Following in the footsteps of such poets as Emily Dickinson, William Stafford, and Frank O'Hara, David Lehman began writing a poem a day in 1996 and found the experience so rewarding that he continued for the next two years. During that time, some of these poems appeared in various journals and on Web sites, including The Poetry Daily site, which ran thirty of Lehman's poems in as many days throughout the month of April 1998.
For The Daily Mirror, Lehman has selected the best of these "daily poems" -- each tied to a specific occasion or situation -- and telescoped two years into one. Spontaneous and immediate, but always finely crafted and spiced with Lehman's signature irony and wit, the poems are akin to journal entries charting the passing of time, the deaths of great men and women, the news of the day. Jazz, Sinatra, the weather, love, poetry and poets, movies, and New York City are among their recurring themes.
A departure from Lehman's previous work, this unique volume provides the intimacy of a diary, full of passion, sound, and fury, but with all the aesthetic pleasure of poetry. More a party of poems than a standard collection, The Daily Mirror presents an exciting new way to think about poetry.
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David Lehman, the series editor of The Best American Poetry, edited The Oxford Book of American Poetry. His books of poetry include The Morning Line, When a Woman Loves a Man, and The Daily Mirror. He has written such nonfiction books as Signs of the Times: Deconstruction and the Fall of Paul de Man. He lives in New York City and Ithaca, New York.
Excerpt
January 1
Some people confuse inspiration with lightning
not me I know it comes from the lungs and air
you breathe it in you breathe it out it circulates
it's the breath of my being the wind across the face
of the waters yes but it's also something that comes
at my command like a turkey club sandwich
with a cup of split pea soup or like tones
from Benny Goodman's clarinet my clarinet
the language that never fails to respond
some people think you need to be pure of heart
not true it comes to the pure and impure alike
the patient and impatient the lovers the onanists
and the virgins you just need to be able to listen
and talk at the same time and you'll hear it like
the long-delayed revelation at the end of the novel
which turns out to be something simple a traumatic
moment that fascinated us more when it was only
a fragment an old song a strange noise a mistake
of hearing a phone that wouldn't stop ringing
January 2
The old war is over the new one has begun
between drivers and pedestrians on a Friday
in New York light is the variable and structure
the content according to Rodrigo Moynihan's
self-portraits at the Robert Miller Gallery where
the painter is serially pictured holding a canvas,
painting his mirror image, shirtless in summer,
with a nude, etc., it's two o'clock and I'm walking
at top speed from the huddled tourists yearning to be
a mass to Les Halles on Park and 28th for a Salade
Niçoise I've just watched The Singing Detective all
six hours of it and can't get it out of my mind,
the scarecrow that turns into Hitler, the sad-eyed
father wearing a black arm-band, the yellow umbrellas
as Bing Crosby's voice comes out of Michael Gambon's
mouth, "you've got to ac-cent-tchu-ate the positive,
e-lim-inate the negative" advice as sound today
as in 1945 though it also remains true that
the only thing to do with good advice is pass it on
January 3
The shrink says, "Everything depends
on how many stuffed animals you had
as a boy," and my mother tells me my
father was left-handed and so is my son
and they're both named Joe whose favorite
stuffed animal was a bear called Sweetheart
while I, the sole constant in this dream,
am carrying a little girl who has a gun
in her hand as I climb a brick wall
on the other side is unknown territory
but it has to be better than this chase
down hilly streets where the angel disguised
as a man with red hair drives the wrong way
down a one-way street so he arrives late
at the library where his son is held hostage
he breaks in lifts the boy in his arms and tells
the one kind man he had met that he and
his brother would be saved but the others
who had mocked him would surely die
Copyright © 2000 David Lehman. All rights reserved.
ISBN: 0-684-86493-2
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