From the author of Gold Diggers, a biting examination of millennial adulthood, the often fraught conversations around fertility and reproduction, and the painful quest to forge an identity
Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her similarly well-adjusted peers obsess over marriages, mortgages, and motherhood. Sanjana needs to move forward—and finalize her divorce, ASAP.
There’s just one problem: Killian is missing. As Sanjana tries to track him down, she’s bombarded with unnerving calls from women seeking her advice on pregnancy and fertility. Soon, Sanjana comes face to face—literally—with what her life might have been if she’d chosen parenthood. And the road not taken turns out to be wilder, stranger, and more tempting than she imagined.
A darkly funny, vertiginous novel about the dilemmas of procreation, pregnancy, and parenting, Goddess Complex is both a twist-filled psychological thriller and a feminist satire of our age of GirlBosses turned self-care influencers, optimization cults, internet mommy gurus, egg freezing, and so much more.
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Sanjena Sathian is the author of the critically acclaimed novel Gold Diggers, which was named a Top 10 Best Book of 2021 by The Washington Post and a Best Book of 2021 by NPR, Electric Literature, and Amazon. It was longlisted for the Center for Fiction’s First Novel Prize and won the Townsend Prize for Fiction. She is cowriting the screen adaptation with Mindy Kaling’s production company, Kaling International. Her short fiction appears in The Best American Short Stories, The Atlantic, Conjunctions, Boulevard, One Story, and more. Her nonfiction can be found in The New York Times, The Drift, The Yale Review, NewYorker.com, and Lit Hub, among other outlets. She is a graduate of the Iowa Writers’ Workshop and has taught fiction at the University of Iowa, Victoria University of Wellington in New Zealand, and Emory University.
1
Expectations
It began innocuously enough, with a text message from an unknown number that arrived while I was soaping my armpits in the ladies' room of the New Haven train station.
So you and K are back in town
I presumed that the sender had seen me lugging a forlorn expression around campus recently, where I was, in fact, back after a long spell away. Possibly we had even brushed past each other on the train platform moments earlier. I glanced over my shoulder, quickly, as if some figure might materialize from one of the Pepto Bismol-pink toilet stalls. Then I stood, very still, for perhaps half a minute. All was silent. I became suddenly aware of the foolishness of my posture, the way I was leaning toward the mirror, lit by the sickly fluorescence, my true eyes fixed on my reflected eyes, like a cat tensing up at its likeness in a windowpane. I shook off the chill that had run down my neck at the sight of the initial, K.
There had been nasty, disjointed flashes like this all year, as acquaintances whose names I could not remember, whose faces I failed to place, crossed streets or cafés to say hello and, inevitably, ask about Killian. He was, after all, still legally my husband. I usually just said, "Oh, he's out of town," because I could not bring myself to explain the limbo of our situation. I had ghosted him last summer, and we had not spoken in nearly a year. I was something between a wife and an ex-wife, between who I had been and who I would be next.
I pocketed my phone and returned to the task at hand: dabbing my smelly underarms with a damp paper towel. I had stopped shaving (out of laziness rather than self-empowerment) and the more forested my pits grew, the more they seemed to become their own ecological zones. On top of that, I had lost my deodorant, and I could not bathe, as I could not go home: it was commencement weekend on campus, and in order to escape the celebratory crowds of smug families and promising graduates who would emphasize, by contrast, my own pomp-less circumstances, I'd Airbnb'd my place to some undergrad's parents and fled to my friend Lia's, in Brooklyn. My stay had begun pleasantly, until, after I'd poured the four-dollar wine I'd brought as my keep, Lia coyly pushed her glass aside and announced that she was expecting.
"Expecting what?" I asked, absently, thinking of a piece of mail, or another guest.
"Expecting expecting."
Her beam matched the sheen of her stainless-steel appliances. Lia and her husband Gor had recently bought a two-bedroom condo in a new-construction high rise in Dumbo. All the appliances seemed straight out of plastic wrap. I felt like a mannequin in a showroom. In college, Lia had passed one barefoot, braless summer volunteering on a dairy farm, sleeping on alpaca rugs, extolling Diva Cups. More recently, she and Gor, both attorneys at white-shoe law firms, had been featured in a New York magazine piece about millennials' home-buying "journeys." I was still unaccustomed to this new Lia, who had found serenity in her renunciation of renunciation.
