Inhaltsangabe
Issue 2 of Loops, the biannual journal dedicated to music writing from Faber and Domino Records, hosts essays from Andy Miller (Est-ce, est-ce ce bon?: Serge Gainsbourg in the Culture Bunker), Dan Franklin (Extremely Loud and Incredibly Fast: Napalm Death and the Possibility of Life's Destruction) and Frances Morgan on Red Square's Thirty Three and the resonance of re-discovery after the event.
And then There's The Man Who Wasn't There, Paul Morley's spectacularly honest and revealing portrait of Michael Jackson and his legacy. So much has been written; so little has been said. Morley unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. This expansive essay takes a sober, brave and imaginative perspective on a story that was written before it was told and mythologised before it was considered.
Morley sits alongside Simon Reynolds, Nick Kent, Lavinia Greenlaw, Owen Hatherley, Matt Thorne, Rob Chapman, Rubbish Raver, Miriam Linna, Mark Fisher, Tim Lawrence and Elisa Ambrogio in Loops' second outing.
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Über die Autorin bzw. den Autor
Richard King is the author of Original Rockers (shortlisted for the Gordon Burn Prize and a Rough Trade, The Times and Uncut Book of the Year), How Soon Is Now? (the Sunday Times Music Book of the Year) and The Lark Ascending (a Rough Trade, Mojo and Evening Standard Book of the Year), all published by Faber & Faber. He was born into a bilingual family in South Wales and for the last twenty years has lived in the rural county of Powys, Mid Wales. | @richard_king
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Loops: Issue 02
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Paperback. Zustand: New. Main. Issue 2 of Loops, the biannual journal dedicated to music writing from Faber and Domino Records, hosts essays from Andy Miller (Est-ce, est-ce ce bon?: Serge Gainsbourg in the Culture Bunker), Dan Franklin (Extremely Loud and Incredibly Fast: Napalm Death and the Possibility of Life's Destruction) and Frances Morgan on Red Square's Thirty Three and the resonance of re-discovery after the event.And then There's The Man Who Wasn't There, Paul Morley's spectacularly honest and revealing portrait of Michael Jackson and his legacy. So much has been written; so little has been said. Morley unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. This expansive essay takes a sober, brave and imaginative perspective on a story that was written before it was told and mythologised before it was considered.Morley sits alongside Simon Reynolds, Nick Kent, Lavinia Greenlaw, Owen Hatherley, Matt Thorne, Rob Chapman, Rubbish Raver, Miriam Linna, Mark Fisher, Tim Lawrence and Elisa Ambrogio in Loops' second outing. Bestandsnummer des Verkäufers LU-9780571254798
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Loops (Paperback)
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Paperback. Zustand: new. Paperback. Issue 2 of Loops, the biannual journal dedicated to music writing from Faber and Domino, hosts essays from Andy Miller (Est-ce, est-ce ce bon?: on Serge Gainsboug's flirtation with Nazi chic on Rock Around the Bunker), Dan Franklin (Extremely Loud and Incredibly Fast: on Napalm Death and the Possibility of Life's Destruction) and Frances Morgan on Red Square's Thirty Three and the resonance of re-discovery after the event. And then There's The Man Who Wasn't There, Paul Morley's spectacularly honest and revealing portrait of Michael Jackson and his legacy. So much has been written; so little has been said. Morley unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. This expansive essay takes a sober, brave and imaginative perspective on a story that was written before it was told and mythologised before it was considered. Addicted Jackson. Mutilated Jackson. Abused Jackson. Kennedy, Monroe, Diana: the self-piteous pitiful freak. How did we come to make this man and how did we come to claim him as The King of Pop? Morley sits alongside Simon Reynolds, Nick Kent, Lavinia Greenlaw, Owen Hatherley, Gruff Rhys, Travis Elborough and DBC Pierre in Loops' second outing. 'Most rock journalism is people who can't write interviewing people who can't talk for people who can't read, Frank Zappa said. But he hasn't seen Loops, the sharp new twice-yearly music writing journal from Faber and Faber and the indie record label Domino.'- The Times Presents a portrait of Michael Jackson and his legacy. This title unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780571254798
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Loops: Issue 02
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Taschenbuch. Zustand: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -The second issue of the music periodical, which is the product of a unique collaboration between Domino Records and Faber. Dedicated to engaging, intelligent and diverse writing about music.\\nOriginalBarCode: 9780571254798 208 pp. Englisch. Bestandsnummer des Verkäufers 7059230
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Loops: Issue 02
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Faber & Faber, United Kingdom, London, 2010
ISBN 10: 0571254799
ISBN 13: 9780571254798
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Paperback. Zustand: Very Good. Issue 2 of Loops, the biannual journal dedicated to music writing from Faber and Domino Records, hosts essays from Andy Miller (Est-ce, est-ce ce bon?: Serge Gainsbourg in the Culture Bunker), Dan Franklin (Extremely Loud and Incredibly Fast: Napalm Death and the Possibility of Life's Destruction) and Frances Morgan on Red Square's Thirty Three and the resonance of re-discovery after the event. And then There's The Man Who Wasn't There, Paul Morley's spectacularly honest and revealing portrait of Michael Jackson and his legacy. So much has been written; so little has been said. Morley unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. This expansive essay takes a sober, brave and imaginative perspective on a story that was written before it was told and mythologised before it was considered. Morley sits alongside Simon Reynolds, Nick Kent, Lavinia Greenlaw, Owen Hatherley, Matt Thorne, Rob Chapman, Rubbish Raver, Miriam Linna, Mark Fisher, Tim Lawrence and Elisa Ambrogio in Loops' second outing. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR002441781
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Loops. Writing & Music. Issue 02. An Awfully Big Adventure Paul Morley on Michael Jackson.
