AN INSTANT USA TODAY BESTSELLER!
Two storm chasers find a love that could blow them away in this electric debut romance.
Wedding photographer Sloane Michaels spends most of her year running after brides, but she lives for the six weeks each spring she chases tornadoes instead. When the prestigious magazine Nature Shots announces a storm cover contest, Sloane knows that winning could be her best opportunity to establish herself in landscape photography.
The last thing she needs is a distraction in the form of reckless “Wild Wes” Talbot. A legend among storm chasers, he’s been Sloane’s close, personal frenemy for the last decade and is the man to beat for the cover contest.
Sloane isn’t surprised when Wes gets in an accident that jeopardizes his chances. But with an active weather pattern emerging, she doubles down on her need to beat Wes fair and square, and begrudgingly invites him to join her for the remainder of the season.
As they race through hail, high winds, and stormy skies, Sloane realizes that Wes might be more than the rich, flirty, Texas wildcard she thought she knew — and that the feelings blooming between them are more charged and dangerous than the storms they’re chasing.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Heather Frances
Chapter One
I chase lightning.
A fact, but also a phrase that used to be inscribed on church bells. A couple hundred years ago, someone got it in their head that ringing said bell could prevent lightning strikes. No one seemed to consider that a tall tower with a giant hunk of metal is a terrible place to be during a storm.
Then again, maybe an open field-my preference-isn't much better than a church steeple.
Today's church bells have nothing to do with the weather. I sneak a quick peek into the nave on my way back to the bridal suite and hope no one notices. White roses and pale pink peonies decorate the aisle, lush and fragrant, as their delicate scents mingle with the pillar candles set at the end of each pew. The aisle itself has been covered with a thick cream carpet shot through with gold thread that I can't wait to see in the ceremony photos. My excitement only grows when I glance up to find soft light streaming through the church's enormous stained glass windows. With a final sigh of relief that most of the guests are already settled-no last-minute wrangling of relatives required-I hurry back to finish the last of the pre-ceremony preparations.
Twenty minutes later, when the music swells into the bridal march and two hundred people get to their feet, a particular set of amused gray eyes grabs my attention over all the others. He winks while I'm still trying to digest the perfectly tailored suit in place of his usual baseball hat, T-shirt, and shorts, his dark hair carefully styled instead of windblown and dusty, tattoos tidily hidden by formalwear, and face cleanly shaven. My mind blanks, no longer ruminating on church bells or lightning or much of anything except the sight of him.
At least until he has the nerve to jerk his chin up the aisle and mouth That way with a pointed finger and an unfortunately familiar know-it-all grin.
"Sloane!" Amy, my assistant photographer for the ceremony, hisses into my earpiece. "You're going to miss the bride!"
I jerk out of my stupor and quickly lift my camera until a froth of white fills the viewfinder, the bride's smile radiant with her arm looped through her father's. Shoving aside my own personal drama that I will not let unfold in front of my client, I focus on capturing the bride's joy.
This is my favorite part of photographing weddings. It's why I keep doing it, despite the bridezillas and the neurotic family members and all the other insanity that comes with a couple's big day. The reception and the staged photos are always a little awkward, sure, but the bride walking down the aisle, the groom's expression when he sees her? This is the stuff of fairy tales.
At least it would be if perpetual pain in my ass Wes Talbot-Wild Wes to those who have the misfortune of knowing him-wasn't smirking at me from his pew. His height ensures he doesn't disappear into the crowd. Lucky me.
I'd love to demand an explanation for what he's doing here, disturbing my peace a full week ahead of our annual battle of wills, but it's a wedding and he's in a suit. Judging by the side of the aisle he's on, he's a friend of the groom. We're in Houston. I vaguely remember that Wes lives here, when he's not tormenting me in gas station parking lots or providing less-than-helpful tips on a dusty road in the middle of nowhere every spring.
Despite being only a couple years older than me at thirty-three, he's something of a legend among storm chasers. One of the first out at the start of the season in April, he usually stays on the road through summer monsoon season in the Southwest, transitioning seamlessly from tornadoes and supercells to lightning and dust storms. Unlike the rest of us who have to squeak our chase season in around jobs that pay the bills.
Wes is impossible to avoid during storm season-even without him being close to my best friend's fiancé, we share too many of the same friends to not end up on the same roads all too often. Not that I would exactly call us friends. There's no denying all six foot four of him is nice to look at, and he's always flirty bordering on friendly. But Wes has a reckless streak a mile wide that's racked up more close calls than I want to think about. When everyone else backs off, he's the first to charge directly into the bear's cage if he thinks it will get him a shot.
At least he has the decency to leave me be while I'm shooting the wedding ceremony and portraits, but when everyone sits down to eat, he can't help himself.
"You know, if you swapped that hot garbage lens out like I've been telling you to for years, you wouldn't have to worry about cropping out fuzzy corners," he says as he leans over my shoulder to peer at the image I'm hastily editing.
"Only you would call something that cost a couple grand hot garbage," I say without looking up, one hand on my mouse and one attempting to fill a fork with pasta. The only thing wrong with the lens is that Wes prefers a competitor-and never shuts up about it. Especially after shooting a campaign for the brand last year.
"A couple grand can still be a was-"
"Nope." I don't bother to turn around. "We're not doing this. I'm working. Your reign of terror doesn't start for another week. Shoo."