My throat clogged, and instead of congratulating her on having become successfully inseminated, I said, "Who the fuck says expecting instead of pregnant?"
Her doll-like features immediately contorted into an expression of utmost sympathy. I grasped that she thought I was jealous.
It was true that my life was increasingly becoming the warped inverse of hers. I'd left Killian the month she and Gor celebrated their two-year wedding anniversary; signed a lease on a dank studio weeks before they closed on the condo. And there was something else, too: unbeknownst to Lia, I had terminated a pregnancy last August. The pregnancy had transformed what had once been my ambivalence about childbearing into a certainty. I could only think: I do not want it in me; I cannot be split.
For weeks after the procedure, I cramped and bled. The doctor said the bleeding went on too long; my womb, she deadpanned, had "relaxed too much."
So, no, I did not envy Lia's forthcoming rascal.
If I coveted anything about her life, it was the glow of comprehensibility that surrounded her. Once, I, too, had made sense, but of late, I was becoming less defined. I seemed to have abdicated my birthright citizenship to the nation of marriage and mortgage and motherhood, and beyond its borders lay uncharted terrain. I did mourn something after the procedure-not a specifically rendered unborn child, some slo-mo picture of a dark-haired creature soaring higher and higher on a bright red swing. (I had not contracted Killian's childhood Catholicism.) Rather, I grieved the loss of a version of me who was more fathomable to the world.
Had I told Lia about the abortion, she would no doubt have glanced, pro forma, at the pink i'm with her mug on her trinket shelf, assuring me (assuring herself) that she bore no judgment. But I feared that everyone I knew had suddenly inherited a capacity for love that I lacked, and I was certain they believed that I was missing out on the Fundamental Mystery of Humankind. So, I kept my choice to myself.
I tried again: "Wow!" I said. "Your baby will be so cute."
Lia bit her lip.
I asked whether she and Gor planned to hyphenate Wojciechowski-Grigoryan.
Her palm flattened against the gleaming black countertop like she was massacring a large bug. "I guess I never told you. I took his name."
She stood abruptly and went to dump her wine in the sink. With her back to me, she began to loop a lock of her blond hair around her index finger, turning the knuckle paper-white, cutting off circulation. She was nervous.
"No. Or, yes," I agreed. "You never told me."
"I knew what you would say." Her vast blue eyes narrowed warningly, puddles shrinking in the sun. "And before you say it, there are a lot of reasons people change their names." Lia enumerated them: being closer, forming a clear family unit. Anyway, what was feminist about being forced to choose between her shitty father's unpronounceable surname and her very nice husband's?
I pointed out that my name is Sanjana Satyananda and Killian's is Killian Bane, but I had not become Sanjana Bane in order to assimilate into an easier identity. Plus, I added, she was blond. She asked what that had to do with anything, and I said it meant she didn't get to complain about her ethnic last name.
Things escalated from there, and in the end, discovering that my dearest, oldest friend had remade her legal identity without informing me led me to snark something half-baked about the ethics of reproducing in the face of climate change. Lia burst into tears, which, while not unheard of in our eighteen years of friendship, made me seem especially cruel now that she was crying for two. Gor soon appeared in the doorway and suggested I leave.
I am an anthropologist, so I know: spinsters make good demons. We infiltrate the bodies and minds of the happily married, sowing discord. We steal babies, kill babies, eat babies. You have to banish us. Out in the field, I knew a female healer who specialized in exorcisms for infertile women. Her instrument of choice was the broomstick, with which she beat barren wives. The wives themselves sought this treatment. Often, they came to the healer knowing exactly what, or who, was to blame for their empty wombs, and they'd tell the healer: my sister, my neighbor, my enemy, she died unfulfilled (which could only mean sonless) and cursed me with this brutal bequest. Then the healer would lift her broom and get to work delivering the blessing of progeny.
Having finished armpit dabbing, I exited the bathroom into the vestibule of the train station. Its high vaulted ceiling, a miniature of Grand Central, reminded me of the...
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