Reexamines Renaissance art and describes how many works were completed outside themselves by the spectator
Die Inhaltsangabe kann sich auf eine andere Ausgabe dieses Titels beziehen.
John Shearman is William Door Boardman Professor of Fine Arts at Harvard University.
„Über diesen Titel“ kann sich auf eine andere Ausgabe dieses Titels beziehen.
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0691099723I3N00
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0691099723I3N10
Anzahl: 1 verfügbar
Anbieter: ThriftBooks-Dallas, Dallas, TX, USA
Hardcover. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Bestandsnummer des Verkäufers G0691099723I4N10
Anzahl: 1 verfügbar
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: very good. Zustand des Schutzumschlags: very good. Illustrated (color and b/w). 281 pages. 4to., brown cloth (damp-stained at bottom of spine and dust wrapper but internally clean). Washington, D.C.: The National Gallery of Art, (1992). Very good. The A.W. Mellon Lectures in the Fine Arts, 1988. Bollingen Series XXXV. Bestandsnummer des Verkäufers 303536
Anzahl: 1 verfügbar
Anbieter: Mullen Books, ABAA, Marietta, PA, USA
Hardcover. Brown cloth over boards; Color pictorial dj.; 281 pp.; 25 color plates, 201 bw figures. The 37th volume in the A.W. Mellon Lectures in the Fine Arts; From the jacket: ". . . the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning." VG- (Fine interior; Light wear to dj. extremities; fading to dj cover; previous owner's name written on first page; remainder mark on bottom). Bestandsnummer des Verkäufers 118260
Anzahl: 1 verfügbar
Anbieter: Harry Alter, Sylva, NC, USA
hardcover, Zustand: Good, National Gallery of Art, Princeton University Press, c.1992, 1st., 7-3/4"x10-1/4", cloth, 281pp., illusts., ex-lib.- spine label, pocket, stamps, ow VG $. Bestandsnummer des Verkäufers 78159
Anzahl: 1 verfügbar
Anbieter: Springhead Books, Rochester, Vereinigtes Königreich
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. John Shearman makes the plea for a more engaged reading of art works of the Italian Renaissance, one that will recognize the presuppositions of Renaissance artists about their viewers. His book is the first attempt to construct a history of those Renaissance paintings and sculptures that are by design completed outside themselves in or by the spectator, that embrace the spectator into their narrative plot or aesthetic functioning, and that reposition the spectator imaginatively in time and space. xvii, 281 p., ill., xxv col. plates ; 26 cm. First edition, first impression. Brown cloth boards, unclipped dust jacket. Slight shelf wear to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging. Bestandsnummer des Verkäufers 017039
Anzahl: 1 verfügbar
Anbieter: Laureate Fine Books, Poultney, VT, USA
Zustand: Near Fine. Zustand des Schutzumschlags: Very Good+. First Edition, First Printing. A Near Fine Book in a Very Good or Better Dust Jacket, Unclipped (Unpriced). Book is lightly rubbed and sunned to extremities. Text block is bright and fresh excepting a few spots of dust soiling. Text is unmarked. Binding is tight and square. Dust Jacket is lightly bumped to extremities and somewhat toned from sunning. Hardcover. Octavo. [xviii], [3], 4-281pp. Publisher's Brown Cloth, Stamped Gilt Detailing. Bestandsnummer des Verkäufers 1258
Anzahl: 1 verfügbar
Anbieter: Andover Books and Antiquities, Andover, MA, USA
Hardcover. Zustand des Schutzumschlags: Good. The A.W. Mellon Lectures in the Fine Arts - 1988. xvii, 281 pp. The A.W. Mellon Lectures in the Fine Arts, 1977, at the National Gallery of Art in Washington, D.C. Bollingen Series. XXXV: 37. LCC: 9127246 Good condition; some yellow highlighting on page 4 and in Index. Bestandsnummer des Verkäufers CH09140064
Anzahl: 1 verfügbar
Anbieter: BennettBooksLtd, Los Angeles, CA, USA
hardcover. Zustand: New. In shrink wrap. Looks like an interesting title! Bestandsnummer des Verkäufers Q-0691099723
Anzahl: 1 verfügbar