From the co-author of the #1 New York Times bestselling series The Magic Misfits comes a spectacularly creepy novel that will keep you up way past bedtime. Perfect for fans of Scary Stories to Tell in the Dark!
"Grab a flashlight and a blanket—this lives up to its titular claim."— Kirkus Reviews
Amelia is cleaning out her grandmother's attic when she stumbles across a book: Tales to Keep You Up at Night. But when she goes to the library to return it, she's told that the book never belonged there. Curious, she starts to read the stories: tales of strange incidents in nearby towns, of journal entries chronicling endless, twisting pumpkin vines, birthday parties gone awry, and cursed tarot decks. And at the center of the stories lies a family of witches. And witches, she's told, can look like anyone...
As elements from the stories begin to come to life around her, and their eerie connections become clear, Amelia begins to realize that she may be in a scary story of her own...
With hair-raising, spine-chilling prose, Dan Poblocki delivers a collection of interconnected stories that, if you're anything like Amelia, is sure to keep you up late in the night.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Dan Poblocki is the co-author with Neil Patrick Harris of the #1 New York Times bestselling series The Magic Misfits (writing under the pen-name Alec Azam). He's also the author of The Stone Child, The Nightmarys, and the Mysterious Four series. His books, The Ghost of Graylock and The Haunting of Gabriel Ashe, were Junior Library Guild selections and made the American Library Association’s Best Fiction for Young Adults list in 2013 and 2014. Dan lives in Saugerties, New York, with two scaredy-cats and a growing collection of very creepy toys.
Marie Bergeron was born and raised in Montreal. After studying cinematography, she attended École de Design. Her style is inspired by many things, including films and games, contrasting a more graphic approach with organic strokes. Her clients have included Marvel Studios, Paramount Pictures, Warner Bros., Fox Entertainment, and more.
Amelia in the Attic
Amelia discovered the old book lying in a dark corner of her grandmother’s otherwise empty attic. Its paper jacket was missing—the cloth cover a faded red, almost pink. Embossed in silver on its side was a long title that appeared blurry in the dim light. Amelia was struck, however, by the bright white sticker at the bottom of the spine. Someone had typed numbers on it and adhered clear tape to keep it from falling off. She recognized the numbers. Dewey decimals. When Amelia flipped open the cover, she found a paper pocket glued inside, a blue card sticking crookedly out of it. Each line on the card had been marked with purple stamps—days, months, years—going back decades.
What was a random old library book doing up here?
Her grandmother had not resided in this house for a long time, and Amelia missed her with all her heart. If the last due date stamped on the card was correct, Grandmother would owe the library a hefty sum, unless library fines disappeared when you disappeared.
Amelia held the book up to the bulb at the top of the steep steps. The title on the spine glinted again in the light—clearer now. Amelia looked closer.
Tales to Keep You Up at Night.
The title was familiar somehow.
A shiver passed through her.
Grandmother had been interested in science and history and memoirs of writers and artists. Scary stories? Not so much. Amelia wondered if Grandmother had left this book up here on purpose.
When she turned to the steps, there was a skinny silhouette staring up from below. Amelia flinched, then blushed. It was Winter—her little brother. She hadn’t recognized him at first because yesterday, Mom had shaved his head after he’d wiggled during a haircut and her scissors slipped.
Amelia had come up to the attic in the first place partly because Win had been pestering her. Recently, he had lost both of his front teeth and had somehow taught himself a shrieking type of whistle that he alone thought was hilarious.
“What are you doing?” he asked.
“None of your business,” she answered, brushing past him, keeping the book hidden at her hip.
“Want to play a game?”
“I want to be alone.”
“But I’m boo-oored,” Win whined.
“You could help Mom and Mama with Grandmother’s things.”
“Never mind!” he yelled, and took off running down the hallway.
In the ancient house, his every footfall felt like an earthquake. She shut her eyes and let out a long breath. Winter had only been a piece of the reason she’d sought out the attic. The night before, Amelia had dreamed she met with Grandmother up there. She couldn’t remember much of what happened in the dream. Only bits and slices. But she did remember the dream feeling intense enough that it made her wish to come up and explore.
Was that why the book felt familiar? Had she seen it in the dream?
Downstairs in the foyer, cardboard boxes lined the walls. Amelia’s mom was placing paper-wrapped parcels into one of them, and her mama was in the kitchen, pulling dishes off the shelves and lining them up on the countertop.
“What have you got there?” Mom asked.
“An old library book.” An idea struck Amelia. A way to escape her brother for the afternoon. Keeping her voice low so Win couldn’t hear, she added, “I’m going to go return it.”