Of course that doesn't get rid of him. Unfazed by my dismissal, Wes slides into the chair across from me. He's already ditched his jacket, pale-blue dress shirt sleeves rolled to his elbows and exposing ink on his muscled forearms I've never gotten a close look at. His hair has reverted to its more natural state of artful chaos, though for all I know that's courtesy of a quickie with the bridesmaid who's been eye-fucking him all evening.
She's welcome to him. Wes might be beautiful, but he's beautiful the way tornadoes are beautiful-something to be admired from afar or risk getting caught in the storm. I have no interest in becoming collateral damage.
"You're far from home," he drawls, his slight Texas accent creeping in. Probably thanks to the glass of amber liquid dangling from his fingertips.
I look up momentarily from my screen to squint at him in the semidarkness of my tucked-away corner. Every time I take in his appearance tonight, there's a jarring moment where it doesn't fit. Like running into an old elementary school teacher at the grocery store, Wes doesn't belong in this part of my life.
Storm season is a bit like adult summer camp. Week after week seeing the same faces over and over again, that time on the road exists in a liminal space outside of our real lives. The version of Wes I know best is the one pushing my buttons on the side of the road with raindrops splattering his tanned skin, not this walking and talking spread from a men's luxury magazine.
I've stayed quiet too long. His eyes catch mine and hold, expression too intense for my liking. "I'm a wedding photographer. This is a wedding. Cora was the maid of honor for a wedding I shot in Estes Park a few years ago," I say, getting us back on familiar footing.
The fact that the bride is a friend of a prior client is the only reason I agreed to squeeze this in. I'm going to be editing around the clock for the next week to finish all my client work waiting at home before I put up my proverbial gone fishing sign-fishing for tornadoes.
"Oh, Aidan's wedding." Wes takes a sip of his drink and relaxes more into his chair. "I was chasing in Argentina."
"Of course you were," I mutter under my breath. Argentina can produce incredible storms, but chasing there is an expensive and logistical nightmare. Of course, money solves a lot of problems, and Wes comes from an old Texas oil family. It's why he's here in the first place as a guest at a six-figure wedding while I'm the hired help. If I ever get married, it definitely won't be at a place like this. My budget is more backyard and barefoot than...
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Paperback. Zustand: Good. Wedding photographer Sloane Michaels spends most of her year running after brides, but she lives for the six weeks each spring she chases tornadoes instead. When the prestigious magazine Nature Shots announces a storm cover contest, Sloane knows that winning could be her best opportunity to establish herself in landscape photography. The last thing she needs is a distraction in the form of reckless 'Wild Wes' Talbot. A legend among storm chasers, he's been Sloane's close, personal frenemy for the last decade and is the man to beat for the cover contest. Sloane isn't surprised when Wes gets in an accident that jeopardizes his chances. But with an active weather pattern emerging, she doubles down on her need to beat Wes fair and square, and begrudgingly invites him to join her for the remainder of the season. As they race through hail, high winds, and stormy skies, Sloane realizes that Wes might be more than the rich, flirty, Texas wildcard she thought she knew - and that the feelings blooming between them are more charged and dangerous than the storms they're chasing. Bestandsnummer des Verkäufers 00109127085
Anzahl: 4 verfügbar
Anbieter: clickgoodwillbooks, Indianapolis, IN, USA
Zustand: acceptable. Used - Acceptable: All pages and the cover are intact, but shrink wrap, dust covers, or boxed set case may be missing. Pages may include limited notes, highlighting, or minor water damage but the text is readable. Item may be missing bundled media. Bestandsnummer des Verkäufers CSIV.0593956435.A
Anzahl: 1 verfügbar
Anbieter: Half Price Books Inc., Dallas, TX, USA
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_486347415
Anzahl: 1 verfügbar
Anbieter: HPB-Emerald, Dallas, TX, USA
paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_485772126
Anzahl: 1 verfügbar
Anbieter: INDOO, Avenel, NJ, USA
Zustand: New. Bestandsnummer des Verkäufers 9780593956434
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers EB-9780593956434
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Chase Me If You Can. Book. Bestandsnummer des Verkäufers BBS-9780593956434
Anbieter: Rarewaves USA, HEBRON, KY, USA
Paperback. Zustand: New. Bestandsnummer des Verkäufers LU-9780593956434
Anzahl: Mehr als 20 verfügbar
Anbieter: Grand Eagle Retail, Bensenville, IL, USA
Paperback. Zustand: new. Paperback. Two storm chasers find a love that could blow them away in this electric debut romance.Two storm chasers find a love that could blow them away in this electric debut romance.Wedding photographer Sloane Michaels spends most of her year running after brides, but she lives for the six weeks each spring she chases tornadoes instead. When the prestigious magazine Nature Shots announces a storm cover contest, Sloane knows that winning could be her best opportunity to establish herself in landscape photography.The last thing she needs is a distraction in the form of reckless "Wild Wes" Talbot. A legend among storm chasers, he's been Sloane's close, personal frenemy for the last decade and is the man to beat for the cover contest.Sloane isn't surprised when Wes gets in an accident that jeopardizes his chances. But with an active weather pattern emerging, she doubles down on her need to beat Wes fair and square, and begrudgingly invites him to join her for the remainder of the season.As they race through hail, high winds, and stormy skies, Sloane realizes that Wes might be more than the rich, flirty, Texas wildcard she thought she knew - and that the feelings blooming between them are more charged and dangerous than the storms they're chasing. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780593956434
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers EB-9780593956434
Anzahl: 15 verfügbar