Eric Hansen survives a cyclone on a boat off the Australian coast, cradles a dying man in Calcutta, and drinks mind-altering kava in Vanuatu. He helps a widower search for his wife's wedding ring amid plane-crash wreckage in Borneo and accompanies topless dancers on a bird-watching expedition in California. From the Maldives to Sacramento, from Cannes to Washington Heights, Eric Hansen has a way of getting himself into the most sacred ceremonies and the most candid conversations.
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Eric Hansen lives in San Francisco, but over the last twenty-five years he has traveled throughout Europe, the Middle East, Australia, Nepal, and Southeast Asia. He is the author of Stranger in the Forest, Motoring with Mohammed, and Orchid Fever. His articles, photographs, and reviews have appeared in The New York Times, National Geographic, Travel & Leisure, Cond? Nast Traveler, and Outside magazine, among other publications worldwide. He can be reached at ekhansen@ix.netcom.com.
Eric Hansen is an intrepid traveler with a keenly perceptive eye and an appreciation for the odd and unusual. He will go anywhere and try anything. Through it all he manages to capture the most revealing conversations and the most transporting moments in his travels, from the Maldives to Sacramento, from Cannes to Borneo and far beyond.
Hansen writes about the mind-altering experience of drinking kava in Vanuatu and about heartrending moments working at Mother Teresa's Home for the Dying Destitute in Calcutta. He joins a grieving husband searching for his dead wife's wedding ring at a crash site in the Borneo rain forest. He recounts his miraculous survival of Cyclone Tracy on a fishing boat off the north coast of Australia, and he befriends an elderly Russian woman who would prepare catered dinners for George Balanchine and Igor Stravinsky in her tiny Manhattan kitchen while drug dealers were shot to death in the downstairs lobby. He spends time with an ornithologist who studies endangered ants and the sex lives of banana slugs--and takes topless dancers on bird-watching expeditions.
Each essay is a passionate experience of life refracted through the eyes and voice of a singularly evocative and original writer.
"From the Hardcover edition.
ARLETTE AND MADAME PERRUCHE
It was a warm summer evening when I met Arlette. She was an old woman by then, but in good health. She still wore red lipstick and obviously took pleasure in dressing in a simple but elegant way. Valerie Tatiana von Braunschweig, a former dancer with the Bejart Ballet, and I were driving from Monaco to Juan-les-Pines to spend the summer of 1989. As a way to extend our meandering journey and for me to meet Arlette we decided to take her to dinner at L'Estaminet des Remparts, a small, unpretentious restaurant in Mougins, which is a quaint hilltop village in the south of France. As we settled at our table on the outdoor terrace, Arlette apologized that her companion was too ill to join us. The waiter cleared away the fourth place setting and returned with a bottle of chilled rose. He poured the glasses and set the bottle on the table as Arlette began the story of how she met Madame Perruche.
For nearly forty years, Arlette had lived in a modestly furnished apartment in the hills behind Cannes. She was once a principal dancer for the Marquis de Cuevas and the Ballet Russe of Monte Carlo, where she had danced with Valerie's mother fifty years earlier. But when the company failed Arlette was too old to join another company. And so she became a teacher at a local ballet school which catered to well-to-do families with young daughters of average talent. She lived in reduced circumstances as the Cannes of her youth succumbed to the traffic and featureless concrete monoliths that began to dominate the older hillside neighborhoods of summer homes covered in blooms of ancient bougainvillea. But she lived frugally and managed to get by on a modest salary from the ballet school. Arlette drove an ancient motor scooter and on most mornings she went to a small park near the train station to feed the stray cats.
There was a street woman who frequented the same park. She was known as Madame Perruche (Madame Parakeet). The woman was given her name because she fed the birds, but also because of her frail body and hooked nose. She owned two sweaters. One blue and one black, to go with her blue skirt with the white polka dots. No one knew much about the woman or where she came from. She slept on a park bench and used poste restante at the main post office to receive mail. No one could remember when she first appeared in the neighborhood, but it had been years ago and by the time Arlette met the woman Madame Perruche was more or less accepted as a permanent fixture in the park.
