Cheated: The Inside Story of the Astros Scandal and a Colorful History of Sign Stealing - Softcover

Martino, Andy

Softcover

ISBN 10: 0593311434 ISBN 13: 9780593311431

Verlag: Knopf Doubleday Publishing Group, 2022

Inhaltsangabe

“A baseball book that reads like a spy novel—a story about cheaters and the cheated that has the power to forever change how we feel about the game.” —Brian Williams, MSNBC anchor and host of The 11th Hour
 
The definitive insider story of one of the biggest cheating scandals to ever rock Major League Baseball, bringing down high-profile coaches and players, and exposing a long-rumored "sign-stealing" dark side of baseball

By the fall of 2019, most teams in Major League Baseball suspected that the Houston Astros, winners of the 2017 World Series, had been stealing signs for several years. Deconstructing exactly what happened in this explosive story, award-winning sports reporter and analyst Andy Martino reveals how otherwise good people like Astros manager A. J. Hinch, bench coach Alex Cora, and veteran leader Carlos Beltrán found themselves on the wrong side of clear ethical lines.

Along the way, Martino explores the colorful history of cheating in baseball, from notorious episodes like the 1919 “Black Sox” fiasco all the way to the modern steroid era. But as Martino deftly shows, the Astros scandal became one of the most significant that the game has ever seen—its fallout ensnaring many other teams, as victims, alleged cheaters, or both. Like a riveting true sports whodunit, Cheated is an electrifying, behind-the-scenes look into the heart of a scandal that shocked the baseball world.

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Über die Autorin bzw. den Autor

ANDY MARTINO has written about sports, culture and entertainment, and has covered Major League Baseball for more than a decade. A former staff writer at the Philadelphia Inquirer and New York Daily News, he is currently a reporter and analyst covering MLB for the SNY network in New York.

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Chapter 1

How We Got Here

Were the Astros part of a long tradition of sign stealing? Or were they outliers, worse than anyone else in history?

The answer is, well, both. What Houston did was the logical extension of more than a century of teams looking for an edge on the fringes of legality. But it was also new and different from anything that came before it.

It’s important to understand the history.

The art of sign stealing stretches back at least to the days when Chester A. Arthur was president. It began with eyes, opera glasses, primitive buzzers, and scoundrels who sang in a cappella groups. As the twentieth century progressed, sign stealing claimed victims—most memorably, it rattled the gentle soul of Brooklyn Dodgers pitcher Ralph Branca—and expanded to include new tools. By the turn of the millennium, Branca’s son-in-law Bobby Valentine would innovate the use of scouting cameras to decode opponents’ signs. Later, the Astros pushed more advanced experiments with tech beyond the bounds of legality.

Those characters and teams would all emerge as important points on the continuum. But our story begins with the most notorious sign thief of baseball’s early years, a man clever enough to pull off a scheme remarkably similar to what the Astros would execute a full 117 years later.

In the winter following the 1899 season, a lifelong reprobate and current Philadelphia Phillies utility man named Pearce Chiles, whose nicknames included “Petey” and “What’s the Use,” spent a day at the racetrack in New Orleans. When Chiles looked through a pair of field glasses to better see the horses, he noticed something else just past the track: a high school baseball game—and a clear view of the catcher’s hands and signs.

Chiles had an idea.

This was a man always willing to bend rules, not to mention laws, in the name of personal gain. Born Pearce Nuget Chiles on May 28, 1867, in Deepwater, Missouri, he was a baseball vagabond by his teens, drifting for many years between minor league teams in cities ranging from Topeka to Little Rock, Scranton to Hot Springs. When opposing batters would hit pop-ups, Chiles often mocked them by shouting, “What’s the Use?” before catching them with a flourish. By 1895 newspapers were using that as his nickname.

During that period, Chiles acquired more than just a memorable sobriquet. He also built a criminal résumé. On July 10, 1895, Chiles’s mother died, and he likely traveled to Missouri for her funeral. The following February, when Chiles was in Phoenix for a winter league, the Los Angeles Times reported that he was “wanted in Missouri for illicit relations with a sixteen-year-old girl [in Deepwater]. As the age of consent in that State is eighteen years, the charge against him is constructive rape.”

Chiles managed to escape Phoenix before the authorities caught up with him, and he played that summer in Shreveport and Galveston. Over the next few years he continued to get himself into and out of trouble with local law enforcement.

