This comprehensive anthology provides a collection of classic and contemporary readings in continental aesthetics. Spanning Romanticism through Modernism to Postmodernism, the volume includes landmark texts that have sparked renewed interest in aesthetics, including works by Schiller, Kant, Nietzsche, Hegel, Heidegger, Sartre, Luk?cs, Habermas, Foucault, Kristeva, and Derrida.
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Richard Kearney is Professor of Philosophy at University College, Dublin and a visiting professor at Boston College. He has been a visiting lecturer at several universities across the US and Europe. His publications include: States of Mind (1995), Poetics of Modernity (1995), and The Wake of Imagination (1998).
David Rasmussen is Professor of Philosophy at Boston College. He is Founder and Editor-in-Chief of the journal Philosophy and Social Criticism (1978–), the Philosophy and Social Criticism Book Series (1995–), and Cultural Hermeneutics (1973–7). He is the author of The Handbook of Critical Theory (Blackwell, 1996) and Reading Habermas (Blackwell, 1990).
This comprehensive anthology provides a collection of classic and contemporary readings in continental aesthetics. Extending from romanticism through modernism to postmodernism, the volume includes landmark texts that have sparked renewed interest in aesthetics, including works by Kant, Nietzsche, Hegel, Heidegger, Sartre, Lukács, Habermas, Foucault, Kristeva, and Derrida.
The range and significance of the primary sources presented, together with the editors' introductions, make this volume essential for anyone interested in aesthetics or philosophy of art.
This comprehensive anthology provides a collection of classic and contemporary readings in continental aesthetics. Extending from romanticism through modernism to postmodernism, the volume includes landmark texts that have sparked renewed interest in aesthetics, including works by Kant, Nietzsche, Hegel, Heidegger, Sartre, Lukács, Habermas, Foucault, Kristeva, and Derrida.
The range and significance of the primary sources presented, together with the editors' introductions, make this volume essential for anyone interested in aesthetics or philosophy of art.
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