Kingdom of Devils: A Tale of Murder in the Shadow of the American Revolution - Hardcover

Grandjean, Katherine

Hardcover

ISBN 10: 0593729935 ISBN 13: 9780593729939

Verlag: Random House, 2026

Inhaltsangabe

The chilling account of America's first serial killers, whose brutal string of murders on the post-Revolutionary frontier reveal the violence at the heart of the young United States

No one knew Wiley Harpe’s name in 1797 as he stood in line at the Knoxville Courthouse to register the deed for his new farm, and no one could have imagined how horrifyingly his life would unravel from there. Less than two years from that orderly day, Wiley and his brother, Micajah, having spiraled into debt, would commit a series of murders, their grisly scenes scattered over hundreds of miles of Tennessee and Kentucky countryside. Bodies turned up along roadsides, stuffed into brush. They floated to the surface of muddy brooks. For nine terrifying months, from late 1798 to August 1799, as the Harpes rained hell on society and confounded sheriffs, hillsides and rivers kept coughing up the dead. 

The Harpes killed dozens that year, but why they did it has eluded folklorists and historians for generations. Almost every story imagines that they were motivated by pure bloodlust, but to historian Katherine Grandjean, that's too simple an answer. In Kingdom of Devils, Grandjean uses the story of the Harpe murders to scrutinize the triumphant spirit of the early United States and reveal that independence did not make every man a winner. There were dark sides to the country's recent victory. The Revolution was deeply destabilizing, politically and socially, shaking people free from their families and villages. Even as it built up hope for every man’s success, it stacked the deck against them with the combination of volatile markets and the absence of any safety net for those who fell on hard times, fueling anger and resentment. Unspooling the mystery of what sent the Harpes reeling exposes the hidden, violent legacies of the American Revolution.

For decades, the Harpes lived on in folk songs and stories--until the Civil War exploded American society once again, and their names faded to history. But, in Kingdom of Devils, the Harpes are revived as a cautionary tale about the darkness at the heart of the American dream.

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Katherine Grandjean is an associate professor of history at Wellesley College, where her research explores early American and Native American history, English colonialism and cultural encounters, environmental history, and violence in American history. Her first book is American Passage: The Communications Frontier in Early New England, and her work has been awarded the American Society for Environmental History's Alice Hamilton Prize for Best Article and the William and Mary Quarterly’s Douglass Adair Memorial Award.

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East Tennessee

Come all ye young men a warning take by me, Love your wives, and mind your work, and shun bad company; Quit gaming, and fine whores, Pay off your tavern scores, For they’ll be staring at your daring, When you can spend no more. —from “The Confession of Thomas Mount,” 1791


Chapter 1

Liberty and Property

Beaver Creek Knox County, Tennessee Fall 1797

On a brisk autumn day, Wiley Harp went into town. He strolled among the buildings, squat and wooden. Knoxville was square, all blocky lots, a giant chessboard teetering on the muddy edge of the Holston River. Close to the center of the board was the courthouse. It was one of the town’s grandest buildings, but even so, it was an ugly thing, already falling apart. It would later burn down, possibly at the hand of an arsonist. This was the place he was looking for.

Outside, clumps of men stood talking. There was laughter and shouting. Peddlers hawked whiskey, and tied-up horses twitched restlessly. On court days, when people gathered in the square, the town felt festive. A “promiscuous throng” clogged the streets. Women yelled from doorways, and others sang as “the crowd whooped and danced.” Wiley moved through them. His brother was by his side, along to help with his business. Clutching a piece of paper tightly in his hand, he stepped into the courthouse and waited his turn.

It was 1797, and the United States was filled with a jittery and boundless energy. Not long ago, America had fought for and won its independence from Britain. People had scattered; loyalists had fled. Old resentments were fading, or, at least, sinking beneath the surface like old shipwrecks—invisible, submerged. America had its eye on the future, even if it continued to nurse the bumps and bruises of the past. The new republic was finding its way, groping forward, but there were stumbles. Fallout from the Revolution was not entirely settled.

Years had elapsed since delegates gathered in an airless hall in Philadelphia—latching the windows shut for secrecy—and drafted the United States Constitution. If the republic had held together since then, it was largely attributable to the people’s affections for the first man to be elected president, the imposing war hero George Washington. Though his presidency had endured its rocky moments, Washington was largely beloved. Women tossed flowers at his feet. Men toasted him. In 1796, church bells rang in one New England town to celebrate his birthday, while men belted out, in song, “God Save Great Washington.”

