Críticas:
The book is a major work in the canon of writing by Afro-American women...Jacobs's book--reaching across the gulf separating black women from white, slave from free, poor from rich, "bad" women from "good"--represents an early attempt to establish an American sisterhood. -- Wayne Lionel Aponte "The Nation" This may be the most important story ever written by a slave woman, capturing as it does the gross indignities as well as the subtler social arrangements of the time. An introduction is invaluable in clarifying many incidents and personalities...The author writes with passion and insight into the peculiar institution of slavery. Her writing, modern in several respects, prefigures many of the developments in the later literature of the South. Of female slave narratives, Harriet Jacobs's "Incidents in the Life of a Slave Girl, Written by Herself" is the crowning achievement. Manifesting a command of rhetorical and narrative strategies rivaled only by that of Frederick Douglass, Jacobs's autobiography is one of the major works of Afro-American literature...Jacobs's narrative is a bold and gripping fusion of two major literary forms: she borrowed from the popular sentimental novel on one hand, and the slave narrative genre on the other. Her tale gains its importance from the fact that she charts, in great and painful detail, the sexual exploitation that daily haunted her life--and the life of every other black female slave...Ms. Yellin's superbly researched edition ensures that Harriet Jacobs will never be lost again. -- Henry Louis Gates, Jr. "New York Times Book Review" [Of] female slave narratives, Harriet Jacobs's Incidents in the Life of a Slave Girl, Written by Herself is the crowning achievement. Manifesting a command of rhetorical and narrative strategies rivaled only by that of Frederick Douglass, Jacobs's autobiography is one of the major works of Afro-American literature...Jacobs's narrative is a bold and gripping fusion of two major literary forms: she borrowed from the popular sentimental novel on one hand, and the slave narrative genre on the other. Her tale gains its importance from the fact that she charts, in great and painful detail, the sexual exploitation that daily haunted her life--and the life of every other black female slave...Ms. Yellin's superbly researched edition ensures that Harriet Jacobs will never be lost again. [Of] female slave narratives, Harriet Jacobs's "Incidents in the Life of a Slave Girl, Written by Herself" is the crowning achievement. Manifesting a command of rhetorical and narrative strategies rivaled only by that of Frederick Douglass, Jacobs's autobiography is one of the major works of Afro-American literature...Jacobs's narrative is a bold and gripping fusion of two major literary forms: she borrowed from the popular sentimental novel on one hand, and the slave narrative genre on the other. Her tale gains its importance from the fact that she charts, in great and painful detail, the sexual exploitation that daily haunted her life--and the life of every other black female slave...Ms. Yellin's superbly researched edition ensures that Harriet Jacobs will never be lost again.--Henry Louis Gates, Jr. "New York Times Book Review " [The book] is a major work in the canon of writing by Afro-American women...Jacobs's book--reaching across the gulf separating black women from white, slave from free, poor from rich, "bad" women from "good"--represents an early attempt to establish an American sisterhood.--Wayne Lionel Aponte "The Nation "
Reseña del editor:
This enlarged edition now completes the Jacobs family saga, one of the most memorable in all of American history. John Jacobs's short slave narrative, "A True Tale of Slavery", published in London in 1861, adds a brother's perspective to Harriet Jacobs's own autobiography. It is an addition to this now classic work, as John Jacobs presents additional historical information about family life so well described already by his sister. Importantly, it presents the people , places, and events Harriet Jacobs wrote about from the different perspectives of a male narrator. Once more, Jean Yellin, who discovered this long-lost document, supplies annotation and authentication. She has also brought her introduction up to date.
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