The Sicilian Inheritance: A Novel - Hardcover

Piazza, Jo

 
9780593474167: The Sicilian Inheritance: A Novel

Inhaltsangabe

NATIONAL BESTSELLER

One of the NY Post's Best Beach Reads, an US Weekly pick for "mystery novels to read on the beach”, a Woman's World "captivating beach read you won't be able to put down this summer" ("a riveting saga"), an Eater food-filled beach read for your summer vacation ("an appealing mix of romantic escapism, whodunit intrigue, and feminist introspection.")

From bestselling author and award-winning journalist Jo Piazza, comes "A Journey to the Boot of Italy, With Murder, Romance and Ricotta” (The New York Times) about a disputed inheritance and a family secret that some will kill to protect . . .

Sara Marsala barely knows who she is anymore after the failure of her business and marriage. On top of that, her beloved great-aunt Rosie passes away, leaving Sara bereft with grief. But Aunt Rosie’s death also opens an escape from her life and a window into the past by way of a plane ticket to Sicily, a deed to a possibly valuable plot of land, and a bombshell family secret. Rosie believes Sara’s great-grandmother Serafina, the family matriarch who was left behind while her husband worked in America, didn’t die of illness as family lore has it . . . she was murdered.

Thus begins a twist-filled adventure that takes Sara all over the picturesque Italian countryside as she races to solve a mystery and learn the story of Serafina—a feisty and headstrong young woman in the early 1900s thrust into motherhood in her teens, who fought for a better life not just for herself but for all the women of her small village. Unsurprisingly the more she challenges the status quo, the more she finds herself in danger.

As Sara discovers more about Serafina, she also realizes she is coming head-to-head with the same menacing forces that took down her great-grandmother. At once an immersive multigenerational mystery and an ode to the undaunted heroism of everyday women, The Sicilian Inheritance is an atmospheric, page-turning delight.

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Über die Autorin bzw. den Autor

Jo Piazza is the international bestselling author of twelve books, including the Good Morning America Book Club pick We Are Not Like Them with Christine Pride. She’s also the host of the critically acclaimed Under the Influence podcast. Her work has been featured in The New York Times and The Wall Street Journal, among other publications. She lives in Philadelphia with her husband and three feral children.

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PROLOGUE
2016

The room was freezing. No windows, one rickety table, two metalchairs.

“L’ha ucciso?” the detective asked with an uncompromising glare.

I was lost in a fog as I blinked up at the kind-eyed older womanthey’d assigned to help translate for me even though I didn’t need her. I understood exactly what he’d asked: Did you kill him?

My whole body ached. At least one, maybe more, of my ribs wasbroken, and the pain in my abdomen throbbed hot and sharp. Fat,salty tears rolled down my cheeks. Not for him, the man up on themountain, the one whose blood was dried on my skin and myclothes. I couldn’t cry for him at all. These tears were for me. Forwhat I was about to lose.

Would I ever see my family again? My daughter? Why had I thought coming here would solve any of my problems?

The questions were merely my brain trying to escape reality becauseI knew exactly what happened up there.

And so, I nodded.

ONE

Sara

Two weeks earlier . . .

I often tried to pinpoint the exact moment when the life I'd worked so hard for began to fall apart. Because there's always a beginning, a place where you've screwed up so badly there's no putting it back together.

It's what happens when you slice through the wrong tendon in a flank of meat. I ran a restaurant for years, but I started as a butcher, so I still think in terms of joints and muscles, the connective tissue of life. Cut the right one and you end up with a perfect steak. Cut the wrong one and the whole system breaks down. The meat falls apart in the places where you want it to stay close to the bone. Once you make that single wrong cut it's nearly impossible to keep everything else intact.

When did I make the wrong cut?

I thought about it, obsessed over it really, as I closed up my restaurant, probably for the very last time. I was so deep inside my memories that I didn't hear the knock on the door. The sound didn't register until it became an unrelenting pounding.

"Mommy, let me in. I need to come in there right now!"

Few things are more persistent than a four-year-old faced with a physical obstacle. Sophie's dad brought her over early. Jack was always early these days, probably because he was trying to catch me doing something he disapproved of.

My body lurched toward my little girl's voice. I flung open the door and the two of us hurled ourselves at one another with a feverish intensity, colliding in a smush of skin and lips and complete and total adoration. I never realized how much I would miss this little creature until I could no longer see her whenever I wanted, until my custody of her hung in the balance.

