Judgment Prey (A Prey Novel, Band 33) - Hardcover

Sandford, John

Hardcover

ISBN 10: 0593542819 ISBN 13: 9780593542811

Verlag: G.P. Putnam's Sons, 2023

Inhaltsangabe

Lucas Davenport and Virgil Flowers team up to crack an unsolvable case in this thrilling new novel by #1 New York Times bestselling author John Sandford.

Alex Sand was spending the evening at home playing basketball with his two young sons when all three were shot in cold blood. A wealthy federal judge, there’s no short list of people who could have a vendetta against Sands, but the gruesome murders, especially that of his children, turn their St. Paul community on its head. Sand was on the verge of a major donation to a local housing charity, Heart/Twin Cities, and with the money in limbo, eyes suddenly turn to his grieving widow, Margaret Cooper, to see what she might do with the money. Margaret, distraught over the death of her family, struggles to move forward, and can’t imagine how or why anyone would target her husband.

With public pressure mounting and both the local police force and FBI hitting dead end after dead end, Lucas Davenport and Virgil Flowers are called in to do what others could not: find answers. With each potential lead flawed, Davenport and Flowers are determined to chase every theory until they figure out who killed the Sands. But when they find themselves being stonewalled by the most unlikely of forces, the two wonder if perhaps each misdirection could lead them closer to the truth.

Über diesen Titel

Über die Autorin bzw. den Autor

John Sandford is the pseudonym for the Pulitzer Prize-winning journalist John Camp. He is the author of thirty-one Prey novels; four Kidd novels; twelve Virgil Flowers novels; three YA novels coauthored with his wife, Michele Cook; and three other books.

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Chapter 1

A sullen wedge of gunmetal-colored clouds rolled in from the west, autumn's jackboot crunching down on the Twin Cities. A cold breeze sent fallen leaves skittering along the darkened October streets as a flash of blackbirds passed above the treetops, heading south.

Alex Sand was in the side yard with his boys, Blaine and Arthur, shooting baskets under a yard light. The storm was coming fast. They could smell it, taste it, they could hear the trees bending at the wind front; the falling temperature prickled their skin.

Arthur, the younger son, rolled behind his father who was throwing a pick at Blaine, but Blaine, instead of challenging the pick, rolled the other way and met Arthur coming around, stole the ball, dribbled it once and laid it into the basket.

He rebounded his own shot, made a face at Art and called, "Hey, piggy, piggy, piggy..."

Arthur, who still carried what the family called "baby fat," shouted, "Shut up, you fuck," and both boys took boxing stances, feigning an intention to duke it out right there, with bare fists.

Alex: "Hey, hey, hey... knock it off, both of you. If I hear that word again, Art, I will... tell your mother."

They all laughed at the toothless threat. Alex took the ball from his son, looked up at the darkening sky, and said, "We should get in. It's coming."

They hurried around to the front of the house, shoulders hunched against the first fat drops of cold rain, up the steps across the porch and inside.

They were trailed by the killer, who moved unseen from behind a privet hedge. The killer wore a dark hooded rain suit, glasses, a black Covid mask and thin vinyl gloves. Alex and the kids were only a dozen steps ahead as they went through the door.

The doorbell was right there, but... the door wasn't fully shut. The killer pushed it with a knuckle and as the door swung open, stepped inside. The gun was out and ready. With his off hand, he pushed the door closed behind him.

In the living room, Alex's back was to the killer. Arthur saw the intruder, eyes widened in what might have been recognition, as the killer lifted the gun and fired two shots into Alex's back. Alex staggered and went down.

The boys tried to run, twisting, screaming, stumbling but the gun was right there, only six feet away. The killer shot Arthur first, in the hip, and the boy fell, crying out; Blaine was a step farther away, running toward the kitchen, and the killer shot him in the neck.

Alex had been hit low, and lay face-down on the Persian carpet, one hand blindly groping toward the ebony leg of the grand piano. The killer moved close, and shot him twice more in the back, through the heart. The boys were next, one shot each, the gun dangling from the killer's hand, only eight or ten inches from the boys' heads.

In the deafening silence after the murders, the killer heard the baby begin to cry in a side room used as a day nursery. He went that way. The baby looked up from her bassinet, little blue eyes hazy, lips stretched open and wide, the better to scream, as the killer hovered over her...

A nightmare.

***

Like another one, on the very same day, full of the thunder of guns and the scent of blood on the ground.

