Old Flames and New Fortunes (A Moonville Novel, Band 1) - Softcover

Buch 1 von 2: Moonville

Hogle, Sarah

 
9780593715055: Old Flames and New Fortunes (A Moonville Novel, Band 1)

Inhaltsangabe

Fibs and squabbles and spells . . . oh my!

A small, magical town tucked away in rural Ohio, Moonville is the perfect place for floral witch Romina Tempest to use the language of flowers to help the hopeful manifest love in their lives. After giving up on her own big romance eleven years ago, at least she can bask in others' happily ever afters.

When the shop’s potential financier shares news of his wedding, Romina jumps at the opportunity to discuss the business . . . even if it means she has to fake-date her chaotic colleague Trevor to get an invitation. But all hell breaks loose when she discovers Trevor’s soon-to-be stepbrother is none other than Alex King: her high school sweetheart. Her greatest love. The boy who broke her heart.

What starts as an innocent misunderstanding becomes a weeklong fake-dating scheme, as Romina quickly finds out she can’t deny her connection with Alex. Caught between her livelihood and her heart, Romina must decide if taking a second chance on first love is worth the risk.

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Über die Autorin bzw. den Autor

Sarah Hogle is a mom of three who enjoys trashy TV and provoking her husband for attention. Her dream is to live in a falling-apart castle in a forest that is probably cursed. She is also the author of You Deserve Each Other, Twice Shy, and Just Like Magic.

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Chapter One

Blackthorn:
Our path is beset with difficulties.

Twin purple roses, one bud closed. Love at first sight.

A two-leafed red carnation. I must see you soon.

Eight-and-a-quarter inches of grape ivy. I desire you above all else. The magic hums to let me know I'm on the right track, and I smile, busily fulfilling a pickup order at my luckiest time of day.

It is late April, when flowers have begun to swallow up the stone walls, when it's just warm enough that I can take my coffee in the courtyard at dawn and watch blue chase pink from the sky, stars popping like soap bubbles. My world is alive with the fragrance of freshly turned soil and shivering mist, chickens clucking around my ankles and eating the bugs on the brick pavers before the bugs can eat my crocuses.

To my back is the carriage house I've lived in for the past three years, built in the French country style, with sandy stone and white shutters decorated with moss and ivy. Rows of elevated flower beds burst with riots of hellebores, bleeding hearts, forget-me-nots, bluebells. This courtyard, with its five-foot-tall perimeter and the witch hazel tree that's even older than the neighborhood, flowering quince with peach blooms, the shock of yellow sunrise forsythia-is all my kingdom.

My heart tap-dances to a song in my soul, inherited from my grandmother, who inherited it from hers, and yes, I can believe it. Curious tourists in my family's shop ask me frequently: Do you believe it, truly?

I reach for buttercups-What golden radiance is yours!-but catch my hand drifting, landing inexplicably on blackthorn: Our path is beset with difficulties. My hand jumps back.

"No, it is not," I tell the flowers sternly, plucking a buttercup instead. "Your path is simple and happy, and ends in a September wedding, just like Cecelia dreams." Cecelia, one of my regulars, is determined to turn her boyfriend into a husband. Of course, my flowers won't force him to propose. They'll merely spark an idea in his mind, if magic agrees with the pairing. The spell is informed by the flowers' traditional symbolism and how each flower reacts to the others. The twin purple roses are representative of how they met, the carnation expresses urgency, and the ivy symbolizes how Cecelia feels. They tell a special story, one imbued with magic to help spur on Cecelia's wishes: Once upon a time soon to come, Gustav will happen to be ten minutes early for work, so he'll decide to walk the long way around, passing a jewelry shop. He'll glance in the window, and right there in the front, he'll notice a gem that'll remind him of his beloved Cecelia. Now, magic can tempt Gustav to the shop, but whether he chooses to walk inside is his own business.

I'm pretty sure I invented flora fortunes. I call myself a flora fortunist since "creating floral arrangements using the language of flowers to magically bring a person's romantic hopes to fruition" is a mouthful. Much like tarot or palm readings, I can't cast my own will over a person's destiny. I can only intuit what a person's love life needs and try to attract what they desire-to get the object of their affections to notice them, to get over an ex, or to encourage their ex to get over them. My spells never force love, only open up possibilities.

