Stranger in the Room: A Novel (Keye Street, Band 2) - Softcover

Williams, Amanda Kyle

Softcover

ISBN 10: 0553593811 ISBN 13: 9780553593815

Verlag: Bantam, 2013

Inhaltsangabe

“One of the most addictive new series heroines since Stephanie Plum.”—The Atlanta Journal-Constitution

Atlanta private investigator and ex–FBI profiler Keye Street wants nothing more than time alone with her boyfriend, Aaron—but, as usual, murder gets in the way. A.P.D. Lieutenant Aaron Rauser is called to the disturbing scene of the strangling death of a thirteen-year-old boy. Meanwhile, Keye, a recovering alcoholic, must deal with her emotionally fragile cousin, who has her own history of drug abuse and is now convinced that she is being stalked. But all hell breaks loose when another murder—the apparent hanging of an elderly man—hits disturbingly close to home for Keye. Though the two victims have almost nothing in common, there are bizarre similarities between this case and that of Aaron’s strangled teen. With the threat of more deaths to come, Keye works on pure instinct alone—and soon realizes that a killer is circling ever closer to the people she loves the most.
 
Praise for Amanda Kyle Williams and Stranger in the Room
 
“Keye Street remains the most interesting, cynically funny and smart series detective today. . . . The tension buzzes like cicadas on a hot Georgia night and the pace is relentless.”—Seattle Post-Intelligencer
 
“The best fictional female P.I. since Sue Grafton’s Kinsey Millhone.”—The Plain Dealer
 
“Keye Street immediately puts herself in the top echelon of suspense heroes. She’s a mess of fascinating contradictions—effortlessly brilliant on a case, totally inept in managing her own life. She is brutally funny and powerfully human—one of the most realistic protagonists in crime fiction that I’ve had the thrill to read.”—Tess Gerritsen, New York Times bestselling author of Last to Die
 
“There’s a new voice in Atlanta, and her name is Amanda Kyle Williams—captivating, powerful and compelling.”—Julia Spencer-Fleming, New York Times bestselling author of One Was a Soldier
 
“Readers of this fast-paced thriller will be eager for the next Street tale.”—Publishers Weekly

Über diesen Titel

Über die Autorin bzw. den Autor

Amanda Kyle Williams was the author of the Keye Street thriller series, including The Stranger You Seek, which was nominated for both a Townsend Award for Fiction and a Shamus Award from the Private Eye Writers of America, The Stranger in the Room, and Don’t Talk to Strangers. She died in 2018.

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1

It was ten-thirty when I answered the phone, the Thursday night before Independence Day. Atlanta’s tree-lined neighborhoods flew flags in anticipation from front porches and garden stakes. Red, white, and blue ribbons decorated mailboxes. In town, the city’s diverse population celebrated July’s holiday weekend with food and art and music festivals, rooftop bars and ground-shaking fireworks displays.

“I need to see you,” my cousin, Miki, told me.

Oh boy. Miki, the daughter of my adoptive mother’s troubled sister, Florence. She’d lived on a houseboat in her own backyard when Jimmy and I were kids. I hadn’t seen Miki in a couple of months. She was probably embroiled in some drama. She might also be in real trouble. Miki had a flair for trouble.

I was in my office late, catching up on the work I’d put off all week, a last-ditch effort to take a long weekend off. The air-conditioning was working overtime. Atlanta’s smoldering summer had dropped down around us like a burning building.

My name is Keye Street. I run a little detective agency in Atlanta called Corporate Intelligence & Investigations. And when I say “little,” I mean it’s just me and my red-eyed computer guy, Neil Donovan. And when I say “red-eyed,” I mean he probably smoked a joint with his scrambled eggs this morning. My background is in law enforcement, criminology, psychology, and, well, drinking. I was once a criminal investigative analyst in the Behavioral Analysis Unit (BAU) at the Bureau. But I set fire to that and to nearly everything else in my life back then. So this is what I do now. Detective work suits me.

“What’s up, Miki?” I asked. “You okay?”

“No,” said my lovely sandy-haired cousin. Put us side by side and we looked like the photograph and the negative. I’m a Chinese American recovering alcoholic with a southern accent, white parents, and a gay African American brother. Neil is convinced there’s a way to cash in on this—reaching minority status on so many levels. A government program, perhaps. But that’s what happens when you combine Neil’s Generation-Y sense of entitlement with his subversive stoner’s brain.

