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Nothing brings neighbors together like someone else’s secrets… At Shelley House, the walls have ears, and they’re attached to a ragtag duo of busybodies ready to pry, snoop, and generally annoy their neighbors into solving a crime.
Seventy-seven-year-old Dorothy Darling has lived in Shelley House longer than any of the other residents, and if you take their word for it, she’s as cantankerous as they come. But Dorothy has her reasons for spying. And none of them require justifying herself to Kat Bennett.
Twenty-five-year-old Kat has never known a place where she felt truly at home, and crumbling Shelley House is no different. Her neighbors find her prickly and unapproachable, but beneath her tough exterior, Kat’s plagued by a guilty secret from her past.
When their apartments face demolition, sworn enemies Kat and Dorothy agree on just one thing: they must save their historic building. But when someone plays dirty—and one of the residents is viciously taken down—Dorothy and Kat seek justice. The police close the investigation too soon, leaving it up to the unlikely amateur sleuths—with a playful Jack Russell terrier at their side—to restore peace in their community.
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Freya Sampson works in television as a creator and executive producer. Her credits include two documentary series for the BBC about the British royal family as well as a number of factual and entertainment series. She studied history at Cambridge University and in 2018 was short-listed for the Exeter Novel Prize. She lives in London with her husband, two young children, and an antisocial cat.
One
Dorothy
Years later, when the residents of Shelley House looked back on the extraordinary events of that long, turbulent summer, they would disagree on how it all began. Tomasz in flat five said it started the day the letters arrived: six innocuous-looking brown envelopes that fell through the communal letterbox one Wednesday morning in May. Omar in flat three claimed the problems came a few weeks later when an ambulance pulled up in front of the building, its siren wailing, and the body was loaded into the back. And Gloria from flat six said her astrologer had told her way back in January there would be drama and destruction in her near future (and, more importantly, that she'd be engaged by Christmas).
But for Dorothy Darling, flat two, there was never any question of when the trouble began. She could pinpoint the exact moment when everything changed: the single flap of a butterfly's wing that would eventually lead to the tornado that engulfed them all.
It was the day the girl with pink hair arrived at Shelley House.
That morning had started out like any other. Dorothy was woken at six thirty by thumping from the flat overhead. She lay in bed for several minutes, her eyes squeezed shut as she chased the last shadows of her dream. When she could put it off no longer, she rose, her knees clicking obstinately as she moved through to the bathroom to perform her morning ablutions. In the kitchen, Dorothy lit the stove with a match and did her morning stretches while she waited for an egg to boil and her pot of English breakfast tea to steep. Once they were ready, she carried a tray through to the drawing room, where she consumed breakfast sitting at a card table in the bay window. So far, so normal.
As she ate, Dorothy observed her neighbors depart the building. There was the tall, ferocious man from flat five, accompanied by his equally ferocious, pavement-fouling dog. Next came the pretty-if-only-she'd-stop-scowling teenager from flat three, staring at her phone and pointedly ignoring her father, who followed her carrying a battered briefcase under one arm and an overflowing box of recycling under the other. As he emptied the contents into the communal bins, a tin can missed the deposit and rolled onto the pavement. The man hurried off after his daughter, oblivious. Dorothy reached for the diary and pencil she kept near at all times.
7:48 a.m. O.S. (3) Erroneous rubbish disposal.
Once the morning rush hour had passed, Dorothy washed up her crockery, dressed, brushed her long silver hair, and put on her string of pearls. She was back at the window by eight fifty, just in time to see the redheaded woman from flat six departing hand-in-hand with her current paramour, a tall, bovine man in a cheap leather jacket. After that there was a lull and Dorothy changed the beds and dusted the picture frames and objets on the mantelpiece, accompanied by Wagner's Götterdämmerung to block out the din from the flat above.
