"The End of Men is a fiercely intelligent page-turner, an eerily prescient novel, at once thoughtful and highly emotive." --Paula Hawkins, #1 internationally bestselling author of The Girl on the Train
Set in a world where a virus stalks our male population, The End of Men is an electrifying and unforgettable debut from a remarkable new talent that asks: what would our world truly look like without men?
Only men carry the virus. Only women can save us all.
The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.
What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the "male plague"; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility, and the meaning of family.
In The End of Men, Christina Sweeney-Baird turns the unimaginable into the unforgettable.
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Christina Sweeney-Baird was born in 1993 and grew up in London and Glasgow. She studied Law at the University of Cambridge and graduated with a First in 2015. She works as a corporate litigation lawyer in London. The End of Men is her first novel.
Catherine
London, United Kingdom
Five Days Before
Do you need to dress up for Halloween if you're a parent? This has never been an issue before. Theodore turned three a few months ago so until now I've just dressed him up as something cute (a carrot, then a lion and then an adorable fireman with a fuzzy helmet) and taken photos of him in the house. I don't want to be a boring parent who everyone thinks is snooty and above the joy of dressing up. I also don't want to be embarrassingly keen. Do all the other parents make an effort? Do any of them? Why does no one ever explain this stuff to you in advance?
Beatrice, my only real friend at Theodore's nursery, said she would rather die than dress up in something flammable but she works in investment banking and buys £2,000 handbags when she's "had a bad day" so I don't think she's necessarily a good indication of what the other mothers in this quiet part of South London will do.
I'm eyeing up the costumes uneasily. "Sexy witch." No. "Sexy Handmaid's Tale Handmaid." Will get me banned from the St. Joseph's Parent Teacher Association for life. "Sexy pumpkin." Nonsense. What would Phoebe do? She's the most sensible and pragmatic of my friends, with an uncanny ability to conjure up an easy answer to a problem as if it had been there, waiting for you all along. Phoebe would say to just wear black and throw on a witch hat, so that's what I decide to do. I suspect the results of Phoebe's daughters' trick-or-treating will be slightly more upmarket than the sweets we'll be collecting tonight. She lives in a terrifyingly expensive area of Battersea thanks to a huge inheritance from her father last year. He left her his five-bedroom house with a massive garden but, as she likes to joke, her Roman nose was a steep price to pay.
Looking down at my watch I realize I'm running late for pickup again. I take the hat and leg it to the nursery. I'm charged £20 per five minutes that I'm late, a rate so extortionate I'm tempted to set up my own nursery because it must be the highest legal interest rate in the country.
I do the rushed Hi, hi, hello, yes, I know, late again, despite working from home a lot! Ha! Yes, I am disorganized, funny, hilarious, such humor interaction with the other mothers as I throw myself through the door and pick up a forlorn Theodore.
"Mummy was late again." He sighs.
"Sorry darling, I was buying a witch hat for tomorrow."
His face lights up. The power of distraction. Halloween has suddenly flipped from being a thing he had a remote understanding of last year to being the most exciting event imaginable (until Christmas). This is what I always imagined being a parent would be like. My parents died when I was ten and I don't have any siblings so babyhood was an unpleasant series of surprises. I'm how tired? He's getting sick how often? I feel this lonely? Halloween, Christmas and birthdays are safe spaces in which my dreams of being a perfect, Pinterest mother can be briefly indulged.
We bundle in the door from the cold, and I dive straight into cooking. I've been trying to feed him before Anthony gets home and the chaos of seeing his father leaves vegetables and the appeal of eating forgotten on a sad-looking plate. The negotiations required to ensure a three-year-old eats a reasonably balanced diet know no bounds and tonight's are particularly excruciating. One more pea, and then you can have two more pieces of pasta. Five peas and then you can watch a movie on Saturday.
Anthony arrives home just as Theodore has trudged up the stairs, weary of the requirement to bathe before bed, yet again. He's still on the phone finishing up a work call as he walks in the door. He looks tired and worn. We need a holiday. Now that we're in our mid-thirties I seem to say that every fortnight, even when we've just had a holiday.