"Who's my best girl?" I asked her.

"Meeeee. Who's my best mamma?"

"Me?"

"You!" The part that both killed me and kept me getting out of bed every morning was that she meant it. This gorgeous, brilliant child of mine truly thought I was the best despite all recent evidence to the contrary.

Jack, my almost ex-husband, was certain I was no longer the best at anything. I could feel his bitterness as he stood behind Sophie and took in the nearly empty restaurant. The tables, chairs, and furniture I had painstakingly selected only five years earlier had been sold to a new place opening down on Passyunk Avenue. Various kitchen equipment was pushed against the walls, ready to be hauled off to the highest bidder. All that remained was our mascot, a massive plaster pink pig flying from the ceiling, its lips curled in a cheeky smile and the restaurant's name emblazoned on its flank, La Macellaia-the butcher woman.

The plaster pig was a joke at first, before he became the symbol of the place. Jack had him made for me by a local artist. Because for all the years I'd dreamed of having my own restaurant, I'd never believed it was possible. When other people told me it would happen one day I'd laugh like I didn't care if it did or didn't and say, "Sure, when pigs fly." Jack surprised me with the statue on opening night. I wondered when I went from being someone he'd design a custom pig statue for to a person he could barely look in the eye. It happened bit by bit, and then all at once.

I looked up at him, hoping to see some of the old soft devotion but Jack just seemed annoyed and sad. It was impossible to tell what he resented more, me or the restaurant that stole so much time from him and our marriage.

"Let's go outside," I suggested, not wanting to see my failure through his eyes. A small part of me still hoped La Macellaia would reopen in a new location at some point in the future, but I couldn't see how, not with the mountain of debt we'd taken on, the skyrocketing rent, or the nasty rumors that continued to dog me. I knew I'd made so many mistakes with my restaurant. I'd poured my heart and soul into it, but also my hubris. I'd pushed us to expand and grow too fast to make my investors happy, to make them money. I took on more than I could handle, and in the process, I lost almost everything. Another part of me also hoped, on some days, that with the restaurant gone Jack and I might find a way to work things out. But that seemed more unlikely with each passing day. Our marriage had become merely a bundle of services that neither of us could fulfill well enough for the other.

Once we made it to the sidewalk Jack thrust a handful of mail at me.

"This all came to the house for you," he said. Since we separated Jack had been living with Sophie in our sweet little brick row home, the one we bought together the year we got married. It made sense at first, since I worked most nights and could sleep in the studio over the restaurant. But once La Macellaia closed I'd have nowhere to live.

Mixed in with the overdue bills and junk was the letter I'd been waiting for, a brown envelope scrawled in my aunt Rosie's perfect penmanship, gorgeous cursive that only ancient nuns could beat into you.

I didn't want to open it because the second I did, my aunt Rosie's death would be as real as the end of my business and my career. I knew that the letter contained the last words she never got to tell me in person because I was too busy working to go see her one last time. Yet another regret.

Jack cleared his throat the way he did when he was about to say something I wouldn't like. "I hate the idea of Sophie going to your aunt's funeral. She's too little to learn about death."

"Sorry it bothers you. But please be reasonable, Jack. Sophie adored Aunt Rosie as much as I did." I swallowed my irritation and managed a contrite smile. "And all her cousins will be there. It won't be creepy and morbid. Rosie wanted more of a party than a formal church funeral. It'll be fun for Soph."

"A fun funeral? Who throws a party when they die? Your whole family is nuts. Rosie was nuts." His annoyance had nothing to do with the funeral. He was pissed because he was supposed to leave for vacation with his parents and I was making him wait until Sunday night, after the funeral.

"We've gotta get going, sweetie." I said this to Sophie, but really I was saying it to Jack to let him know our conversation was over. "We've got a two-hour drive up to Scranton and Carla is on her way to get us."

"To visit Aunt Rosie?" Sophie jumped up and down and clapped her hands.

"In a way, my love."

"See, she's too young for this, dammit," Jack said.

"Let me handle it," I said with all the conviction I could muster.

He sighed and shoved his hands in his pockets. "You know I loved her too. Rosie."

"Even though she was nuts?" I asked.

He shot me a regretful smile.

"Especially because of that," he mumbled.

It used to be one of the reasons he loved me too.

It was true that my aunt Rosie didn’t want...

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