The Description for this book, The Corded Shell: Reflections on Musical Expression, will be forthcoming.
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The Description for this book, The Corded Shell: Reflections on Musical Expression, will be forthcoming.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
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Versandziele, Kosten & DauerAnbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.6. Bestandsnummer des Verkäufers G0691020140I3N00
Anzahl: 1 verfügbar
Anbieter: Terrence Murphy, Santa Fe, NM, USA
Soft cover. Zustand: Near Fine. No Jacket. Original color stiff wraps in near fine condition both externally and internally. Some slight age toning to last leaf. Frontis., notes, biblio., index, 167p. Both a study of music as written and human expression through music. Bestandsnummer des Verkäufers 002908
Anzahl: 1 verfügbar
Anbieter: Toscana Books, AUSTIN, TX, USA
Paperback. Zustand: new. Excellent Condition.Excels in customer satisfaction, prompt replies, and quality checks. Bestandsnummer des Verkäufers Scanned0691020140
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Anbieter: Epilonian Books, Manhattan Beach, CA, USA
Paperback. Zustand: Good. Princeton University Press [Published Date: 1980]. Soft cover, 167 pp. In good condition. Glossy orange and maroon paper covers have light bumping and creasing to edges and light overall scuffing. Binding tight. Moderate age spotting to edges of text block. Pages lightly aged but otherwise unmarked. [From back cover] Integrating eighteenth-century sources with recent aesthetic theories, Peter Kivy sets forth a view of musical expression that shows how emotive descriptions of music may be intelligible, methodologically sound, and hence a thoroughly respectable part of musical analysis and criticism. In doing so, he resolves the dilemma that has confronted both the untrained listener and the musical scholar or musician, namely: when musical description conforms to the scholar?s demand for scientific analysis and objectivity, it is too technical for the untrained listener to understand; yet if it is rendered humanistically intelligible to the layperson, the expert dismisses it as nonsense. In order to resolve the dilemma, the author contends, emotive description must be made respectable in the eyes of the learned so that it can stand alongside technical description as a valid analytic tool. Rather than decry emotive description as meaningless and subjective rambling on the part of the composer or of the critic, Professor Kivy suggests that emotive depictions of music be understood as really no different from our emotive depictions of each other and the world around us. If the criteria of musical expressiveness can be identified with those of human expression, he concludes, then these criteria provide a rational foundation for the emotive criticism of music. Bestandsnummer des Verkäufers 20200615001
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Anbieter: The Green Arcade, San Francisco, CA, USA
Soft cover. Zustand: Very Good. In very good condition; faint to light scuffing to wraps; light rubbing top of spine; 5/8-in. diagonal crease lower outside corner back cover; faint dusting outside edges of book; faint toning to clean interior; binding tight; spine non-creased. Princeton Essays on the Arts. 167 numbered pages. 8 3/16 x 6 1/8 in. Bestandsnummer des Verkäufers 004301
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Anbieter: HPB-Red, Dallas, TX, USA
Paperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority! Bestandsnummer des Verkäufers S_382204879
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Anbieter: BennettBooksLtd, North Las Vegas, NV, USA
Paperback. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-0691020140
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