Willem de Kooning, one of the pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply sceptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background. De Kooning relied on early-20th-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Usi
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Cornelia Butler is Curator at the Museum of Contemporary Art, Los Angeles, where she has organized numerous exhibitions, most recently "Flight Patterns" and "The Social Scene." Paul Schimmel is Chief Curator at the Museum of Contemporary Art, Los Angeles. His exhibitions include "The Interpretive Link," "The Figurative Fifties," and "Out of Actions." Richard Shiff is Effie Marie Cain Regents Chair in Art and directs the Center for the Study of Modernism at the University of Texas, Austin. He is the author of Cezanne and the End of Impressionism. Anne Wagner is Professor of Art History at the University of California, Berkeley. She has published Jean-Baptiste Carpeaux and Three Artists (Three Women).
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Anbieter: Your Online Bookstore, Houston, TX, USA
hardcover. Zustand: Good. Bestandsnummer des Verkäufers 069109618X-3-34797098
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USA
hardcover. Zustand: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized. Bestandsnummer des Verkäufers mon0000309431
Anbieter: Hennessey + Ingalls, Los Angeles, CA, USA
Hardcover. Zustand: Used - Very Good. Willem de Kooning, one of the great pioneers of Abstract Expressionism, experimented with the human form throughout his career. An artist deeply skeptical about Western ideals of beauty, he focused on anatomical fragmentation and spatial ambiguity to express the fleeting nature of the individual. This strikingly designed book, published in conjunction with an exhibition originating at The Museum of Contemporary Art, Los Angeles, explores de Kooning's drawings of the female form between 1940 and 1955. It reveals an artist who struggled to eliminate traditional barriers between drawing and painting as he explored ambiguities between the figure and its background. De Kooning relied on early-twentieth-century abstraction in his initial attempts to redefine the figure, drawing and re-drawing the same line until he resolved the image. Beginning in 1947-49, he synthesized abstraction and figuration, dismembering figures and rearranging them with seeming randomness. As his figural compositions developed, geometric configurations transformed into architectural elements (suggesting windows, doors, mirrors, paintings, and furniture) to create ambiguous space. In 1951, de Kooning abruptly returned to depictions of women. Using turbulent brushwork, he turned female figures into monumental, intentionally vulgar, wildly distorted images whose parts read alternately as flat pattern and fully rounded forms. The effect is an almost violent sensuality. The artist's later style differed dramatically from that of earlier decades. Familiar shapes and hues suggest that women remain in his works, yet they are distorted beyond recognition as if seen from underwater. As put by Thomas Hess, the artist'sfriend and critic, 'Woman, for de Kooning, is the human equivalent of water; more than a vessel, she embodies it in planes of rippling flesh.' EXHIBITION SCHEDULE The Museum of Contemporary Art, Los AngelesFebruary 10, 2002-May 5, 2002 The National Gallery of Art, Washington, D.C.September 29, 2002-January 5, 2003 The San Francisco Museum of Modern ArtJune 15 - September 8, 2002 Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector. Bestandsnummer des Verkäufers 324502
Anbieter: Moe's Books, Berkeley, CA, USA
Hard cover. Zustand: Very good. Zustand des Schutzumschlags: Very good. Jacket spine is sunned and lightly stained, but legibility is not impacted. Back jacket cover is scuffed along hinge. Jacket edges are worn. Spine is tight. Cover edges are shelf worn. Cover corners are bumped. Inside edges are slightly tanned, but readability is not affected. Pages are unmarked. Bestandsnummer des Verkäufers 2050781
Anbieter: ANARTIST, New York, NY, USA
Hardcover with dustjacket, 200 pages, very good condition; except light edgewear to dj at top edge and small abrasion to title on spine; no internal marks. Foreign shipping may be extra. Bestandsnummer des Verkäufers WiDeLo50
Anbieter: G.J. Askins Bookseller, New Lebanon, NY, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 200 page hardcover exhibition catalog to accompany " Willem de Kooning: Tracing the Figure." Four essay contributors, color plates of the drawings, exhibit checklist, and select bibliography. Exhibition was at The Museum of Contemporary Art, Los Angeles, CA, 10 February - 28 April, 2002. No flaws. Bestandsnummer des Verkäufers 542167
Anbieter: Moe's Books, Berkeley, CA, USA
Hard cover. Zustand: Near fine. Zustand des Schutzumschlags: Very good. Jacket is lightly worn along edges. Jacket is lightly sunned along spine and around bottom edge of back cover, not affecting legibility. Book itself is in excellent condition with no visible flaws. Binding is tight and inside is clean and unmarked. Bestandsnummer des Verkäufers 2048941
Anbieter: Bookplate, Chestertown, MD, USA
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Previous owner name on title page, otherwise VG+/VG+. BP/Oversized art books. Bestandsnummer des Verkäufers ABE-1748120288699
Anbieter: Superbbooks, San Francisco, CA, USA
Hardcover. Zustand: Fine. 1st Edition. APPARENTLY NEVER READ. EXCELLENT PAGES And BINDING And DUST JACKET. As Shown. Published/printed by Princeton/MOCA, 2002. Approximately 9 1/2 X 13 1/2. 200 pages. Bestandsnummer des Verkäufers 006266
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USA
First edition. Hardcover. 200 pages. Features a foreword by Jeremy Strick and essays by Cornelia H. Butler, Paul Schimmel, Richard Shiff, and Anne M. Wagner. Includes 124 color illustrations, 6 black and white images, selected bibliography, and checklist. A near fine copy in cloth boards with a slight bit of bumping to the bottom of the spine in a near fine dust jacket with some minor wear. Bestandsnummer des Verkäufers 199882