Anthony is finally off the call. Something to do with blockchains and other indecipherable words that mean nothing to me. After a decade of marriage, I've happily moved from feeling guilty about my lack of understanding about my husband's work to being merrily ignorant. If an in-depth understanding of your spouse's job was a requirement for a long-lasting and happy marriage, no one would stay married. Besides, Anthony could no more name one of my most recent published papers than I could write a script in Java, a word that never fails to make me think of body lotion before it leads my mind to programming.
I get a hello, a kiss on the cheek and a quick hug before Anthony makes his way upstairs. Bath and bedtime are his. School pickup and dinner are mine. It's a rare and wonderful night when they're shared. As I pour a glass of red wine-stacking the dishwasher can wait, although answering e-mails can't-the thought pops into my head that I couldn't do this if we had another baby. No quiet, tidy-ish kitchen with a glass of wine in hand. No evening stretching ahead of me for conversation with my husband, watching TV undisturbed and a long night of brain-enhancing, relationship-maintaining sleep.
"How was your day?" Anthony is back downstairs. No wine for him tonight, I notice, as he throws some of the pasta I left for him into a bowl.
"Editing, editing, editing. My favorite bit of writing a paper," I say, my sarcasm heavy. One of my tutors at Oxford once told me that becoming an academic meant a lifetime of homework, and I didn't believe her at the time, but God she was right. Three beta readers have all read my latest paper on the differences between parenting styles in Denmark and the UK and their impacts on educational attainment, and somehow they all want the paper to change in different, conflicting ways. By the end of an eight-hour day deciphering the comments, I was so exhausted I wanted to throw my laptop out the window. I suggested hopefully to my lovely boss, Margaret, that that probably meant I could ignore them but she just tutted sternly and told me to have an extra-large glass of wine tonight before picking them back up tomorrow.
I explain the witch costume situation and Anthony looks at me seriously. "That's a good plan," he says. "Plan A: Witch. Plan B: Normal lady in black." The gravity with which he approaches these issues when we discuss them is one of the many things I love about him. He would never say, "This is such a silly conversation, why are we having it?" Once, my friend Libby's ex-boyfriend told her she was being ridiculous raising something-I can't remember what now-when we were having a double date at a sushi place in Soho. Anthony said, without a trace of humor in his voice, "If she's bringing it up then it's not ridiculous. She's not ridiculous."
Libby says Anthony is one of the reasons she's single, because she can see what love should be like. I try to remind her of what we were like at university. We've been together half our lifetimes now. You don't become two halves of a whole overnight. I think I once might have said something about a relationship being a "journey" and Libby refused to talk to me until I'd bought her a double gin and tonic.
After Anthony has finished clearing the plates away, which I kind of, sort of, definitely left for him to do because he's tidier than I am, I sit back with a contented sigh. He's looking at me intensely. He either wants to have sex or he wants to have the big F conversation. To have IVF or not to have IVF? The question that couples have only had the luxury of pondering for forty years. I saw in Anthony's work diary a capital F in the corner of the page for Friday a few months ago. Immediately I assumed, despite no evidence whatsoever, that he was having an affair. Freya? Flora? Felicity? Who is she? For a few weeks I kept dropping women's names starting with F...
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Paperback. Zustand: Very Good. "The End of Men is a fiercely intelligent page-turner, an eerily prescient novel, at once thoughtful and highly emotive." --Paula Hawkins, #1 internationally bestselling author of The Girl on the Train Set in a world where a virus stalks our male population, The End of Men is an electrifying and unforgettable debut from a remarkable new talent that asks: what would our world truly look like without men? Only men carry the virus. Only women can save us all. The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world. What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the "male plague"; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility, and the meaning of family. In The End of Men, Christina Sweeney-Baird turns the unimaginable into the unforgettable. Bestandsnummer des Verkäufers 00110879108
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Paperback. Zustand: Good. "The End of Men is a fiercely intelligent page-turner, an eerily prescient novel, at once thoughtful and highly emotive." --Paula Hawkins, #1 internationally bestselling author of The Girl on the Train Set in a world where a virus stalks our male population, The End of Men is an electrifying and unforgettable debut from a remarkable new talent that asks: what would our world truly look like without men? Only men carry the virus. Only women can save us all. The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world. What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the "male plague"; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility, and the meaning of family. In The End of Men, Christina Sweeney-Baird turns the unimaginable into the unforgettable. Bestandsnummer des Verkäufers CIN0593328132G
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