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Inhaltsangabe
In diesem Papier blickt Alison Croggon, einer der aufschlussreichsten Kulturkritiker Australiens, von den Tagen zurück, als die täglichen Breitblattzeitungen unübertroffen waren, auf den Zusammenbruch der Printmedien und die Eröffnung eines freien Marktes für digitale öffentliche Meinung. Die dramatische Verkleinerung des Fairfax-Imperiums Sydney Morning Herald and The Age traf den Kunstjournalismus schlecht und fiel mit dem Aufstieg kunstorientierter Websites in ganz Australien zusammen. Croggon sieht den Untergang der alten Kritik als Machtverlust und erhielt Weisheit, aber auch eine Gelegenheit, Künstler, Kritiker und Publikum in Gespräche über globale Zusammenarbeit und Referenz zu engagieren. Mit dieser Aufschlüsselung der institutionellen Kritik, die sich später auf Kunst als Ware konzentriert hatte, kam die Gelegenheit, unsere Annahmen darüber zu überdenken, was kritische Reaktionen auf Kunst sein könnten. Es hat die Chance geboten, die Tür zu neuen Denkweisen zu öffnen, eine Möglichkeit, sowohl die Gemeinschaften rund um die Kunst als auch den Prozess der Kunstherstellung selbst zu bereichern.
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Über die Autorin bzw. den Autor
Alison Croggon is an award-winning novelist, poet, opera librettist and critic who lives in Melbourne. In 2015 she was awarded a two-year Australia Council Fellowship for Literature. She is the author of the acclaimed fantasy series The Books of Pellinor, which has been published in five European countries and sold more than a half a million copies in the UK and US alone. Other books include: The Bone Queen, Black Spring and The River and The Book. Her poetry has been widely published in journals both in Australia and overseas, and is included in many major Australian anthologies. Alison's theatre writing includes several opera libretti and her critical work has been published widely, including in The Monthly, Overland, Australian Book Review, Radio National and the Guardian. She was Melbourne theatre critic for the The Australian, until 2010, and Melbourne critic for the national weekly news magazine The Bulletin from 1989-1992.
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Platform Papers 61: Criticism, Performance and the Need for Conversation (Paperback)
Verlag:
Currency Press Pty Ltd, Paddington, 2019
ISBN 10: 0648426548
ISBN 13: 9780648426547
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Paperback. Zustand: new. Paperback. In this paper Alison Croggon, one of Australias most insightful cultural critics, looks back from the days when the daily broadsheet newspapers were unrivalled in authority, to the collapse of the print media and opening of a free market for digital public opinion. The dramatic downsizing of the Fairfax empires Sydney Morning Herald and The Age hit arts journalism badly and coincided with the rise of arts-oriented websites across Australia.Croggon sees the demise of the old criticism as a loss of power and received wisdom but also an opportunity to engage artists, critics and audiences in conversations of global collaboration and reference. With this breakdown of institutional criticism, which, she says, had latterly focussed on art as a commodity, came the opportunity rethink our assumptions about what critical responses to art might be. It has offered a chance to open the door to new ways of thinking, a way of enriching both the communities around art and the process of making art itself. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Bestandsnummer des Verkäufers 9780648426547
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Platform Papers 61: Criticism, Performance and the Need for Conversation
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Paperback. Zustand: New. In this paper Alison Croggon, one of Australia's most insightful cultural critics, looks back from the days when the daily broadsheet newspapers were unrivalled in authority, to the collapse of the print media and opening of a free market for digital public opinion. The dramatic downsizing of the Fairfax empire's Sydney Morning Herald and The Age hit arts journalism badly and coincided with the rise of arts-oriented websites across Australia. Croggon sees the demise of the old criticism as a loss of power and received wisdom but also an opportunity to engage artists, critics and audiences in conversations of global collaboration and reference. With this breakdown of institutional criticism, which, she says, had latterly focussed on art as a commodity, came the opportunity rethink our assumptions about what critical responses to art might be. It has offered a chance to open the door to new ways of thinking, a way of enriching both the communities around art and the process of making art itself. Bestandsnummer des Verkäufers AB9780648426547
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Beispielbild für diese ISBN
Platform Papers 61: Criticism, Performance and the Need for Conversation (Paperback)
Verlag:
Currency Press Pty Ltd, Paddington, 2019
ISBN 10: 0648426548
ISBN 13: 9780648426547
Neu
Paperback
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Verkäuferbewertung 5 von 5 Sternen
Paperback. Zustand: new. Paperback. In this paper Alison Croggon, one of Australias most insightful cultural critics, looks back from the days when the daily broadsheet newspapers were unrivalled in authority, to the collapse of the print media and opening of a free market for digital public opinion. The dramatic downsizing of the Fairfax empires Sydney Morning Herald and The Age hit arts journalism badly and coincided with the rise of arts-oriented websites across Australia.Croggon sees the demise of the old criticism as a loss of power and received wisdom but also an opportunity to engage artists, critics and audiences in conversations of global collaboration and reference. With this breakdown of institutional criticism, which, she says, had latterly focussed on art as a commodity, came the opportunity rethink our assumptions about what critical responses to art might be. It has offered a chance to open the door to new ways of thinking, a way of enriching both the communities around art and the process of making art itself. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Bestandsnummer des Verkäufers 9780648426547
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