The Films of Theo Angelopoulos: A Cinema of Contemplation (Princeton Modern Greek Studies) - Hardcover

Horton, Andrew

Hardcover

ISBN 10: 0691011419 ISBN 13: 9780691011417

Verlag: Princeton University Press, 1997

Inhaltsangabe

Focusing on Angelopoulos' cinematic vision, this text provides a contextual study that attempts to demonstrate the quintessentially Greek nature of the director's work. The book situates the director in the context of over 3000 years of Greek culture and history. Angelopoulos has used cinema to explore the history and individual identities of his culture. With such far-reaching influences as Greek myth, ancient tragedy and epic, Byzantine inconography and ceremony, Greek and Balkan history, modern Greek pop culture (including bouzouki music), shadow puppet theatre and the Greek music hall tradition, Angelopoulos emerges as an original "thinker" with the camera and a distinctive director.

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Über die Autorin bzw. den Autor

Andrew Horton is Jeanne H. Smith Professor of Film and Video Studies at the University of Oklahoma. He is the author of Writing the Character Centered Screenplay, Russian Critics on a Cinema of Glasnost, and Comedy/Cinema/Theory, and coauthor, with Michael Brashinsky, of The Zero Hour: Glasnost and Soviet Cinema in Transition.

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"Theo Angelopoulos is a masterful filmmaker. He really understands how to control the frame. There are sequences in his work--the wedding scene inThe Suspended Step of the Stork; the rape scene in Landscape in the Mist; or any given scene inThe Traveling Players--where the slightest movement, the slightest change in distance, sends reverberations through the film and through the viewer. The total effect is hypnotic, sweeping, and profoundly emotional. His sense of control is almost otherworldly."--Martin Scorsese

"Horton's book fills a crucial gap in film studies by bringing to attention the work of a European filmmaker whose films remain unfamiliar to many. This book is an extraordinary study of a major artist and one that should help make Angelopoulos a much better known figure in this country."--Stuart McDougal, University of Michigan

"The interpretive conception, the argument, and the conclusion of this book are nothing short of brilliant. It is as if Angelopoulos comes into his own with Andrew Horton's writing. It could become a model for film writing, not least for its expansive ideological and historical perceptions."--John Chioles, New York University

Aus dem Klappentext

"Theo Angelopoulos is a masterful filmmaker. He really understands how to control the frame. There are sequences in his work--the wedding scene inThe Suspended Step of the Stork; the rape scene in Landscape in the Mist; or any given scene inThe Traveling Players--where the slightest movement, the slightest change in distance, sends reverberations through the film and through the viewer. The total effect is hypnotic, sweeping, and profoundly emotional. His sense of control is almost otherworldly."--Martin Scorsese

"Horton's book fills a crucial gap in film studies by bringing to attention the work of a European filmmaker whose films remain unfamiliar to many. This book is an extraordinary study of a major artist and one that should help make Angelopoulos a much better known figure in this country."--Stuart McDougal, University of Michigan

"The interpretive conception, the argument, and the conclusion of this book are nothing short of brilliant. It is as if Angelopoulos comes into his own with Andrew Horton's writing. It could become a model for film writing, not least for its expansive ideological and historical perceptions."--John Chioles, New York University

Details zur Ausgabe

• Verlag: Princeton University Press
• Erscheinungsdatum: 1997
• Sprache: Englisch
• ISBN 10: 0691011419
• ISBN 13: 9780691011417
• Einband: Tapa dura
• Anzahl der Seiten: 241
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Nicht verfügbar