With the buttercup added to the mix, I'm overcome by a tingly slide of wrongness; whenever I make a misstep, I get a sensation like I've put one foot through a rabbit hole in a field, I've sat in something sticky, or there's dust in my eye. Itching and muck and bad tidings, the dread of having missed an appointment, a phantom popcorn kernel I can't get out of my teeth.

Tossing out the buttercup, I use my pruning shears to snip off six inches of blackthorn (which does not align with Cecelia's hopes for an imminent wedding).

Just like that, the wrongness clears away.

I hear an internal click of a door unlocking: In my mind's eye, light glitters through a keyhole, and with it, a rush of air scented with greenery. The sensation of getting a flora fortune right is different every time-all I know to expect is something wonderful. I close my eyes, bracing-

And taste pumpkin, chocolate chips, brown sugar, and cinnamon on my tongue. The image of my grandmother's beige apron with the red stars stitched on the front pocket, which she wore when I was little, comes rushing back. Licking the icing off my hand while leafing through an American Girl catalogue. Standing on a stool, mixing batter. Traveler's talismans! All in a moment, I've gained access to every lost memory of the little triangular cakes my grandmother used to bake for the autumn equinox, and it's almost as if she's here again.

Every time I weave together a flora fortune the way magic wishes me to, it rewards me with a uniquely pleasant sensation, a ray of happiness that can light up the rest of the day, sometimes a long-forgotten memory unburied. There is no physical, provable indication that a spell has occurred. It all takes place in the heart. And this is why, even though I feel magic's effects as surely as I feel the brush of clothing against my skin, most folks don't believe witchcraft is real.

Ironically, I have trouble explaining my particular magical skill set to other witches, too, since as far as I know, nobody else has this ability. I know a witch who can influence the weather with their emotions, another who has lucky bakes. But magic took note of my keen interest in garden spells and floriography and combined them into a whole new branch just for me.

The symbolic language of flowers is greatly varied: There is Victorian floriography, which is the most well-known. In the Victorian days, you couldn't go around flirting openly with someone you had the hots for because everybody had to conform to oppressive decorum, so you'd wear an apple blossom if you hoped a certain suitor would try a little harder, and that sort of thing. There's also Hanakotoba, Japanese floriography, which, just like Victorian floriography, assigns symbolism to popular plants and flowers. Sometimes, a plant has different meanings across cultures, and sometimes it's more or less universal.

I go with whichever meaning feels right, favoring the more descriptive, poetic ones I've cobbled together from books and websites. Some of the symbolism I even make up myself, if I feel no existing meaning fits.

I stare at the arrangement in my hands. The composition of this magic doesn't strike me as being meant for Cecelia anymore, but I don't get the vibe that it matches any of my other customers' unfulfilled orders, either, so I'm not sure who it might belong to. Whoever it is, the poor thing's love story looks convoluted, with an undercurrent of imminence, of reunion. Cogs whirring, destiny underway.

Clutching the strange bouquet, I step through the back door of the main building, into the wraparound sunroom where more of my flowers grow, accidentally knocking over a planter and spilling soil across the floor. As I sweep it up, I elbow my toadflax, which topples into the arbutus, two plants whose symbolism are total opposites (Be more gentle in your wooing and Be mine, I beg of you). These plants don't like touching each other, clashing energies like an angry cat's bottlebrush tail.

"You all right?" Luna calls out.

I need more room in here goes without saying. "Yeah," I grumble, finishing up the job and heading into The Magick Happens. Built in 1850, the shop predates the town's establishment. A great brick square with glossy black shutters, gas lantern sconces, and a gold, purple, and green medieval banner with a gold cauldron on it that reads the magick happens by the front door, it began its life as a stagecoach inn. In the 1970s, Dottie Tempest purchased what was, at the time, a music store, and abracadabra'd it into a...

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9780349442433: Old Flames and New Fortunes

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ISBN 10:  0349442436 ISBN 13:  9780349442433
Verlag: Piatkus, 2024
Softcover