The desire to know the body is a powerful dynamic of storytelling in all its forms. Peter Brooks argues that modern narrative is intent on uncovering the body in order to expose a truth that must be written in the flesh. In a book that ranges widely through literature and painting, Brooks shows how the imagination strives to bring the body into language and to write stories on the body.
From Rousseau, Balzac, Mary Shelley, and Flaubert, to George Eliot, Zola, Henry James, and Marguerite Duras, from Manet and Gauguin to Mapplethorpe, writers and artists have returned in fascination to the body, the inescapable other of the spirit. Brooks's deep understanding of psychoanalysis informs his demonstration of how the "epistemophilic urge"--the desire to know-guides fictional plots and our reading of them.
It is the sexual body that furnishes the building blocks of symbolization, eventually of language itself-which then takes us away from the body. Yet mind and language need to recover the body, as an other realm that is primary to their very definition. Brooks shows how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. And he suggests how writers and artists have found in the woman's body the dynamic principle of their storytelling, its motor force.
This major book entertains and teaches: Brooks presumes no special knowledge on the part of his readers. His account proceeds chronologically from Rousseau in the eighteenth century forward to contemporary artists and writers. Body Work gives us a set of analytical tools and ideas-primarily from psychoanalysis, narrative and film studies, and feminist theory-that enable us to read modern narrative afresh.
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Anbieter: Small World Books, Rochester, NY, USA
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Hardback. Zustand: Very Good. Uncovering the body in order to know it has been the quest of narrative since the 18th century. In this tour through art and literature - from Rousseau, Flaubert, and Manet at the origins of modernism to Duras and Mapplethorpe in our own time - Peter Brooks sees the dynamic of narrative as propelled by desire to expose truth that can be found inscribed in the flesh. Animating the modern imagination we find a drive to bring the body into language, and to write stories on the body. Discussing dozens of the most familiar stories and images of modernism - including the retold myth of Pygmalion and Galatea, Gauguin's Tahitian nudes, Mary Shelley's "Frankenstein", Zola's "Nana", Manet's "Olympia", George Eliot's "Daniel Deronda", Henry James's "The Sacred Fount", Kafka's penal colony, and the homoerotic photographs of Robert Mapplethorpe - Brooks describes how narrative works as a striptease, a progressive unveiling that promises revelation in carnal knowledge. Illustrated throughout, "Body Work" weaves its examples of carnal intrigue on a framework of anthropological, literary, and psychoanalytic theory. Why, Brooks asks, is curiosity so relentlessly directed at the female body? How does the body provide the building blocks of symbolism, and eventually of language itself? Is all desire essentially longing for the absent mother's body? What are voyeurism, privacy, pornography? Theorists from Melanie Klein to Georges Bataille inform Brooks's exploration of these and other pressing questions. Brooks attempts to uncover how and why the female body has become the field upon which the aspirations, anxieties, and contradictions of a whole society are played out. He aims to show us modernism, and our postmodern selves, afresh. Bestandsnummer des Verkäufers CIN0674077245VG
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Zustand: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. Bestandsnummer des Verkäufers Z1-C-001-02446
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