Book by Dahlhaus Carl Gjerdingen Robert O
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Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals.
Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled.
Originally published in 1990.
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Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.75. Bestandsnummer des Verkäufers G0691091358I3N11
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Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Bestandsnummer des Verkäufers 4793733-6
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Anbieter: Lyon's Den Mystery Books & More, Rock Hill, SC, USA
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: No dust jacket. Translated from the German by Robert O. Gjerdingen. Very slight wear at top corner of spine. Text block is tight with no loose or dog-eared pages and with no markings or underlinings. Bubble wrapped, boxed, and shipped with USPS Tracking (USA only). Proceeds from the sale of this book benefit WDAV, a 24 hour classical music public radio station in Davidson, NC; streaming online. Bestandsnummer des Verkäufers 003307
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Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Very Good. 1990. Hardcover. Cloth, no dj. Slight shelfwear; clean internals. Very Good. Bestandsnummer des Verkäufers Q22794
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Hardcover. Zustand: Very Good. Princeton University Press, 1990. Hard cover, 2nd printing. VG condition with no dust jacket; 389 pages. Bestandsnummer des Verkäufers SKU1068375
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hardcover. Zustand: New. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010. Bestandsnummer des Verkäufers 1LAUHV002FC9
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hardcover. Zustand: New. In shrink wrap! Looks like an interesting title!. Bestandsnummer des Verkäufers Q-0691091358
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Anbieter: michael diesman, Fresh Meadows, NY, USA
Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Not Indicated. Carl Dahlhaus was without doubt the premier musicologist of the postwar generation, a giant whose recent death was mourned the world over. Translated here for the first time, this fundamental work on the development of tonality shows his complete mastery of the theory of harmony. In it Dahlhaus explains the modern concepts of harmony and tonality, reviewing in the process the important theories of Rameau, Sechter, Ftis, Riemann, and Schenker. He contrasts the familiar premises of chordal composition with the lesser known precepts of intervallic composition, the basis for polyphonic music in the late Middle Ages and Renaissance. Numerous quotations from theoretical treatises document how early music was driven forward not by progressions of chords but by simple progressions of intervals.Exactly when did composers transform intervallic composition into chordal composition? Modality into tonality? Dahlhaus provides extensive analyses of motets by Josquin, frottole by Cara and Tromboncino, and madrigals by Monteverdi to demonstrate how, and to what degree, such questions can be answered. In his bold speculations, in his magisterial summaries, in his command of eight centuries of music and writings on music, and in his deep understanding of European history and culture, Carl Dahlhaus sets a standard that will seldom be equalled. Bestandsnummer des Verkäufers 045701
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