He also developed a reputation as a savvy baseball man. In 1898 he signed on as player/manager for the Atlantic League’s Lancaster Maroons, and led the team to an 82-50 record. The following year, he received an invitation to the Phillies’ spring training camp in Charlotte, North Carolina.

Chiles was a thirty-three-year-old bench player who had never reached the big leagues. But in Charlotte, he clicked with his new team, which included future Hall of Famers Ed Delahanty, Elmer Flick, and Napoleon Lajoie. Initially playing against the Phillies on an intrasquad team called the Yannigans, Chiles performed well enough to get reps with the varsity. He also fit in socially, earning the respect of his new teammates by knowing his way around a pool hall—and, of all things, an a cappella singing group.

That spring, first baseman Duff Cooley started a quintet with third baseman Billy Lauder, pitcher Red Donahue, and shortstops Monte Cross and Dave Fultz. The group serenaded local women with hits of the day like “The Bridge the Heart Burned Down” and “You’ll Get All That’s Coming to You.”

Noticing that the ladies of Charlotte were sufficiently impressed, catcher Morgan Murphy wanted a piece of the action. He formed a rival group, harmonizing with Chiles, Delahanty, and Flick, and focusing more on comedic material.

Chiles broke camp with the team, and performed well that season in a reserve role, batting .320 in 356 plate appearances, with 76 runs batted in. He also contributed as a part-time baserunning instructor.

The Phillies invited Chiles back for the 1900 season, and used him as third-base coach on the many days when he was not playing. It was in that role that he would make his mark as one of the earliest known adopters of methods that laid the groundwork for the Astros’ later trickery.

Thinking back to that winter day when he saw the high school catcher’s hands through his field glasses, Chiles hatched a plan with his singing partner Murphy, who, as the backup catcher, did not often play. While Chiles coached third, Murphy would position himself beyond the center field wall, looking at the opposing catcher with a pair of opera glasses. The two wired up a system where Murphy could send a small electric shock to a device under the dirt in the third-base coach’s box, indicating what pitch was coming. Chiles, feeling the pulses through his feet, would then relay it to the batter either verbally or through hand signals.

For months, opponents muttered about suspicious activity. Why was Murphy never in the dugout? And why did Chiles always stand in the same spot in the coach’s box? And what, for that matter, was with all the twitching?

The gossip and innuendo escalated as the summer progressed, but no one could prove what Chiles and Murphy were up to. By mid-season, a Philadelphia paper joked that Chiles had the disease of Saint Vitus’ dance, but only in his legs.

In September, suspicion boiled over during a doubleheader in Philadelphia between the Phillies and the Reds. In the third inning of the first game, Reds shortstop and captain Tommy Corcoran sprinted to the third-base coach’s box and dug frantically at the dirt with his spikes.

The Phillies’ groundskeeper quickly followed and confronted Corcoran, angry that someone was destroying his work. Both benches emptied, and soon police were on the field, trying to settle the commotion.

Corcoran had dug deeply enough to find a wooden board, which turned out to be the lid of a box containing a tangle of wires.

The Reds felt validated, but the Phillies continued to deny any sign stealing. Umpire Tim Hurst ordered the teams to resume play.

The day after the kerfuffle with Corcoran and the Reds, Phillies manager Billy Shettsline publicly denied any knowledge of a buzzer device. Opponents and reporters remained skeptical, and the papers began referring to Morgan Murphy as “the Thomas Edison of baseball.”

On September 19, Chiles conceived a mischievous response to the Reds’ accusations. Arriving at the ballpark early that day, he dug a hole in the first-base coach’s box and buried a single piece of wood.

That day, coaching first instead of his usual third base, he began twitching and shaking his legs. That provoked Corcoran and several teammates to rush from the dugout and repeat their aggressive digging. But this time they turned up only the lone piece of wood, and Chiles had a good laugh.

Nevertheless, anger and suspicion followed the Phils. When the team played in Brooklyn on September 26, Brooklyn Superbas manager...

Details zur Ausgabe

• Verlag: Knopf Doubleday Publishing Group
• Erscheinungsdatum: 2022
• Sprache: Englisch
• ISBN 10: 0593311434
• ISBN 13: 9780593311431
• Einband: Taschenbuch
• Anzahl der Seiten: 304
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: gpsr@libri.de; gpsr@libri.de; ; Friedensallee 273; Hamburg; 22763; Deutschland