Making the Body Beautiful: A Cultural History of Aesthetic Surgery - Hardcover

Gilman, Sander L.

Hardcover

ISBN 10: 0691026726 ISBN 13: 9780691026725

Verlag: Princeton University Press, 1999

Inhaltsangabe

Nose reconstructions have been common in India for centuries. South Korea, Brazil, and Israel have become international centers for procedures ranging from eyelid restructuring to buttock lifts and tummy tucks. Argentina has the highest rate of silicone implants in the world. Around the globe, aesthetic surgery has become a cultural and medical fixture. Sander Gilman seeks to explain why by presenting the first systematic world history and cultural theory of aesthetic surgery. Touching on subjects as diverse as getting a "nose job" as a sweet-sixteen birthday present and the removal of male breasts in seventh-century Alexandria, Gilman argues that aesthetic surgery has such universal appeal because it helps people to "pass," to be seen as a member of a group with which they want to or need to identify.

Gilman begins by addressing basic questions about the history of aesthetic surgery. What surgical procedures have been performed? Which are considered aesthetic and why? Who are the patients? What is the place of aesthetic surgery in modern culture? He then turns his attention to that focus of countless human anxieties: the nose. Gilman discusses how people have reshaped their noses to repair the ravages of war and disease (principally syphilis), to match prevailing ideas of beauty, and to avoid association with negative images of the "Jew," the "Irish," the "Oriental," or the "Black." He examines how we have used aesthetic surgery on almost every conceivable part of the body to try to pass as younger, stronger, thinner, and more erotic. Gilman also explores some of the extremes of surgery as personal transformation, discussing transgender surgery, adult circumcision and foreskin restoration, the enhancement of dueling scars, and even a performance artist who had herself altered to resemble the Mona Lisa.

The book draws on an extraordinary range of sources. Gilman is as comfortable discussing Nietzsche, Yeats, and Darwin as he is grisly medical details, Michael Jackson, and Barbra Streisand's decision to keep her own nose. The book contains dozens of arresting images of people before, during, and after surgery. This is a profound, provocative, and engaging study of how humans have sought to change their lives by transforming their bodies.

Über diesen Titel

Über die Autorin bzw. den Autor

Sander L. Gilman is Distinguished Professor of the Liberal Arts and Sciences and Professor of Medicine, University of Illinois at Chicago; he is also Director of the Humanities Laboratory there. He is the author or editor of over fifty books, including Seeing the Insane, Jewish Self-Hatred, The Jew's Body, Hysteria: A New History, and Freud, Race, and Gender (Princeton).

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"An extraordinarily learned, endlessly fascinating book that deals with a hot contemporary subject."--Elaine Showalter, Princeton University

"This work is wide-ranging, well-informed, and stimulating in its scholarship. It's also provocative--not in the sense of being outrageous, unbalanced, or politically incorrect but in challenging conventional thinking and forcing readers to question their unspoken assumptions. I found this an engrossing read."--Roy Porter, Wellcome Institute for the History of Medicine, London

"Sander Gilman has delivered exactly what the title promises: a cultural history of his subject. By trawling a remarkably wide range of material, from surgical papers to novels, high art and films, he has produced a nuanced history of an important discipline within modern surgery. As with all of Gilman's work, the marriage of text and image contributes much to the impact of this major contribution to our understanding of that most welcome intimate of subjects: the history of the body."--W. F. Bynum, Wellcome Institute for the History of Medicine, London

"Sander Gilman has done it again. This is a splendid book, rich in interpretation and rich with refrences. The European aspect of the history of cosmetic surgery has not been so fully developed before Gilman brought together the cultural and the medical parts of the story. His wide-ranging references are themselves are worth the price of admission."--Gert H. Brieger, Johns Hopkins University

Aus dem Klappentext

"An extraordinarily learned, endlessly fascinating book that deals with a hot contemporary subject."--Elaine Showalter, Princeton University

"This work is wide-ranging, well-informed, and stimulating in its scholarship. Its also provocative--not in the sense of being outrageous, unbalanced, or politically incorrect but in challenging conventional thinking and forcing readers to question their unspoken assumptions. I found this an engrossing read."--Roy Porter, Wellcome Institute for the History of Medicine, London

"Sander Gilman has delivered exactly what the title promises: a cultural history of his subject. By trawling a remarkably wide range of material, from surgical papers to novels, high art and films, he has produced a nuanced history of an important discipline within modern surgery. As with all of Gilman's work, the marriage of text and image contributes much to the impact of this major contribution to our understanding of that most welcome intimate of subjects: the history of the body."--W. F. Bynum, Wellcome Institute for the History of Medicine, London

"Sander Gilman has done it again. This is a splendid book, rich in interpretation and rich with refrences. The European aspect of the history of cosmetic surgery has not been so fully developed before Gilman brought together the cultural and the medical parts of the story. His wide-ranging references are themselves are worth the price of admission."--Gert H. Brieger, Johns Hopkins University

Details zur Ausgabe

• Verlag: Princeton University Press
• Erscheinungsdatum: 1999
• Sprache: Englisch
• ISBN 10: 0691026726
• ISBN 13: 9780691026725
• Einband: Gebundene Ausgabe
• Anzahl der Seiten: 396
• Kontakt zum Hersteller: Nicht verfügbar
• Verantwortliche Person: Nicht verfügbar