American Mermaid: A Novel - Softcover

Langbein, Julia

Softcover

ISBN 10: 0593470141 ISBN 13: 9780593470145

Verlag: Knopf Doubleday Publishing Group, 2024

Inhaltsangabe

"Witty and marvelous"(Andrew Sean Greer), this “sublime” debut (NYTBR) tracks a writer adapting her feminist novel into a screenplay must decide which parts of herself are not for sale in a capitalist world run amok. “I’ve never read anything quite like it, and I loved it” (Elizabeth Gilbert).

Broke English teacher Penelope Schleeman is as surprised as anyone when her feminist, eco-warrior novel American Mermaid becomes a best-seller. But when Hollywood insists she convert her fierce, androgynous protagonist into to a teen sex object in a clamshell bra, strange things start to happen. Is Penelope losing her mind, or has her fictional mermaid come to life, enacting revenge against society’s limited view of what a woman can and should be?  

American Mermaid follows a young woman braving the casual slights and cruel calculations of a winner-take-all society and discovering a beating heart in her own fiction: a new kind of mermaid who will fight to keep her voice and choose her place. Brilliantly sharp, funny and thought-provoking” (Madeline Miller), this “absolute weirdo masterpiece” (Jean Kyoung Frazier)” is “a shapeshifting novel composed of wildly divergent elements [which] succeeds brilliantly” (Tom Perotta).

Über diesen Titel

Über die Autorin bzw. den Autor

JULIA LANGBEIN, a sketch and stand-up comedian for many years, holds a doctorate in Art History and is the author of a non-fiction book about comic art criticism (Laugh Lines, Bloomsbury Visual Arts, 2022). She wrote the viral comedy blog The Bruni Digest (2003-7), which reviewed New York Times critic Frank Bruni's restaurant reviews every week, and has since written about food, art, and travel for Gourmet, Eater, Salon, Frieze, and other publications. A native of Chicago, she lives outside of Paris with her family.

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Chapter 1

The novel that I wrote begins with a woman in a wheelchair falling into the sea.

It’s not a comedy. I wrote it alone in a studio apartment in New Haven, Connecticut, at a table on a rug that looked like it had been digested rather than woven. For three years I came home from teaching English to teenagers at Holy Cross, a secular public high school on Holy Cross Avenue, and wrote in an exhausted, anxious daze. I remember the night I started. I had bought a bottle of terrible wine after work. I was writing in my diary, then I was lying to my diary, then I wrote her. I saw her, I felt her: she was not a broken woman but a mermaid after all. Her fear of drowning filled me, and then, buoyed up in drunkenness, I felt my legs twitch with a long-forgotten muscle memory of swimming.

I lie on the giant white raft of my super-king bed, twenty stories up in an executive apartment that I’ve rented for the summer in Los Angeles. I wasn’t pretending to be an executive, and I’m embarrassed at being the wrong person for it. I have nothing but spare time here, as the time-efficient pod-coffee reminds me. I have nothing to scan on the scanner. This place was cheap because it’s in Century City, the uncoolest part of LA. You can see my building with others of its kind: architecturally, they are big-boned admin women in gray pantsuits. Unless I’ve undergone some kind of retinal bleaching in the California sunshine, I think the wall-size windows are made of sunglasses glass, the pervert kind that dim. I feel like a pervert, that mix of irresponsible pleasure and occasional shrugging disgust. Pleasure because I left my teaching job and I have my days free, disgust because of what I’m out here to do. Sometimes I push my nose against the glass wall and look down from my death-defying diving board at the unwalked pavement below, the only part of LA that could just as easily be Stamford, Connecticut. If it weren’t for the chilly stream of panic in my blood that runs on a loop like a corporate courtyard fountain, I’d forget where I was.

American Mermaid was published in December. I was a nobody--no babbling spectral internet persona, just a teacher--and I was told that I was lucky to get an advance of forty-five thousand. It seemed monumental, that sum, and I was grateful for the seventeen grand I pocketed after my agent nibbled and taxes chomped at it. Ten grand paid off my credit card debt. But even having seven thousand extra bucks was thrilling. Unallotted dollars not clothing me or housing me or drunk down inescapably on Friday at a bar three blocks from school.

I was thirty-three and even with my extra money my legs were hairy and my workplace was dirty and it was fine. Then suddenly it seemed the whole world might melt and recool in a smooth new shape.

