GMA BUZZ PICK • INTERNATIONAL BEST SELLER AND AWARD WINNER • A haunting, virtuosic debut novel about two young men who fall in love during World War I • “Will live in your mind long after you’ve closed the final pages.” —Maggie O’Farrell, best-selling author of Hamnet and The Marriage Portrait
A Best Book of the Year: The New Yorker, The Washington Post, NPR
“In Memoriam is the story of a great tragedy, but it is also a moving portrait of young love, and there is often a lightness to the book.”—The New York Times
It’s 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting.
Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next.
An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut.
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ALICE WINN grew up in Paris and was educated in the UK. She has a degree in English literature from Oxford University. She lives in Brooklyn.
I
ONE
Ellwood was a prefect, so his room that year was a splendid one, with a window that opened onto a strange outcrop of roof. He was always scrambling around places he shouldn’t. It was Gaunt, however, who truly loved the roof perch. He liked watching boys dipping in and out of Fletcher Hall to pilfer biscuits, prefects swanning across the grass in Court, the organ master coming out of Chapel. It soothed him to see the school functioning without him, and to know that he was above it.
Ellwood also liked to sit on the roof. He fashioned his hands into guns and shot at the passers-by.
“Bloody Fritz! Got him in the eye! Take that home to the Kaiser!”
Gaunt, who had grown up summering in Munich, did not tend to join in these soldier games.
Balancing The Preshutian on his knee as he turned the page, Gaunt finished reading the last “In Memoriam.” He had known seven of the nine boys killed. The longest “In Memoriam” was for Clarence Roseveare, the older brother of one of Ellwood’s friends. As to Gaunt’s own friend—and enemy—Cuthbert-Smith, a measly paragraph had sufficed to sum him up. Both boys, The Preshutian assured him, had died gallant deaths. Just like every other Preshute student who had been killed so far in the War.
“Pow!” muttered Ellwood beside him. “Auf Wiedersehen!”
Gaunt took a long drag of his cigarette and folded up the paper.
“They’ve got rather more to say about Roseveare than about Cuthbert-Smith, haven’t they?”
Ellwood’s guns turned back to hands. Nimble, long-fingered, ink-stained.
“Yes,” he said, patting his hair absentmindedly. It was dark and unruly. He kept it slicked back with wax, but lived in fear of a stray curl coming unfixed and drawing the wrong kind of attention to himself. “Yes, I thought that was a shame.”
“Shot in the stomach!” Gaunt’s hand went automatically to his own. He imagined it opened up by a streaking piece of metal. Messy.
“Roseveare’s cut up about his brother,” said Ellwood. “They were awfully close, the three Roseveare boys.”
“He seemed all right in the dining hall.”
“He’s not one to make a fuss,” said Ellwood, frowning. He took Gaunt’s cigarette, scrupulously avoiding touching Gaunt’s hand as he did so. Despite Ellwood’s tactile relationship with his other friends, he rarely laid a finger on Gaunt unless they were play-fighting. Gaunt would have died rather than let Ellwood know how it bothered him.
Ellwood took a drag and handed the cigarette back to Gaunt.
“I wonder what my ‘In Memoriam’ would say,” he mused.
“ ‘Vain boy dies in freak umbrella mishap. Investigations pending.’ ”
“No,” said Ellwood. “No, I think something more like ‘English literature today has lost its brightest star . . . !’ ” He grinned at Gaunt, but Gaunt did not smile back. He still had his hand on his stomach, as if his guts would spill out like Cuthbert-Smith’s if he moved it. He saw Ellwood take this in.
“I’d write yours, you know,” said Ellwood, quietly.
“All in verse, I suppose.”
“Of course. As Tennyson did, for Arthur Hallam.”
Ellwood frequently compared himself to Tennyson and Gaunt to Tennyson’s closest friend. Mostly, Gaunt found it charming, except when he remembered that Arthur Hallam had died at the age of twenty-two and Tennyson had spent the next seventeen years writing grief poetry. Then Gaunt found it all a bit morbid, as if Ellwood wanted him to die, so that he would have something to write about.
Gaunt had kneed Cuthbert-Smith in the stomach, once. How different did a bullet feel from a blow?
“Your sister thought Cuthbert-Smith was rather good-looking,” said Ellwood. “She told me at Lady Asquith’s, last summer.”
“Did she?” asked Gaunt, unenthusiastically. “Awfully nice of her to confide in you like that.”