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Paperback. Zustand: new. Paperback. Issue 2 of Loops, the biannual journal dedicated to music writing from Faber and Domino, hosts essays from Andy Miller (Est-ce, est-ce ce bon?: on Serge Gainsboug's flirtation with Nazi chic on Rock Around the Bunker), Dan Franklin (Extremely Loud and Incredibly Fast: on Napalm Death and the Possibility of Life's Destruction) and Frances Morgan on Red Square's Thirty Three and the resonance of re-discovery after the event. And then There's The Man Who Wasn't There, Paul Morley's spectacularly honest and revealing portrait of Michael Jackson and his legacy. So much has been written; so little has been said. Morley unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. This expansive essay takes a sober, brave and imaginative perspective on a story that was written before it was told and mythologised before it was considered. Addicted Jackson. Mutilated Jackson. Abused Jackson. Kennedy, Monroe, Diana: the self-piteous pitiful freak. How did we come to make this man and how did we come to claim him as The King of Pop? Morley sits alongside Simon Reynolds, Nick Kent, Lavinia Greenlaw, Owen Hatherley, Gruff Rhys, Travis Elborough and DBC Pierre in Loops' second outing. 'Most rock journalism is people who can't write interviewing people who can't talk for people who can't read, Frank Zappa said. But he hasn't seen Loops, the sharp new twice-yearly music writing journal from Faber and Faber and the indie record label Domino.'- The Times Presents a portrait of Michael Jackson and his legacy. This title unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9780571254798
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Paperback. Zustand: new. Paperback. Issue 2 of Loops, the biannual journal dedicated to music writing from Faber and Domino, hosts essays from Andy Miller (Est-ce, est-ce ce bon?: on Serge Gainsboug's flirtation with Nazi chic on Rock Around the Bunker), Dan Franklin (Extremely Loud and Incredibly Fast: on Napalm Death and the Possibility of Life's Destruction) and Frances Morgan on Red Square's Thirty Three and the resonance of re-discovery after the event. And then There's The Man Who Wasn't There, Paul Morley's spectacularly honest and revealing portrait of Michael Jackson and his legacy. So much has been written; so little has been said. Morley unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. This expansive essay takes a sober, brave and imaginative perspective on a story that was written before it was told and mythologised before it was considered. Addicted Jackson. Mutilated Jackson. Abused Jackson. Kennedy, Monroe, Diana: the self-piteous pitiful freak. How did we come to make this man and how did we come to claim him as The King of Pop? Morley sits alongside Simon Reynolds, Nick Kent, Lavinia Greenlaw, Owen Hatherley, Gruff Rhys, Travis Elborough and DBC Pierre in Loops' second outing. 'Most rock journalism is people who can't write interviewing people who can't talk for people who can't read, Frank Zappa said. But he hasn't seen Loops, the sharp new twice-yearly music writing journal from Faber and Faber and the indie record label Domino.'- The Times Presents a portrait of Michael Jackson and his legacy. This title unravels and indulges the myth to ask just who he was, how we came to piece him together through our collective desires and fears, and why his destiny so inevitably reflected the dysfunctionality of the culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780571254798
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