But now the nation had a new president—its second. When John Adams gave his inaugural address earlier that year, he could feel the crowd lamenting Washington’s departure. “A Solemn Scene it was indeed,” he wrote later. The only happy one in the room seemed to be Washington himself. His “Countenance was as serene and unclouded as the day,” Adams remembered. “He Seem’d . . . to enjoy a Tryumph over me. Methought I heard him think Ay! I am fairly out and you fairly in! See which of Us will be happiest.”

Adams had reason to be anxious. With his arrival, the national mood shifted. His presidency would not be a time of optimism and confidence. It was, instead, a time of contraction. War threatened; markets tightened. “[Washington] is fortunate to get off just as the bubble is bursting,” Thomas Jefferson wrote upon Adams’s election, “leaving others to hold the bag.”

But at the courthouse in Knoxville that day, the mood was hopeful. The court was busy. Wiley waited his turn. When the justices beckoned, he stepped forward and announced his business with the court: He was there to register a deed.

He handed the document to the men on the bench.

Was it valid? they asked.

Standing behind him, his brother, Micajah, nodded, and swore, yes.

It was 1797, the year that Wiley Harp became a land owner. For the first time in his life, he owned property.

Wiley Harp was in his late twenties. He was a slight man of meager build, not quite short, though not nearly as tall as Micajah. Although he was the older brother, Wiley looked younger. He had blue eyes. His hair may have been a darkish auburn; it could look lighter or darker, even “reddish,” in different light. He was not bad looking; by some accounts, he was even “handsome” with a “pleasant agreeable appearance.” Nothing about him was especially distinguishable or unusual. He wanted the things that all young men wanted.

He was newly married. His wife was a pretty girl named Sarah—though she was invariably called by her nickname, “Sally.” She may have been a preacher’s daughter. (This was a piece of lore that would later attach to her, though it’s difficult to confirm.) By all accounts, she was a “fine girl,” the daughter of “a man of fine irreproachable character” who lived outside of Knoxville. Some people even remembered her father as a “gentleman.” All the descriptions of her agree: She came from a respectable family, and she was beautiful: “really pretty” and “delicate.” Wiley must have been pleased to marry such a woman.

They signed the marriage bond as June bloomed in 1797, promising that there was “no lawful objection why Willie Harp and Sarah Rice may not be joined together in the holy estate of matrimony.” The bond was dated in “the XXI year of our Independance.” It was the first year of his.

Two months later, he bought his land. It was not much, only one hundred acres. But since he had likely been renting (or squatting) before this, it was quite a moment. He and the seller drew up the deed on August 4, 1797, a rainy day. Wiley paid two hundred dollars. The land, a lush little plot on Beaver Creek, lay a bit northwest of Knoxville. It was a stone’s throw from Cherokee hunting lands. Just over the Clinch River, very close to Wiley Harp’s parcel, was Indian country.

Only a few years earlier, Wiley’s little patch of ground had seen carnage. Not far away stood the remains of Cavett’s Station, a fort that Cherokees had left in “smoking ruins,” the “mangled bodies” of the Cavett family strewn about, in 1793. As Americans speared westward, Cherokees had mercilessly tried to beat them back. Whole Cherokee towns, in turn, were put to “fire and slaughter.” “I am still among my people, living in gores of blood,” wrote Doublehead, a Cherokee warrior, in 1793. For seventeen years, from about 1776 to 1794, the wars had raged, with scores of people “shot, hacked, scalped, burned, and taken captive.”

These were the scenes that haunted the ridges near Knoxville. For now, the bloodletting seemed to have quieted. But the place where Wiley planned to settle with his new bride was still a murky borderland. Cherokees now felt comfortable enough to ramble into town for a little recreation (“they frequently resort among our inhabitants,” the governor wrote in 1796), and some American hopefuls were even fearless—or desperate—enough to begin putting up shanties inside Cherokee Nation, squatting. But the punishing years of the Cherokees’ “long war” cannot have felt very distant.

Nonetheless, as Wiley looked to set down roots, East Tennessee was booming. With the violence of the Indian wars subsiding, migrants were streaming into the region’s creeks and river valleys. “It is not unfrequent to see from two to three hundred people coming in a gang,” wrote an observer in Knoxville in 1795. The countryside seemed...

Details zur Ausgabe

• Verlag: Random House
• Erscheinungsdatum: 2026
• Sprache: Englisch
• ISBN 10: 0593729935
• ISBN 13: 9780593729939
• Einband: Gebundene Ausgabe
• Anzahl der Seiten: 256
• Kontakt zum Hersteller: Harder; https://www.edel.com; ; Neum�hlen 17; Hamburg; Hamburg; 22763; Deutschland