In her highly acclaimed first novel, Anywhere But Here, Simpson created one of the most astute yet vulnerable heroines in contemporary fiction. Now Mayan Atassi--once Mayan Stevenson--returns in an immensely powerful novel about love and lovelessness, fathers and fatherlessness, and the loyalties that shape us even when they threaten to destroy us.
Now a woman of twenty-eight and finally on her own in medical school, Mayan becomes obsessed with the father she never knew, leading her to hire detectives to dredge up the past, thus eroding her savings, ruining her career, and flirting with madness in a search spanning two continents.
"Ratifies the achievement of Anywhere But Here, attesting to its author's...dazzling literary gift and uncommon emotional wisdom."
--New York Times
"A breathtaking piece of fiction; Simpson is a writer who can break our heart and mend it in the same sentence."
--Cleveland Plain Dealer
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Mona Simpson is the author of Casebook, Anywhere But Here, The Lost Father, A Regular Guy, Off Keck Road, and My Hollywood. Off Keck Road won the Heartland Prize from the Chicago Tribune and was a finalist for the PEN/Faulkner Award. She has received a Whiting Writers’ Award, a Guggenheim grant, a Lila Wallace–Reader's Digest Writers’ Award, and, recently, a Literature Award from the American Academy of Arts and Letters. Simpson is on the faculty at UCLA and also teaches at Bard College.
In her highly acclaimed first novel, "Anywhere But Here, Simpson created one of the most astute yet vulnerable heroines in contemporary fiction. Now Mayan Atassi--once Mayan Stevenson--returns in an immensely powerful novel about love and lovelessness, fathers and fatherlessness, and the loyalties that shape us even when they threaten to destroy us.
Now a woman of twenty-eight and finally on her own in medical school, Mayan becomes obsessed with the father she never knew, leading her to hire detectives to dredge up the past, thus eroding her savings, ruining her career, and flirting with madness in a search spanning two continents.
"Ratifies the achievement of "Anywhere But Here, attesting to its author's...dazzling literary gift and uncommon emotional wisdom."
--"New York Times
"A breathtaking piece of fiction; Simpson is a writer who can break our heart and mend it in the same sentence."
--"Cleveland Plain Dealer
1
I lived in a small, low-ceilinged apartment beneath an old man. He was cane walking, stooped and Chinese. In the elevator he stood just to my eyebrows. He seemed to be completely alone. I weighed those factors at midnight, again, as I sat by the spray of lamplight over my textbook, while the vague, indoor noises of his television fell down through my ceiling. Outside my one window, another brick building rose, like a piece of dark paper.
I was twenty-seven and in medical school. The only reason I was in the East was to read these pages. I scratched out a note to the man above. "Dear Sir, Could you please turn down your television?" I balled it up. I had no garbage can. That was another thing. To Do.
And so I went to bed. I loved sleep. I was new in New York City, new in medical school, sleep was my voluptuous sanctuary. I slept in linen closets, on cots, floors, in waiting rooms on foam-covered chairs. I slept, and could sleep, anywhere. Under a sheet, my limbs would move in the thick pleasure of being unseen. I could sleep most times, especially if I had something warm. I dressed in layers of cotton and would leave some piece, a sweatshirt or a T-shirt, on top of a radiator. Then I took the warm thing and hugged it in my arms by my face and before the heat drained out of it I was fast asleep. I did that in boys' apartments to help assuage the strangeness. I always woke up first, in the morning. I hated mornings there. They seemed so ordinary and industrial, machinery of the material world gearing up in hitches noisy outside. This life was approximate, I knew, standing at the window, whether or not there were any others.
I wanted to be a country doctor. I knew what I wanted my office to look like. It would be a room at the end of an orchard, with wooden bureaus and shelves, magnifying glasses, bird skeletons, nests, butterflies behind glass, a live parrot in a cage, an examining table with a clean roll of white paper. I would treat whole families, the migrant cherry pickers, Gypsies who came to the Wisconsin peninsula every year, and I would keep their histories in an even penmanship in lined notebooks. There would be a small laboratory at the back. I was specializing in internal medicine, but I did not want to get too far away from home. Most people in the world suffered common, eternal diseases.
I'd picked New York because I had a vision of myself wearing white bucks and a pink cable-knit sweater, holding the silver subway pole.
