Callimachus has usually been seen as the archetypal ivory-tower poet, the epitome if not the inventor of the concept of art for art's sake, author of erudite works written to be read in book form by fellow poets and scholars. Abundant evidence, much of it assembled here for the first time, suggests a very different story: a world of civic festivals rather than books and libraries, a world in which poetry and poets played a central and public role. In the course of the argument, Cameron casts fresh light on the lives, dates, works, and interrelationships of most of the other leading poets of the age.
Another axiom of modern scholarship is that the object of Callimachus's literary polemic was epic. Yet Cameron shows that the thriving school of epic poets celebrating the wars of Hellenistic kings that has so dominated modern study simply never existed. Elegy was the fashionable genre of the age, and the bone of contention between Callimachus and his rivals (all fellow elegists) was the nature of elegiac narrative. A final chapter sketches some of the implications of this revised view of Callimachus and his world for the interpretation of Roman, especially Augustan, poetry.
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Alan Cameron is Charles Anthon Professor of Latin at Columbia University.
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1000grams, ISBN:0691043671. Bestandsnummer des Verkäufers 3995458
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Anbieter: Anybook.com, Lincoln, Vereinigtes Königreich
Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:0691043671. Bestandsnummer des Verkäufers 5774575
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Anbieter: Ancient World Books, Toronto, ON, Kanada
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Foxing to textblock. From the library of G. P. Goold. Some faint creasing to DJ.; Callimachus has usually been seen as the archetypal ivory-tower poet, the epitome if not the inventor of the concept of art for art's sake, author of erudite works written to be read in book form by fellow poets and scholars. However, there is much evidence to suggest a different story: a world of civic festivals rather than books and libraries, a world in which poetry and poets played a central and public role. In the course of the argument, Cameron casts fresh light on the lives, dates, works and inter-relationships of most of the other leading poets of the age. Another axiom of modern scholarship is that the object of Callimachus's literary polemic was epic. Yet Cameron aims to show that the thriving school of epic poets celebrating the wars of Hellenistic kings that has so dominated modern study never existed. Elegy was the fashionable genre of the age and the bone of contention between Callimachus and his rivals (all fellow elegists) was the nature of elegaic narrative. A final chapter sketches some of the implications of this revised view of Callimachus and his world for the interpretation of Roman, especially Augustan, poetry.; 533 pages. Bestandsnummer des Verkäufers 31698
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Anbieter: The Bookstore, Belfast, Vereinigtes Königreich
Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. Good tight copy, occasional annotations in pencil & ink, owners signature, light wear to wrapper edges. Bestandsnummer des Verkäufers 018842
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Anbieter: Barnaby, Oxford, Vereinigtes Königreich
Hardcover. Zustand: Good. Dust jacket is complete but rubbed and worn at edges and corners. Contents mostly clean and fresh. A presentable used copy without major defects. Publisher's note: Callimachus has usually been seen as the archetypal ivory-tower poet, the epitome if not the inventor of the concept of art for art's sake, author of erudite works written to be read in book form by fellow poets and scholars. Abundant evidence, much of it assembled here for the first time, suggests a very different story: a world of civic festivals rather than books and libraries, a world in which poetry and poets played a central and public role. In the course of the argument, Cameron casts fresh light on the lives, dates, works, and interrelationships of most of the other leading poets of the age. Another axiom of modern scholarship is that the object of Callimachus's literary polemic was epic. Yet Cameron shows that the thriving school of epic poets celebrating the wars of Hellenistic kings that has so dominated modern study simply never existed. Elegy was the fashionable genre of the age, and the bone of contention between Callimachus and his rivals (all fellow elegists) was the nature of elegiac narrative. A final chapter sketches some of the implications of this revised view of Callimachus and his world for the interpretation of Roman, especially Augustan, poetry. Originally published in 1995. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press Size: 24.8 x 16.5 x 4.4 cm. xiv, 534 pp. Shipped Weight: Under 1 kilo. Category: History; Callimachus -- Criticism and interpretation -- History; Greek poetry, Hellenistic -- Egypt -- Alexandria -- History and criticism; ISBN: 0691043671. ISBN/EAN: 9780691043678. Add. Inventory No: 260924HAD005007. Bestandsnummer des Verkäufers 260924HAD005007
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