And then, a little after ten, she was brewing her second pot of tea when she heard a tremendous bang from outside. Dorothy abandoned the kettle and rushed to the front window, where she watched an old, ramshackle blue car pull up in front of the building, its rear wheel mounting the curb. A great cloud of black smoke burped from the exhaust pipe as the engine puttered out, and a moment later the door opened and the driver emerged. It was a young person who looked to be somewhere in their twenties, although at first glance, Dorothy was unsure if it was a man or a woman. They had short, unkempt hair dyed a lurid neon pink and were dressed in a pair of dungarees of the sort one might expect a laborer on a building site to wear. The youth did not seem to have any kind of coat or knitwear, despite it being unseasonably cool for early May, and Dorothy could see tattoos snaking up their arms like graffiti. The person reached into the back seat of the car and heaved out a large, well-worn backpack, then kicked the door shut, causing the vehicle to shake precariously. It was only when they turned to face Shelley House that Dorothy realized she was looking at a young woman.
The girl's face gave nothing away as she surveyed the building, but Dorothy could imagine her taking it in with a mixture of apprehension and awe. After all, one did not come across dwellings like Shelley House every day. Built during the reign of Queen Victoria and named after the English Romantic poet, its broad façade was a mixture of precise red brickwork and embossed white masonry, topped by an ornate balustrade. Wide stone steps led up to the imposing front door, over which the words SHELLEY HOUSE, 1891 were engraved in Gothic script. Impressive bay windows framed the door on the first two floors, while the highest floor-once the servants' quarters before the building was converted into flats-had smaller, rectangular dormer windows. Dorothy could still remember the first time she had seen the building herself; how she had stopped in the middle of the pavement and stared, mouth agape, marveling at its grandeur and history. It was the most beautiful house she had ever seen, and Dorothy had pledged there and then that it would become her home. Thirty-four years later, it still was.
The pink-haired girl continued regarding the building, and as her eyes swept along the ground floor they seemed to pause for a moment on Dorothy's window. Dorothy instinctively drew back, even though she knew nobody could see her through the net curtain. Still, she found her heart beating a little faster as she watched the young woman climb the steps and disappear from view at the front door. Who was she coming to visit in the middle of the working day? Perhaps the uncouth new tenant in flat four? Dorothy waited to hear the sound of a distant bell ringing and was therefore utterly confounded when she heard the unfamiliar chime of her own. Good gracious, it was for her! Should she answer it? It had been a long time since Dorothy had had a caller, and the girl hardly looked trustworthy. Perhaps she was one of those scoundrels who preyed on vulnerable elderly people, tricking her way into their homes, robbing them, and then leaving them for dead? Of course, Dorothy was neither vulnerable nor stupid enough to fall for such a trick, but this young rapscallion was not to know that. Should she fetch a knife from the kitchen drawer, just in case?
The bell sounded again, jolting Dorothy. She reached for her pencil-the nib was sharp enough to be used as a weapon, if circumstances required-and moved to her front door. Some years earlier, a previous landlord had installed an overly elaborate entry system whereby when someone rang her bell, a video appeared on a little screen by her door, showing Dorothy who was there and even allowing her to speak to them before she "buzzed" them in. Dorothy had been horrified by it, even when the engineer insisted that the video was one-way and the person outside could not see her. Now she lowered her face so that her nose was almost touching the screen. It showed a grainy black-and-white image of the woman, who was chewing a fingernail as she waited for an answer. What could she possibly want?
The bell sounded a third time, a longer, more persistent ring. Dorothy cleared her throat before she pressed the button labeled intercom.
"Who are you and what do you want from me?" She had to shout to be heard above the third act of Götterdämmerung, which was still playing in the background.
"I've come about the room."
Dorothy frowned. "You must be mistaken. There is no room here, I assure you."
She heard an audible sigh through the intercom. "Has it gone already? You could have let me know; I've driven all the way here especially."
Dorothy bristled at the girl's impertinent tone. "Then you can go back whence you came. And take that...
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