In the spring, just a few months into the book’s publication, American Mermaid appeared on the Instagram account of a professional internet presence named Stem Hollander, an athletic charmer in his midforties with floppy blond hair and ten cheeky grins, whose humpy Segway salsa dancing gets millions of likes between endorsements of fair-trade avocados and weed-lobby Democrats. After Hollander, the librarians picked it up. Then, to my surprise, some national treasure on the Today show open-throat screamed about it too early in the morning. Thanks to her it was packed up and palleted to Costco, where I’ve seen it myself on a chessboard of hardbacks, a rook’s jump away from Dieting for Joint Health. I did a gimmicky magazine interview where I met a male journalist my age in a leather jacket in Atlantic City at a bar with live mermaid shows. Women with big naturals, their legs bound in plastic tail fins, pretended not to need to breathe, writhing on the other side of a scratched pane while we drank rum runners as if the Garden State Parkway weren’t five miles away. I cried and the journalist described it, which I think got me foreign sales in thirty-six countries.

But Stem Hollander got it all started. He Instagrammed a picture of American Mermaid on his reclaimed marble nightstand. It was sandwiched between Balderdash, a book your uncle definitely read, about a Great Dane in the British Army who changed the course of World War II, and Shots Shots Shots, a memoir by a twenty-four-year-old fashion model that’s been taken as a polemic against recovery. I remember thinking, proud and bewildered, I wonder if this is what it’s like to see your kid walk at graduation, in the lineup between a jock and a twat. I know her so well, but who is my daughter in the world?

She could be a movie star, they told me: immediately after Hollander’s endorsement in April, the film agents came calling. American Mermaid was an action film waiting to happen. With your gift for female-driven action, you play right into Hollywood’s new hunger for ladyplots (I paraphrase, but barely). You could make a mint. When they told me I could be rich, I felt stupid for being so happy with seven thousand dollars, like an adult hugging a teddy bear. But my whole idea of myself was that I would never make any money. I had only gone from less remunerated to lesser remunerated, from funded doctoral student to academic to public school teacher. My other professional fantasies all put my cup yet further from the gushing falls of Mammon: poet, ceramicist, elder-carer. Someone has to set up the internet cemeteries; it might as well be me.

It was therefore completely believable to me when the book began to sell into the tens and then twenties and thirties, and eventually hundreds of thousands, that my cup still rattled hollow. The earnings from the first royalty period paid back the publisher’s advance. The second royalty period, which would begin in July, would last six months, and then the payment would not come for another six to nine months after. When I heard about the success of the book, I often felt like someone else had written it, someone wearing fresh lipstick and signing a deed, while I sat in my familiar studio, drinking coffee that tasted like plastic because my coffee machine is so cheap, it melts itself.

On May 1--International Workers’ Day, whoops--I told my principal, Pamela, a nice lady with a nut-brown pelt helmet, that I was leaving Holy Cross and moving to LA. I was surprised at how sad she seemed about it--not merely annoyed about the hassle of replacing me, but disheartened.

“You’ve been such a gift to our students. They just love you.” She shook her tufted head and looked down at her desk, a bombed city of paper towers.

“No, they don’t,” I said, imagining for a split second the slack-faced, self-absorbed teenagers I spent my days with tearing their shirts and sobbing over my grave. A tiny laugh contracted in my throat. I quickly turned it into a cough. The principal leaned to the side of her desk and pulled the plastic tab on a bulbous blue watercooler. Glub, glub, glub. Over my stage cough, the office resonated with a sound like a blue whale burping from its forehead at forty thousand leagues. She handed me a cup of water.

“They do love you, Penny, and I’m sorry you don’t see that. I hear them talk. And they talk about the books in your class. I get the feeling you crack these books and something of them leaks into real life. I don’t know how you do it, but I hear them talking about characters from these stories like they’re alive and doing things in this world. I’ve been here seventeen years and I’ve never seen anything like it.”

I thought all teenagers were like that: borderless blood sacks where everything intermixes--sex, self-regard, anger, hunger, fiction, feelings.

“I know I can’t keep you here with...

Details zur Ausgabe

• Verlag: Knopf Doubleday Publishing Group
• Erscheinungsdatum: 2024
• Sprache: Englisch
• ISBN 10: 0593470141
• ISBN 13: 9780593470145
• Einband: Taschenbuch
• Anzahl der Seiten: 336
• Kontakt zum Hersteller: EDITIONS GALLIMARD; ufficio.anagrafiche@meli.it; ; Via Verdi, 8.; Assago Milano; 20090; Italien