“Maud’s A1,” said Ellwood, standing abruptly. “Capital sort of girl.” A bit of slate crumbled under his feet and fell to the ground, three stories below.
“Christ, Elly, don’t do that!” said Gaunt, clutching the window ledge. Ellwood grinned and clambered back into the bedroom.
“Come on in, it’s wet out there,” he said.
Gaunt hurriedly took another breath of smoke and dropped his cigarette down a drainpipe. Ellwood was splayed out on the sofa, but when Gaunt sat on his legs, he curled them hastily out of the way.
“You loathed Cuthbert-Smith,” said Ellwood.
“Yes. Well. I shall miss loathing him.”
Ellwood laughed.
“You’ll find someone new to hate. You always do.”
“Undoubtedly,” said Gaunt. But that wasn’t the point. He had written nasty poems about Cuthbert-Smith, and Cuthbert-Smith (Gaunt was almost certain it was him) had scrawled, “Henry Gaunt is a German SPY” on the wall of the library cloakroom. Gaunt had punched him for that, but he would never have shot him in the stomach.
“I think I believe he’ll be back next term, smug and full of tall tales from the front,” said Ellwood, slowly.
“Maybe none of them will come back.”
“That sort of defeatist attitude will lose us the War.” Ellwood cocked his head. “Henry. Old Cuthbert-Smith was an idiot. He probably walked straight into a bullet for a lark. That’s not what it will be like when we go.”
“I’m not signing up.”
Ellwood wrapped his arms around his knees, staring at Gaunt.
“Rot,” he said.
“I’m not against all war,” said Gaunt. “I’m just against this war. ‘German militarism’—as if we didn’t hold our empire through military might! Why should I get shot at because some Austrian archduke was killed by an angry Serb?”
“But Belgium—”
“Yes, yes, Belgian atrocities,” said Gaunt. They had discussed all this before. They had even debated it, and Ellwood had beaten him, 596 votes to 4. Ellwood would have won any debate: the school loved him.
“But you have to enlist,” said Ellwood. “If the War is even still on when we finish school.”
“Why? Because you will?”
Ellwood clenched his jaw and looked away.
“You will fight, Gaunt,” he said.
“Oh, yes?”
“You always fight. Everyone.” Ellwood rubbed a small flat spot on his nose with one finger. He often did that. Gaunt wondered if Ellwood resented that he had punched it there. They had only fought once. It hadn’t been Gaunt who started it.
“I don’t fight you,” he said.
“ϒνῶθι σεαυτόν,” said Ellwood.
“I do know myself!” said Gaunt, lunging at Ellwood to smother him with a pillow, and for a moment neither of them could talk, because Ellwood was squirming and shrieking with laughter while Gaunt tried to wrestle him off the sofa. Gaunt was strong, but Ellwood was quicker, and he slipped through Gaunt’s arms and fell to the floor, helpless with laughter. Gaunt hung his head over the side, and they pressed their foreheads together.
“Fighting like this, you mean?” said Gaunt, when they had got...
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Hardback. Zustand: Very Good. GMA BUZZ PICK * INTERNATIONAL BEST SELLER AND AWARD WINNER * A haunting, virtuosic debut novel about two young men who fall in love during World War I * "Will live in your mind long after you've closed the final pages." --Maggie O'Farrell, best-selling author of Hamnet and The Marriage Portrait A Best Book of the Year: The New Yorker, The Washington Post, NPR "In Memoriam is the story of a great tragedy, but it is also a moving portrait of young love."--The New York Times It's 1914, and World War I is ceaselessly churning through thousands of young men on both sides of the fight. The violence of the front feels far away to Henry Gaunt, Sidney Ellwood and the rest of their classmates, safely ensconced in their idyllic boarding school in the English countryside. News of the heroic deaths of their friends only makes the war more exciting. Gaunt, half German, is busy fighting his own private battle--an all-consuming infatuation with his best friend, the glamorous, charming Ellwood--without a clue that Ellwood is pining for him in return. When Gaunt's family asks him to enlist to forestall the anti-German sentiment they face, Gaunt does so immediately, relieved to escape his overwhelming feelings for Ellwood. To Gaunt's horror, Ellwood rushes to join him at the front, and the rest of their classmates soon follow. Now death surrounds them in all its grim reality, often inches away, and no one knows who will be next. An epic tale of both the devastating tragedies of war and the forbidden romance that blooms in its grip, In Memoriam is a breathtaking debut. Bestandsnummer des Verkäufers 00110711497
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