windshield.

Too close. They were gaining on him.

He put his foot on the brake and slowed the jeep down.

He swerved around a curve in the road, braced himself, and then jumped into a mud-and-sand-filled ditch at the side of the road.

Christ, that hurt.

Ignore it.

He rolled over and dashed into the brush, watching the jeep roll driverless away from him and then veer toward the edge of the road. With any luck they'd think that shot had struck him and not try to analyze why the jeep appeared uncontrolled.

Now wait for the truck pursuing him.

He didn't have to wait long. The Nissan truck roared around the curve. Two men in the cab. Three in the open back of the truck. The man on the right side of the back was the one with the rifle. He was aiming at the jeep again.

Let them get a little nearer . . .

They were passing him.

Now!

He stepped out of the brush and threw the grenade he'd pulled out of his backpack.

He hit the dirt as the grenade struck the truck and exploded. A second explosion rocked the ground as the gas tank of the truck blew.

His head lifted. The truck was a blackened, flaming ruin; smoke was curling up toward the sky.
And that smoke would be seen for miles.

Move!

He jumped to his feet and started to run toward the glade at the top of the hill.

It took him five minutes to reach it and he was hearing the roar of vehicles behind him when he burst into the glade where the helicopter was hidden. Donavan started the rotors whirling as he caught sight of Kilmer.

"Go!" Kilmer dove into the passenger seat. "Stay away from the road before going south. You might get a bullet in the gas tank."

"I thought from the explosion that you'd taken care of that problem." Donavan lifted off. "Grenade?"
Kilmer nodded. "But there may be more than one truck this time. The first thing they'll do is check the safe when they see that smoke and then they'll call out every man at the compound."

"So I see." Donavan whistled as he saw the line of trucks on the road below. "And one of them has a ground-to-air missile launcher. We'd better get the hell out of this airspace before they spot us. Did you get it?"

"Oh, yes." Kilmer gazed down at the jeweled and embroidered velvet pouch dangling from the gold chain he'd pulled out of his belt pack. The blue sapphire eyes of the two horses whose images were imprinted on the pouch glittered back at him. Deadly. So beautiful. So deadly. He'd already killed seven men today alone to gain possession. Why didn't he feel triumphant? Perhaps because he realized that those lives would probably be only the start of the chaos to follow. "Yes, I got it, Donavan."


Tallanville, Alabama


Talk to him, Frankie," Grace said as she stroked the horse's muzzle. "When you get to the barrier, lean down and tell him what you want him to do."

"And he'll balk just the same." Frankie made a face. "Horses may understand you, but I'm chopped liver to them."

"You don't know until you try. Darling is just having a battle of wills with you. You can't let him have the upper hand."

"I don't care, Mom. I don't have to be boss. If Darling was a keyboard instead of a horse, I might want to assert myself, but I--" She gazed at Grace's face and then sighed. "Okay, I'll do what you say. But he's going to toss me."

"If he does, then fall right, the way I taught you. And then get on him again." She paused. "Don't you know how much it scares me to have you fall? But you love to ride and it was your choice to compete in this show. I don't care whether you win or not, but you have to be prepared for anything that might happen."

"I know." Frankie's smile lit her face. "And I will win. Just watch me." She kicked the palomino and sent him galloping around the ring. She called back over her shoulder, "But it would help if you told that to Darling."

She looked so little on that horse, Grace thought in agony. Frankie was dressed in jeans and a red plaid shirt that made her curly dark hair tumbling out of her helmet look black in the sunlight. She was eight, but she'd always been small for her age and she looked younger.

"She's only a kid, Grace." Charlie had come to stand beside her at the fence. "Don't be so hard on her."

"I'd be hard on her if I let her go through life unprepared." She muttered a prayer beneath her breath as she saw Frankie start the approach to the barrier. "I can't protect her all her life. What if I'm not around? She has to learn how to survive."

"Like you did?"

"Like I did."

Darling was almost on top of the barrier.

Don't balk. Don't balk, boy. Take her over safely.

Darling hesitated, then rose in the air and cleared the barrier.

"Hot dog!" Grace jumped down from the fence as Frankie whooped with glee and then galloped toward her. "I told you that you could do it." When Frankie slipped from the saddle, Grace picked her up and swung her in a circle. "You're incredible."

"Yep." Frankie's grin lit her face. "Maybe you're not the only horse whisperer in the family." She looked beyond Grace to Charlie. "Hot stuff, huh?"

Charlie nodded. "And I thought all that piano playing was ruining you for any decent job." His smile lit his sun-weathered face with slyness. "I might even try to get you a summer job cleaning the stables over at Baker's Farm."

"I get enough of that here." She took Darling's reins and started leading him toward the gate. "And you let me off for piano practice. I don't think Mr. Baker would do that. He likes hillbilly music."

"After you take care of Darling, shower and change your clothes," Grace said. "We have to be at judo class in an hour."

"Right." Frankie took off her helmet and reached up to rumple her curly hair. "And Robert promised to take us out for pizza afterward, Charlie. You're coming, aren't you?"

"Wouldn't miss it," Charlie said. "And if you make it all right with your mom, I'll even put Darling away for you." He grimaced. "Never mind. I'm getting the evil eye for interfering with responsibility."

"She's like that." Frankie led Darling toward the stable. "But I don't mind. I like making Darling comfortable. It sort of pays for all the fun he gives me."

"Like dumping you in the dirt."

"He didn't hurt me."

"Thank God," Grace murmured as she watched Frankie disappear into the stable. "I nearly had a heart attack, Charlie."

"But you made her try again." Charlie nodded. "I know. She has to learn to survive."

"And have a chance at winning. I won't have her beaten down."

"She tickles those keys pretty good. Not everybody has to compete in the ring."

"She's loved to ride ever since you and I taught her when she was three. The piano is her first love and she's brilliant at it. But I'm not having her confined to practice and concert halls. Composing is fulfilling for her too and it doesn't expose her to all the hoopla connected with public life. She's going to have a full,...

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