Neil handles most of the computer searches and I collect the human intelligence, which means I trail around behind certain folks, search their trash, take unwanted pictures of them, listen in on their conversations when I have the opportunity, and generally intrude on their private affairs. It’s all very glamorous. There’s a pile of Little Debbie wrappers and Starbucks cups in my car to prove it. Our client roster is mostly law firms and headhunting agencies, but we’ll work for anyone who wants the secrets swept out from under the rugs. Missing persons, surveillance, bond enforcement, and process serving keep the cash flowing when business slows to a crawl over the winter holidays. But when Atlanta starts to heat up and the glaring southern sun sets our bloodstreams ablaze, when the clothes get skimpy and overworked servers stagger out with trays of frosty pitchers at packed pavement cafés, my phone gets busy. The badly behaved fill my coffers. I’m fine with that. It buys the Krispy Kremes. Original glazed, warm—the current monkey on my back.

“Keye, I need to see you right away,” Miki insisted. “It’s serious.”

I rolled my neck a couple of times. Everything was always massively serious with Miki. I was tired. I’d served two subpoenas today; one of them meant following someone to work, bullying my way into her workplace, and tossing it at her before she could put her coffee down. I then dealt with the cluster-fuck they call a parking system near Fulton County’s courthouse, filed the paperwork for the attorney, left there, and picked up a bail jumper for Tyrone’s Quikbail in East Atlanta and delivered him to the police station. Also, my bitchy cat hadn’t had a shot of half-and-half in hours.

“Someone broke into my house, Keye. I don’t even want to be there right now.”

I grabbed my keys. “I’ll pick you up.” Miki’s Inman Park home was just a few blocks from my North Highland office.

“No. Meet me at Gabe’s. I need to be around people. And I need a drink.”

I picked up my ink pen and bit into it. I needed a friggin’ drink too.

“Keye, please,” Miki said, and I heard it for the first time—genuine fear in my cousin’s voice.

Nine minutes later I pulled into the small parking lot across the street from Gabe’s on Juniper. It was a fireplace bar and restaurant with plush seating and room to lounge, a cigar room, the kind of place that served single malt at exactly the right temperature. In spring and summer, the big deck that edged right up to the street with a view of Midtown’s crowded skyline cranked out gourmet tapas and stayed packed late into the evening. Runoff from the 14th Street Playhouse, the Alliance Theatre, Symphony Hall, and The Fox Theatre, all kept it brimming with hip clientele, multitaskers who can chat with you while conducting text conversations, updating their Facebook status, and Tweeting the wine list.

I saw a crowd in the parking lot as I searched for an empty spot for the Impala. Instinct told me Miki was at the heart of it. Miki always seemed to be putting on some kind of show. I’d never been out with her when she didn’t have an entourage, faithful followers to bask in her brilliant light. It was how she kept everyone at arm’s length while soaking up the adoration she craved.

I parked, took a ticket stub from the attendant, and headed that way. The knot of nicely clad humans loosened just enough for me to glimpse my cousin’s wispy figure at its center. As I moved closer, I smelled something burning and saw a small fire of twigs and leaves and something made of fabric. I stopped on the fringe.

“It’s her black gloves,” the woman next to me whispered reverently. Ah, the black gloves. No need to explain. Everyone in Miki’s life knew about the gloves. They had become a part of Miki’s depression rituals. I think we had all hoped at some point that wearing them would be expression enough of her misery to prevent her from hurting herself again. But the gloves had merely acted as a warning. Someone would find her in the bathtub, on the floor, in the bed, with her veins open and enough barbs in her system to give Keith Richards a run for his money.

I moved through the group and saw Miki standing over the smoldering pile. Someone handed her a champagne flute. She held up the glass dramatically as the last bit of fabric curled into the fire. A cheer went up as she drained her glass.

She spotted me and smiled, raised her voice. “I’ve turned the corner, Keye. The curtain has lifted.” And then she stepped out of the circle and walked away from her fans without so much as a word. She hugged me and whispered: “Be my date tonight. Protect me from the wolves.”

I laced my arm in hers, and we crossed Juniper to Gabe’s, maneuvered our way across the busy patio and went inside. The first whiff of tequila and lime wrapped its arms around me like an old friend. Most of the time now, I don’t even really want a drink. Not when I’m thinking. But when I’m reacting to some trigger—a smell, a certain glass, a social situation—my addict’s brain gets busy romancing the memories—the way that first drink of the day settles in on your stress, the way a good tawny port feels in your mouth and lingers on your lips after a meal. That’s when my...

Details zur Ausgabe

• Verlag: Bantam
• Erscheinungsdatum: 2013
• Sprache: Englisch
• ISBN 10: 0553593811
• ISBN 13: 9780553593815
• Einband: Taschenbuch
• Anzahl der Seiten: 400
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Nicht verfügbar