The first Virgil Flowers novel from #1 New York Times bestselling author John Sandford.
“Virgil Flowers, introduced in bestseller Sandford’s Prey series, gets a chance to shine...The thrice-divorced, affable member of the Minnesota Bureau of Criminal Apprehension (BCA), who reports to Prey series hero Lucas Davenport, operates pretty much on his own..”*
He’s been doing the hard stuff for three years, but he’s never seen anything like this. In the small rural town of Bluestem, an old man is bound in his basement, doused with gasoline and set on fire. Three weeks before, a doctor and his wife were murdered. Three homicides in Bluestem in just as many weeks is unheard of. It’s also no coincidence. And it’s far from over...
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John Sandford is the pseudonym for the Pulitzer Prize–winning journalist John Camp. He is the author of twenty-six Prey novels (most recently Extreme Prey); four Kidd novels; eight Virgil Flowers novels; two YA novels coauthored with his wife, Michele Cook; and three other books, including Saturn Run. He lives in Santa Fe, New Mexico.
DARK OF THE MOON
ALSO BY JOHN SANDFORD
Rules of Prey
Shadow Prey
Eyes of Prey
Silent Prey
Winter Prey
Night Prey
Mind Prey
Sudden Prey
The Night Crew
Secret Prey
Certain Prey
Easy Prey
Chosen Prey
Mortal Prey
Naked Prey
Hidden Prey
Broken Prey
Dead Watch
Invisible Prey
KIDD NOVELS
The Fool’s Run
The Empress File
The Devil’s Code
The Hanged Man’s Song
DARK OF THE MOON
JOHN SANDFORD
G. P. PUTNAM’S SONS NEW YORK
Acknowledgment
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Acknowledgment
This book was written in cooperation with my friend Larry Millett, an architectural writer (The Curve of the Arch, Lost Twin Cities), local historian (Strange Days, Dangerous Nights), and occasional novelist (Sherlock Holmes and the Red Demon and four other tales featuring Holmes and Irish barkeep Shadwell Rafferty). Millett was recently described in a general-circulation magazine as “handsome,” which threw me into paroxysms of jealousy, but which, in the end, did not deflect us from our appointed deadline….
—JOHN SANDFORD
1
SIX GARBAGE BAGS full of red cedar shavings, purchased two at a time for a dollar a bag, at midnight, at the self-serve shed at Dunstead & Daughter Custom Furniture, serving your fine cabinetry needs since 1986. No cameras, no lights, no attendant, no theft, no problem.
Moonie stacked the bags in the basement, Cross Canadian Ragweed pounding through the iPod ear-buds, singing about those dead-red lips; then up the stairs, pulling the ear-buds, to where the old man lay facedown on the rug, shaking, kicking, crying, trying to get free. Tied with cheap hemp rope, but no matter. The old man was so old and so feeble that string would have worked as well as rope.
“Please,” he groaned, “don’t hurt me.”
Moonie laughed, a long singing rock ’n’ roll laugh, and at the end of it, said, “I’m not going to hurt you. I’m going to kill you.”
“What do you want? I can tell you where the money is.”
“The money’s not what I want. I’ve got what I want.” Moonie gripped the rope between the old man’s ankles and dragged him to the basement stairs, and then down the stairs, the old man’s face banging down each tread as they went.
“Oh my Jesus, help me,” the old man wept through his bloody lips, his fractured face. “Help me, Jesus.”
Thump! Thump! Thump! Nine times.
“Jesus isn’t going to help,” Moonie said.
The old man pulled it together for a second. “He can send you to hell,” he snarled.
“Where do you think I am, old man?”
“You…”
“Shut up. I’m working.”
GETTING THE OLD MAN onto the bags was the hardest part. Moonie first threw him facedown on the topmost bag, then heaved his feet up. The old man was tall, but frail; eighty-two years old and sedentary and semi-senile, though not so senile that he didn’t know what was happening now. He sank down into the bags of wood shavings and thrashed there, got halfway off, then sank down between them, thrashed some more, then quit. Wood shavings made for the most intense fire, and left no obvious residue; or so the arson fans theorized on the Internet.
Moonie got busy with the first five-gallon can of gasoline, pouring it around the basement, around the bags, soaking the old man with it, the unused wooden canning racks, the seldom used workbench, the stack of aging wooden lawn chairs, and then up the stairs. The old man began thrashing again. Moaning, “Please…”
The first few splashes of gasoline smelled good, like the shot you got when you were pumping gas into your car; but down in the enclosed space, five gallons of gas, the fumes got stiff in a hurry.
“Don’t die on me. Wait for the fire,” Moonie called, backing up the stairs, splashing gas along the steps. The second can was poured more judiciously around the first floor, soaking into the Persian carpets, leaking around the legs of the Steinway grand piano, flowing into the closets. When two-thirds of it was gone, Moonie backed through the kitchen, where the first can, now empty, waited. Moonie would take them. No point in making the arson obvious, though the police would probably figure it out soon enough.
A driving rain beat against the kitchen windows. Ideally, Moonie would have preferred to trail the gas out into the yard, and to touch it off from a distance. With the rain, though, that would be difficult. The rain would wash the gas away as quickly as it was poured. So it would have to be kept inside. A small risk…the fumes boiled unseen around the killer’s ankles, flowing into every nook and cranny.
At the kitchen door, Moonie splashed out a final pool of gas; stopped and looked into the house. The place was huge, expensive, and a wreck. The old man’s housekeeper came in twice a week, did some dishes, washed some clothes; but she didn’t do carpentry, wiring, or plumbing, and the house needed all of it, along with a wide-spectrum exterminator. There were bugs in the basement and bats in the belfry, the killer thought, and then, giggling now, a nut in the kitchen.
The old man cried a last time, faintly audible against the sound of the rain and wind…
“Please, God help me…”
Good to know he was still alive—the old man would get the full experience.
Moonie stepped through the kitchen door onto the back porch, took out a book of matches, scratched one, used that one to set off the entire book. The book cover caught, and Moonie played with it, enjoying the liquid flow of the flame, getting it right, then threw the book toward the pool of gas in the kitchen, turned, and ran out into the rain.
The fire popped to the top of the pool of gasoline, flickered across it, snaked one way into the living room, under the shambles of the once grand piano, and the other way, like a living thing, down the stairs into the basement.
The fumes in the basement were not quite thick enough for a real explosion. The old man, surrounded by bags of wood shavings, heard a whump and felt the sudden searing heat of a blowtorch that burned away all feeling in an instant, and killed in the next.
That was all for him.
2
Coming Up on Midnight
THE RAIN WAS POUNDING down from a wedge of thunderstorms, and Virgil Flowers was running west on I-90, trying to hold the truck against the angling wind. He’d been due in Bluestem before the courthouse closed, but he’d had a deposition with a defense attorney in Mankato. The attorney, a month out of law school with his first criminal case, had left no stone unturned and no verb unconjugated. Not that Virgil blamed him. The guy was trying to do right by his client.
Yes, the gun had been found in that dumpster. The dumpster had not been hauled before Wednesday, June 30, even though...
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