Lucas Davenport crashed through a hedge and fired two off-balance shots at a fleeing killer who was too far away for his shotgun. The killer stopped, turned, and fired a long fully automatic burst back at him and Lucas was not too far away for an AR-15.

A bullet hit Lucas's right arm like a blow from a baseball bat and he windmilled the arm backwards as he went down. He screamed, "I'm down, I'm hit." He struggled to get back up, but his right arm hung uselessly. Pushing up with his left, he put the butt of the shotgun on the snow and used his good hand to jack a shell into the chamber.

Virgil Flowers ran up and shouted, "How bad?" and Lucas shouted back, "Go get him . . ." Again on his feet, his right arm flopping at his side, Lucas went after the killer, following Virgil, heard Virgil's shotgun booming in the night, and he kept going, shouted, "Virgil! Coming up behind!"

Virgil shouted something at him and Lucas saw Virgil was bleeding from a head wound, but they both went on, encountered an FBI agent hovering over a wounded agent, kept going.

Virgil was dragging one leg. Lucas realized that he'd been hit there, too, and they went on and then the killer turned again and unloaded another full magazine at them and Lucas got hit in the chest and leg and went down again, and this time, he didn't try to get back up.

He heard more shooting, Virgil's shotgun once, twice, and he thought, Got him, and then blacked out for a moment, came back, looking up at the bare branches of an overhanging maple tree, and the pain came.

The pain came like an ocean wave and dimmed his sight. He groaned, once, and sputtered, and it occurred to him that he might be dying. There was a scuffling nearby, and he turned his head, and saw Virgil crawling across the thin, hard-crusted snow.

He said, he thought, "Help me," as Virgil's face loomed, close, inches above his eyes, and he saw that Virgil was bleeding heavily from the head wound, the blood rolling down his face and into his eyes.

Virgil's face hovered and he asked again, "How bad?"

"I dunno..." And... blackout.

***

An actual nightmare.

When Lucas opened his eyes, he was almost pain-free, though there was an ache in his right shoulder. He was lying on his own bed, in St. Paul. He was warm, safe.

Sweating. He could feel the sweat on his forehead and cheekbones without touching it. He groaned, "Jesus Christ."

He'd never quite pooh-poohed the idea of post-traumatic stress disorder and the flashbacks that came with it, but somewhere in the back of his hockey defenseman brain, he really thought PTSD mostly applied to guys who weren't quite tough enough.

He no longer thought that.

***

He lay in bed for a while, angry at himself for the flashback. He should, he believed, be able to get past them, if only he had the willpower. He also knew he was wrong about that, but couldn’t help believing it anyway.

His wife, Weather Karkinnen, a plastic and reconstructive surgeon, had gone to work before dawn, as she usually did, leaving behind a stack of pillows that smelled lightly of her overnight lotion, a floral scent, maybe wild roses.

He sighed, rolled over, winced as his weight pressed on his injured shoulder, patted Weather's pillow for reassurance that everything was okay. With his feet on the floor, he sat checking for chest pain-almost gone, unless he put pressure on his rib cage-and leg pain. A series of X-rays the previous month confirmed that the leg bone had healed, with a slight deformity that the docs said wasn't important. Lucas wasn't sure he agreed: it still hurt when he jogged.

In the bathroom, he showered, shaved, and inspected himself in the mirror. He was a tall, square-shouldered man, two inches over six feet, with crystalline blue eyes and dark hair now threaded with gray. The gray was gaining but was not yet dominant.

He could see a fresh puckered scar from a bullet wound outside his right nipple, and another bullet scar in the muscle of his right arm, and a pink, six-inch-long surgical scar up the ball of his right shoulder. He had exit wounds on the back of his arm and on his right shoulder blade, another two bullet scars and a surgical scar on his lower right leg, but couldn't see those, only feel them.

He looked too thin. Lucas had two basic body styles: the square, two-hundred-pound light heavyweight boxer style, and the thinner, hundred-and-ninety-pound iron-man style. Usually, when he looked thin, he also looked tough, leathery, because he was training hard. Nothing like a...

Details zur Ausgabe

• Verlag: G.P. Putnam's Sons
• Erscheinungsdatum: 2023
• Sprache: Englisch
• ISBN 10: 0593542819
• ISBN 13: 9780593542811
• Einband: Gebundene Ausgabe
• Anzahl der Seiten: 400
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: gpsr@libri.de; gpsr@libri.de; ; Friedensallee 273; Hamburg; 22763; Deutschland