“Good idea, sweetheart,” Mom answered distractedly. Amelia’s family had been at Grandmother’s old house all weekend, preparing for its sale. Her mothers were both running on fumes. “The library is just down the street.”
“I know where.”
“Take Win . . .”
Amelia opened the front door and slipped outside, pretending to not hear. A brisk breeze mussed her long hair. She zipped up her green canvas jacket, clasping the faded hardcover to her chest.
“Look both ways!” Mama called out from down the hall.
“I will!” Amelia promised.
The door swung shut as Win peeked from the top of the stairs.
***
Down the sidewalk.
Around the corner.
Amelia skipped over the cracks in the concrete, concerned slightly about that old rhyme and her mothers’ backs. You know the one. Then she paused and considered what might happen if she decided to not be so careful.
Amelia was hiding a secret anger, something she hadn’t even shared with her best friends, Scotty and Georgia. She hated that Mom and Mama were clearing out Grandmother’s house, that they were going to sell it. What if Grandmother came back a year after she’d disappeared to find the place empty, her memories discarded? Wouldn’t that only make the time she’d been away from everyone who loved her even harder? Amelia wouldn’t share her frustration with her mothers. Whenever they came to a decision, they stuck with it, no matter what anyone else said, especially she and Winter.
The question of Grandmother’s whereabouts had haunted the family since she’d gone missing. One year earlier, Grandmother was supposed to have arrived for lunch at Amelia’s family’s home, a few towns over, but she’d never shown up. When her mothers went looking for Grandmother, they found her car in the driveway and her house in perfect condition. But there was no sign of her and no clues to where she had gone. The police visited over and over, asking a bunch of questions that the mothers kept from the kids. Amelia begged to know what they’d thought was going on.
Mama and Mom had told Amelia and Winter that Grandmother might have been secretly struggling with a health issue. Dementia, they called it. They’d explained that as certain people grew older, sometimes they became confused. Their brains got sick. Betrayed them. Their memories failed. Sometimes they couldn’t recognize loved ones. If they weren’t under proper care, sometimes they wandered off.
Mama and Mom were certain dementia was the answer. But Amelia wasn’t so sure. Shouldn’t there have been some kind of a clue that Grandmother had been ill? Grandmother had known who Amelia was during a visit the week before the disappearance, and her memory had been perfect. She could recall events from her childhood as if they’d occurred only yesterday. As far as Amelia knew, Grandmother hadn’t once gotten lost walking, shopping, hiking, or driving to pick up her grandkids for an overnight.
The scary thing, they said, was that in Grandmother’s town, there was a creek whose banks rose high during storms. Sometimes, the muddy water rushed ferociously, carrying away fallen branches and bug-eaten tree trunks. Things that sometimes never turned up again.
The search had been extensive. There’d been MISSING posters attached to telephone poles and hung in store windows. Grandmother’s photograph even appeared on the local news. The photo they used was one in which Amelia had also appeared. In it, the two were hugging, their wide smiles crinkling the corners of their eyes. When they showed it on TV, they’d cropped Amelia out, which hurt.
It made her feel like they’d cut off a piece of her body.
Amelia’s anger had sparked a couple months ago, when she’d overheard her mothers speaking late one night after lights out. Mama had been crying in the living room, and Mom was trying to comfort her. They’d said things like, I’m tired of this . . . Want it to be over . . . Just like my father . . . Time to move...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Good. Bergeron, Marie (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc. Bestandsnummer des Verkäufers 00067427073
Anzahl: 5 verfügbar
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Very Good. Bergeron, Marie (illustrator). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc. Bestandsnummer des Verkäufers 00078316524
Anzahl: 1 verfügbar
Anbieter: Greenworld Books, Arlington, TX, USA
Zustand: good. Bergeron, Marie (illustrator). Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. Bestandsnummer des Verkäufers GWV.0593387473.G
Anzahl: 1 verfügbar
Anbieter: Hawking Books, Edgewood, TX, USA
Zustand: Good. Bergeron, Marie (illustrator). Ex-library book with usual markings. Meets or exceeds the good condition guidelines. Nice copy. Five star seller - Buy with confidence! Bestandsnummer des Verkäufers X0593387473X3
Anzahl: 2 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Bergeron, Marie (illustrator). Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 41644668-6
Anzahl: 2 verfügbar
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Bergeron, Marie (illustrator). Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Bestandsnummer des Verkäufers 46464441-6
Anzahl: 3 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Good. No Jacket. Bergeron, Marie (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0593387473I3N10
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Very Good. No Jacket. Bergeron, Marie (illustrator). Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0593387473I4N10
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. Bergeron, Marie (illustrator). Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0593387473I4N10
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Bergeron, Marie (illustrator). Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0593387473I3N10
Anzahl: 1 verfügbar