Faber Playwrights at The National Theatre - Softcover

Hare, David; Stoppard, Tom; Hampton, Christopher; McGuinness, Frank; Harrison, Tony

Softcover

ISBN 10: 0571230768 ISBN 13: 9780571230761

Verlag: Faber & Faber Plays, 2005

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Reseña del editor:

Christopher Hampton, David Hare, Tony Harrison, Frank McGuinness, Tom Stoppard Faber Drama have published some of the seminal plays of the 20th century. To celebrate Faber's 75th anniversary, the National Theatre invited five Faber playwrights to talk about their past work in a series of Platforms. Faber Playwrights at the National Theatre recalls their words in a special volume to be sold exclusively through the NT bookshop.

Biografía del autor:

David Hare was born in Sussex in 1947. He is the author of twenty-eight plays for the stage, sixteen of which have been presented at the National Theatre. They include Plenty, Pravda (with Howard Brenton), The Secret Rapture, Racing Demon, The Absence of War, Skylight, Amy's View, The Blue Room (from Schnitzler), The Judas Kiss, Via Dolorosa, Stuff Happens, The Vertical Hour, Gethsemane, The Power of Yes and South Downs. He has also written English adaptations of plays by Brecht, Gorky, Chekhov, Pirandello and Lorca. His many screenplays for film and television include Licking Hitler, Wetherby, Damage, The Hours, The Reader and Page Eight. Tom Stoppard's work includes Rosencrantz and Guildenstern Are Dead, The Real Inspector Hound, Jumpers, Travesties, Night and Day, Every Good Boy Deserves Favour, After Magritte, Dirty Linen, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, the trilogy The Coast of Utopia and Rock 'n' Roll. His radio plays include If You're Glad I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died, In the Native State and Darkside (incorporating Pink Floyd's Dark Side of the Moon). Television work includes Professional Foul, Squaring the Circle and Parade's End. His film credits include Empire of the Sun, Rosencrantz and Guildenstern Are Dead, which he also directed, Shakespeare in Love, Enigma and Anna Karenina. Christopher Hampton was born in the Azores in 1946. He wrote his first play, When Did You Last See My Mother? at the age of eighteen. Since then, his plays have included The Philanthropist, Savages, Tales from Hollywood, Les Liaisons Dangereuses, White Chameleon and The Talking Cure. He has translated plays by Ibsen, Moliere, von Horvath, Chekhov and Yasmina Reza (including Art and Life x 3). His television work includes adaptations of The History Man and Hotel du Lac. His screenplays include The Honorary Consul, The Good Father, Dangerous Liaisons, Mary Reilly, Total Eclipse, The Quiet American, Carrington, The Secret Agent and Imagining Argentina, the last three of which he also directed, and A Dangerous Method, based on his play The Talking Cure. Appomattox was first presented on the McGuire Proscenium Stage of the Guthrie Theater, Minneapolis, USA, in September 2012 as the centrepiece of a major retrospective of his plays and films. Frank McGuinness was born in Buncrana, Co. Donegal, and now lives in Dublin and lectures in English at University College Dublin. His plays include: The Factory Girls (Abbey Theatre, Dublin, 1982), Baglady (Abbey, 1985), Observe the Sons of Ulster Marching Towards the Somme (Abbey, 1985; Hampstead Theatre, London, 1986), Innocence (Gate Theatre, Dublin, 1986), Carthaginians (Abbey, 1988; Hampstead, 1989), Mary and Lizzie (RSC, 1989), The Bread Man (Gate, 1991), Someone Who'll Watch Over Me (Hampstead, West End and Broadway, 1992), The Bird Sanctuary (Abbey, 1994), Mutabilitie (NT, 1997), Dolly West's Kitchen (Abbey, 1999; Old Vic, 2000), Gates of Gold (Gate, 2002), Speaking Like Magpies (Swan, Stratford, 2005), There Came a Gypsy Riding (Almeida, London, 2007), Greta Garbo Came to Donegal (Tricycle Theatre, London, 2010) and The Match Box (Liverpool Playhouse Studio, 2012).His widely performed versions include Ibsen's Rosmersholm (1987), Peer Gynt (1988), Hedda Gabler (1994), A Doll's House (1997), The Lady from the Sea (2008) and John Gabriel Borkman (2010); Chekhov's Three Sisters (1990) and Uncle Vanya (1995); Lorca's Yerma (1987); Brecht's The Threepenny Opera (1991) and The Caucasian Chalk Circle (1997); Sophocles' Electra (1998) and Oedipus (2008); Ostrovsky's The Storm (1998); Strindberg's Miss Julie (2000); Euripides' Hecuba (2004) and Helen (2009); Racine's Phaedra (2006) and Tirso de Molina's Damned by Despair (2012). Tony Harrison was born in Leeds in 1937. His volumes of poetry include The Loiners (winner of the Geoffrey Faber Memorial Prize), Continuous, v. (broadcast on Channel 4 in 1987, winning the Royal Television Society Award), The Gaze of the Gorgon (winner of the Whitbread Prize for Poetry) and Laureate's Block. Recognised as Britain's leading theatre and film poet, Tony Harrison has written extensively for the National Theatre, the New York Metropolitan Opera, the BBC, Channel 4, the RSC, and for unique ancient spaces in Greece, Austria and Japan. His film Black Daisies for the Bride won the Prix Italia in 1994; this and his volume of film/poems The Shadow of Hiroshima and Other Film/Poems and his feature film Prometheus are published by Faber & Faber. His most recent film/poem was Crossings (LWT), 2002. In 2007 his Collected Film Poetry was published by Faber and his Collected Poems by Penguin. His play, Fram, premiered at the National Theatre in 2008. Tony Harrison was awarded the first PEN/Pinter Prize in 2009.

Über diese Auflage

• Verlag: Faber & Faber Plays
• Erscheinungsdatum: 2005
• ISBN 10: 0571230768
• ISBN 13: 9780571230761
• Einband: Tapa blanda
• Anzahl der Seiten: 128