The private matters of Hetherington's Typewriter are thinly veiled behind an ever so gently crafted prose, causing the reader to walk in the poet's shoes, and tripping over lines like 'a diary from a shelf. It says she doesn't love him', evoking unwelcome memories. These are poems that know how intimately language and feeling are bound - how a love letter vanishes with the same regularity as beating wings, how promises dissolve like crystals in water, how decades of a shared life can collapse into seven words. Hetherington writes in two interlocking sequences, Typewriter and Manuscript, and between them they enact precisely what they describe: the attempt to recover, through writing, what writing itself cannot quite hold. The prose poem is the ideal form for this undertaking. Its sentences move with the unhurried confidence of someone who has thought carefully about what they are about to say - and then said something slightly different. Meaning arrives slant, in the gap between what is spoken and what is understood, between the key that drops into an overgrown yard and the lock it no longer fits. Memory here is not a reliable archive but a palimpsest, layered and partially whited-out, and the reader is invited to read between those erasures. The effect is quietly cumulative: by the time Hetherington drafts an obituary for the living, or traces a grandmother's drowning beneath a canal's mustard-yellow surface, or watches a figure swim towards him like an ungainly mermaid, the emotional weight has been building so steadily that its arrival feels both surprising and inevitable. What makes this collection distinctive is its tonal restraint. There is no performance of anguish here, no raised voice. The grief is real but it is worn lightly, carried the way one carries 'a crumpled letter in an overcoat pocket' - present at all times, occasionally smoothed out and re-read, never quite digestible. Hetherington's language reaches always towards precision - flavours as purple as lustrous aubergine, adverbial pleasure, prepositional intimations - and it is in that reaching, that never-quite-arriving, that the poems find their truth.
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
Paul Hetherington is an Australian writer and poet who has published numerous books and has been recognised with more than 30 national and international awards and shortlistings.He won the 2014 Western Australian Premier's Book Awards for poetry and was awarded an Australia Council for the Arts residency at the BR Whiting Studio in Rome in 2015-16. His work has also been shortlisted for major honours including the 2017 Kenneth Slessor Prize and the 2019 Newcastle Poetry Prize.Paul is Professor of Writing in the Faculty of Arts and Design at the University of Canberra, where he heads the International Poetry Studies Institute (IPSI). He is a founding editor of the international online journal Axon: Creative Explorations and founded the International Prose Poetry Group in 2014.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: BargainBookStores, Grand Rapids, MI, USA
Paperback or Softback. Zustand: New. Typewriter. Book. Bestandsnummer des Verkäufers BBS-9780648782513
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes Königreich
Paperback. Zustand: New. Bestandsnummer des Verkäufers LU-9780648782513
Anzahl: Mehr als 20 verfügbar
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers L2-9780648782513
Anzahl: Mehr als 20 verfügbar
Anbieter: California Books, Miami, FL, USA
Zustand: New. Bestandsnummer des Verkäufers I-9780648782513
Anzahl: Mehr als 20 verfügbar
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000. Bestandsnummer des Verkäufers L2-9780648782513
Anzahl: Mehr als 20 verfügbar
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
Paperback. Zustand: Brand New. 104 pages. 5.51x0.25x8.86 inches. In Stock. Bestandsnummer des Verkäufers x-0648782514
Anzahl: 2 verfügbar
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The private matters of Hetherington's Typewriter are thinly veiled behind an ever so gently crafted prose, causing the reader to walk in the poet's shoes, and tripping over lines like 'a diary from a shelf. It says she doesn't love him', evoking unwelcome memories. These are poems that know how intimately language and feeling are bound - how a love letter vanishes with the same regularity as beating wings, how promises dissolve like crystals in water, how decades of a shared life can collapse into seven words. Hetherington writes in two interlocking sequences, Typewriter and Manuscript, and between them they enact precisely what they describe: the attempt to recover, through writing, what writing itself cannot quite hold.The prose poem is the ideal form for this undertaking. Its sentences move with the unhurried confidence of someone who has thought carefully about what they are about to say - and then said something slightly different. Meaning arrives slant, in the gap between what is spoken and what is understood, between the key that drops into an overgrown yard and the lock it no longer fits. Memory here is not a reliable archive but a palimpsest, layered and partially whited-out, and the reader is invited to read between those erasures. The effect is quietly cumulative: by the time Hetherington drafts an obituary for the living, or traces a grandmother's drowning beneath a canal's mustard-yellow surface, or watches a figure swim towards him like an ungainly mermaid, the emotional weight has been building so steadily that its arrival feels both surprising and inevitable.What makes this collection distinctive is its tonal restraint. There is no performance of anguish here, no raised voice. The grief is real but it is worn lightly, carried the way one carries 'a crumpled letter in an overcoat pocket' - present at all times, occasionally smoothed out and re-read, never quite digestible. Hetherington's language reaches always towards precision - flavours as purple as lustrous aubergine, adverbial pleasure, prepositional intimations - and it is in that reaching, that never-quite-arriving, that the poems find their truth. Bestandsnummer des Verkäufers 9780648782513
Anzahl: 2 verfügbar
Anbieter: preigu, Osnabrück, Deutschland
Taschenbuch. Zustand: Neu. Typewriter | Paul Hetherington | Taschenbuch | Englisch | 2020 | Life Before Man | EAN 9780648782513 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. Bestandsnummer des Verkäufers 135258260
Anzahl: 5 verfügbar
Anbieter: Rarewaves.com UK, London, Vereinigtes Königreich
Paperback. Zustand: New. Bestandsnummer des Verkäufers LU-9780648782513
Anzahl: Mehr als 20 verfügbar