The mystery of how Leonardo da Vinci thought graphically, on paper, is critically analyzed through an insight into the workings of the artist's visual mind, as revealed in the artist's approach to modeling, engineering feats, and his inventions in the field of warfare.
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Martin Kemp is Professor of the History of Art at the University of Oxford. His numerous books include the biography Leonardo and The Oxford History of Western Art, and he is the originator of the Universal Leonardo project, which is generating exhibitions and events across Europe in 2006.
"This book-by the leading Leonardo scholar of this generation, one whose own intellectual range comes closest to matching that of the Renaissance master himself-offers a genuinely new take on Leonardo da Vinci. Its text provides the great pleasure of simultaneously comprising close readings of the drawings themselves and a major, unified thesis regarding the artist's methods and modes of drawing and thinking."--David Rosand, Columbia University
"No one is in a better position to offer such a synthetic understanding of Leonardo's work than Martin Kemp. His enthusiasm for the artist's graphic inventions and his thinking process leaps off practically every page of this book."--Claire Farago, University of Colorado, Boulder
"In the massive and ever-growing library of Leonardo studies, Martin Kemp's meditations on the artist's habits of mind have long stood out. The present catalogue reflects decades of work on the themes and ideas that preoccupied Leonardo as a thinker and as a draftsman. Anyone interested in the historical relationship between art and science should enjoy this book."--Michael W. Cole, University of Pennsylvania
"This book-by the leading Leonardo scholar of this generation, one whose own intellectual range comes closest to matching that of the Renaissance master himself-offers a genuinely new take on Leonardo da Vinci. Its text provides the great pleasure of simultaneously comprising close readings of the drawings themselves and a major, unified thesis regarding the artist's methods and modes of drawing and thinking."--David Rosand, Columbia University
"No one is in a better position to offer such a synthetic understanding of Leonardo's work than Martin Kemp. His enthusiasm for the artist's graphic inventions and his thinking process leaps off practically every page of this book."--Claire Farago, University of Colorado, Boulder
"In the massive and ever-growing library of Leonardo studies, Martin Kemp's meditations on the artist's habits of mind have long stood out. The present catalogue reflects decades of work on the themes and ideas that preoccupied Leonardo as a thinker and as a draftsman. Anyone interested in the historical relationship between art and science should enjoy this book."--Michael W. Cole, University of Pennsylvania
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