Arlette usually smiled or said hello to the woman during her visits to the park, but Madame Perruche rarely replied and when she did it was with a vigorous shake of her head or a brusque huffing sound. Her years on the street had made her wary of strangers and it was clear that she wanted as little contact with people as possible. She preferred the company of birds. Several mornings each week Madame Perruche could be found seated on the same park bench. Birds would flutter around eating seed and dried bread at her feet and occasionally one would perch on her hand for a brief conversation. Wild birds would take sunflower seeds from her lips.
Then one autumn day, as she was feeding the cats, Arlette thought about how odd it was that most people felt uncomfortable about giving food to humans but not to animals. Arlette brought the woman a fresh baguette and a small wedge of cheese.
"Merci, madame," said Madame Perruche sharply, as she snatched the food from her hand and walked away.
The following week Arlette persuaded the woman to go to a local cafe for a cup of coffee and a pastry. The regular patrons, hunched over the zinc bar sipping their mid-morning pastis, appeared to take scant notice of the women. But as soon as the women were out the door, there must have been words, because their cruel comments were later passed on to Arlette by her grocer. Arlette's friends, knowing her generous habits, urged her not to get involved with a woman who lived on the streets.
When winter set in that year the mistral blew from the north bringing days of bitterly cold, rainy weather. Sitting at her breakfast table, sipping a steamy cup of tea and listening to the torrent of raindrops pounding on the windowpanes, Arlette could not bear the thought of the old woman wandering the streets looking for shelter. And so, during a lull in the storm, Arlette drove to the park and returned home with Madame Perruche, and her plastic bags of belongings, perched on the back of the motor scooter.
"She was soaking wet when I found her," Arlette told us. "I gave her a dressing gown and a bath towel, and left her with a cup of chocolat chaud while I took her clothes to the laundromat."
Madame Perruche stayed for two days until the weather warmed and then she returned to her park bench and her birds. Arlette's friends were horrified when they heard that she had allowed a person from the street to sleep in her home.
"But what are you thinking!?" a neighbor yelled at Arlette once Madame Perruche had left.
The two women continued to get to know each other in the little park, and, when Arlette was invited to visit friends in Paris, she asked Madame Perruche if she would like to stay in the apartment and take care of the plants and collect the mail. Arlette's friends threw up their hands in exasperation when they heard that she was planning to loan her apartment to the bird woman.
"Impossible! There won't be a thing left when you get back," they warned her. "She will make a copy of your key. You won't be able to get rid of her."
Arlette didn't listen to the advice of her friends, but to avoid problems with the doorman and the other tenants in her apartment building Arlette gave Madame Perruche a new pair of espadrilles and some clothes from her closet that she no longer wore. She installed Madame Perruche in her apartment, with a small sum of money for groceries, and then packed her bag and left for Paris.
"But weren't you concerned about your belongings?" I asked Arlette as she paused to take a bite of her dinner.
"The only thing of value that I own is a photo album from my youth. And what sort of person would steal something like that?" She laughed.
According to the neighbors, Madame Perruche rarely left the apartment while Arlette was in Paris. By the time Arlette returned a week later she found her home in an astonishing state. The woman had cleaned the entire apartment, washed and ironed the bed linen, scrubbed and waxed the floors, and cleaned the windows inside and out. Fresh flowers, picked from the park, were set in a small vase on the kitchen table. Arlette was delighted with what she saw, and suggested that Madame Perruche stay. She could take the small room off the kitchen. The bird woman accepted, but only on the condition that she could make herself useful. She continued to clean the house and helped with the shopping and cooking.
Arlette had the good sense not to pry into the woman's life, and each morning they continued to walk to the square to feed the cats and birds. Madame Perruche never talked about her past, but there were telltale signs in her behavior that convinced Arlette that the woman had come from a good family. She took note of how the woman set the table and folded the bottom corners of a bedsheet; and how she paused to listen to Beethoven's Violin Sonata No. 6 in A Major that Arlette played on the phonograph one afternoon. The two women lived simply and quietly, but many of Arlette's friends found it impossible to accept this new living arrangement without comment. They thought Arlette had lost her mind. Several neighbors suspected the women were lovers. Arlette...
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