I lived there, but I never had a strong sense of place. I was always standing at a window, looking at the buildings and a small portion of the sky. Even when I walked in the park by the river, the trees never seemed beholden to that place. They were trees that could have been anywhere, just trees. I'd come to get my training. I wanted to use the place, not the other way around, and I approached with a kind of wariness.
My first day of college chemistry, a Nobel Prize winner who'd discovered an element, now colored on the periodic table, said into the microphone, "Look to your left and look to your right. Because two of you won't get in." He didn't even have to say get in what. We knew. That was Brown. The tall, off-handed man wasn't even a doctor. He was a scientist. The distinction hardly mattered to me then. I found my pencil in my mouth. Two others waited, sharpened, in a clear case. I had a good seat, because I'd come twenty minutes early, but for those in back, video monitors on the ceilings played the lecture. And that was the last joke he told all semester, if you can call it a joke.
One out of three wasn't bad odds. Four kids from West Racine's two-hundred-and-eighty-nine-person class went to college. Any college. And they were teachers' children. I came from a high school in California where all the mothers cared about was colleges and straight teeth. Pencils grated around me. Brown seemed full of valedictorians.
But that time I didn't last in the East. I transferred, the next year, to Wisconsin, after my grandmother's third stroke. Then, only once, she came to visit me in my dormitory room in Madison. I'd encouraged the trip. I thought she would be proud of me, on campus, and that she would enjoy the idea of a scholarly life. And she would have, but she was just too old. I saw when she stepped off the bus. She held the metal bar with two hands and her feet went off parallel, stiff coming down. She pointed to a green tin box on the curb. When my mother had tried college, she'd sent her sorority clothes home to be laundered every other week and my grandmother had sent them back in this same box, all washed and pressed. Now she wanted to do the same for me. We walked a little through campus and she nodded solemnly with a downward frown. She gripped my arm too hard and I felt glad and relieved to get her into the dormitory. I had a good room and my roommate was gone for the weekend. At the hall kitchenette, I made my grandmother the Sanka that she liked. I'd bought powdered Cremora so it would be just like at home. When I walked back balancing the cup, I found she'd lowered herself to her knees. She had her hands on the top of the bed for balance. My mattress lay on an eighteen-inch platform that somebody's boyfriend had built.
"You know what I'd do," my grandmother whispered, the skin around her mouth gathering, "I'd get a saw and two such hinges" she spanned her thumb and first finger to show me the size-"and build a door in here." Her hand traced on the wood of the platform. "Then, if you hear anything trying to get in, you just crawl under and shut the door. They'll never even know you're here."
She worried about the window. My roommate, Emily, and I lived in two rooms. The front one had a nice window with a tree outside. Other windows in the building had security bars but I didn't want them because of the tree. I'd pushed my desk there and I scattered birdseed on the wood to lure birds: bluejays, robins and once a cardinal, skitting the meal over my papers as I worked.
I borrowed a car and drove my grandmother home. By the time we turned onto the old small roads outside Racine, she began to forget me. She could still take care of herself, alone in the house, but that was all. She was glad enough to let me go. At home, I undressed her and she went right to sleep, on her back, her nose the highest place on her.
Living in New York, in the apartment with one window and the man who watched TV upstairs, I had no tree. I turned the light on first thing in the morning. But the brick wall outside, the hot plate on the floor in the closet, even the ticking pattern of cockroaches, made me know what I was there for. I felt a weakness in my neck. The book lay open to page 485. I stayed up later than I could, marking with yellow highlights, slowly and more slowly turning the pages. Getting in turned out to be the least of it.
I had nine thousand dollars in the bank. My inheritance. The money represented a third of the proceeds from a gasoline station my grandmother had owned. For twenty-four years after her husband died, my grandmother had dutifully driven out to the Mohawk Gasoline Station every month to collect the rent. I had often gone along and waited in the car. When we drove up slowly, the car coasting into a slot by the high red and white pumps, the manager would run out, fill up our tank and hand my grandmother an envelope. Sometimes he had a bottle of chocolate milk for me and a straw. She always paid him for the gasoline and she tried to pay him for the milk, too. My cousins and I often collected gifts we didn't deserve because we were the owner's children.
I kept the money in the Racine National Savings. and Loan Bank. I owned a small cardboard accordion file, where I slotted the dark green passbook under S, for security. I kept all my valuables...
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