Dreams: From Volumes 4, 8, 12, and 16 of the Collected Works of C. G. Jung (New in Paper) (Bollingen Series) - Softcover

Jung, C. G.

Softcover

ISBN 10: 0691150486 ISBN 13: 9780691150482

Verlag: Princeton Univers. Press, 2011

Inhaltsangabe

Dream analysis is a distinctive and foundational part of analytical psychology, the school of psychology founded by C. G. Jung and his successors. This volume collects Jung's most insightful contributions to the study of dreams and their meaning. The essays in this volume, written by Jung between 1909 and 1945, reveal Jung's most essential views about dreaming--especially regarding the relationship between language and dream. Through these studies, Jung grew to understand that dreams are themselves a language, a language through which the soul communicates with the body. The essays included are "The Analysis of Dreams," "On the Significance of Number Dreams," "General Aspects of Dream Psychology," "On the Nature of Dreams," "The Practical Use of Dream Analysis," and "Individual Dream Symbolism in Relation to Alchemy" (complete with illustrations).


New to this edition is a foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London.

Über diesen Titel

Über die Autorin bzw. den Autor

Sonu Shamdasani is editor of The Red Book and Philemon Professor of Jung History at University College London.

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DREAMS

By C. G. Jung

PRINCETON UNIVERSITY PRESS

Copyright © 1974 PRINCETON UNIVERSITY PRESS
All right reserved.
ISBN: 978-0-691-15048-2

Contents

FOREWORD TO THE 2010 EDITION...................................................................................................................................................................................................viiNOTE OF ACKNOWLEDGMENT.........................................................................................................................................................................................................xiLIST OF ILLUSTRATIONS..........................................................................................................................................................................................................xiiiPART I DREAMS AND PSYCHOANALYSIS..............................................................................................................................................................................................11. The Analysis of Dreams Translated from "L'Analyse des rêves," Année psychologique (Paris), XV (1909).............................................................................................................32. On the Significance of Number Dreams Translated from "Ein Beitrag zur Kenntnis des Zahlentraumes," Zentralblatt für Psychoanalyse (Wiesbaden), I (1910/11)............................................................13PART II DREAMS AND PSYCHIC ENERGY.............................................................................................................................................................................................211. General Aspects of Dream Psychology Translated from "Allgemeine Gesichtspunkte zur Psychologie des Traumes," in Über psychische Energetik und das We sen der Träume (Zurich: Rascher, 1948)......................232. On the Nature of Dreams Translated from "Vom Wesen der Träume," in Über psychische Energetik und das Wesen der Träume (Zurich: Rascher, 1948)...............................................................67PART III THE PRACTICAL USE OF DREAM-ANALYSIS..................................................................................................................................................................................851. The Practical Use of Dream-Analysis Translated from "Die praktische Verwendbarkeit der Traumanalyse," in Wirklichkeit der Seele (Zurich: Rascher, 1934)....................................................................87PART IV INDIVIDUAL DREAM SYMBOLISM IN RELATION TO ALCHEMY Translated from Psychologie und Alchemie (Zurich, 1944; 2nd edn., revised, 1952)...................................................................................1111. Introduction................................................................................................................................................................................................................1152. The Initial Dreams..........................................................................................................................................................................................................1213. The Symbolism of the Mandala................................................................................................................................................................................................169BIBLIOGRAPHY...................................................................................................................................................................................................................299INDEX..........................................................................................................................................................................................................................313

Chapter One

THE ANALYSIS OF DREAMS

64 In 1900, Sigmund Freud published in Vienna a voluminous work on the analysis of dreams. Here are the principal results of his investigations.

65 The dream, far from being the confusion of haphazard and meaningless associations it is commonly believed to be, or a result merely of somatic sensations during sleep as many authors suppose, is an autonomous and meaningful product of psychic activity, susceptible, like all other psychic functions, of a systematic analysis. The organic sensations felt during sleep are not the cause of the dream; they play but a secondary role and furnish only elements (the material) upon which the psyche works. According to Freud the dream, like every complex psychic product, is a creation, a piece of work which has its motives, its trains of antecedent associations; and like any considered action it is the outcome of a logical process, of the competition between various tendencies and the victory of one tendency over another. Dreaming has a meaning, like everything else we do.

66 It may be objected that all empirical reality is against this theory, since the impression of incoherence and obscurity that dreams make upon us is notorious. Freud calls this sequence of confused images the manifest content of the dream; it is the facade behind which he looks for what is essential—namely, the dream-thought or the latent content. One may ask what reason Freud has for thinking that the dream itself is only the facade of a vast edifice, or that it really has any meaning. His supposition is not founded on a dogma, nor on an a priori idea, but on empiricism alone—namely, the common experience that no psychic (or physical) fact is accidental. It must have, then, its train of causes, being always the product of a complicated combination of phenomena; for every existing mental element is the resultant of anterior psychic states and ought in theory to be capable of analysis. Freud applies to the dream the same principle that we always instinctively use when inquiring into the causes of human actions.

67 He asks himself, quite simply: why does this particular person dream this particular thing? He must have his specific reasons, otherwise there would be a breakdown in the law of causality. A child's dream is different from an adult's, just as the dream of an educated man differs from that of an illiterate. There is something individual in the dream: it is in agreement with the psychological disposition of the subject. In what does this psychological disposition consist? It is itself the result of our psychic past. Our present mental state depends upon our history. In each person's past there are elements of different value which determine the psychic "constellation." The events which do not awaken any strong emotions have little influence on our thoughts or actions, whereas those which provoke strong emotional reactions are of great importance for our subsequent psychological development. These memories with a strong feeling-tone form complexes of associations which are not only long enduring but are very powerful and closely interlinked. An object which I regard with little interest calls forth few associations and soon vanishes from my intellectual horizon. An object in which, on the contrary, I feel much interest will evoke numerous associations and preoccupy me for a long while. Every emotion produces a more or less extensive complex of associations which I have called the "feeling-toned complex of ideas." In studying an individual case history we always discover that the complex exerts the strongest "constellating" force, from which we conclude that in any analysis we shall meet with it from the start. The complexes appear as the chief components of the psychological disposition in every psychic structure. In the dream, for example, we encounter the emotional components, for it is easy to understand that all the products of psychic activity depend above all upon the strongest "constellating" influences.

68 One does not have to look far to find the complex that sets Gretchen, in Faust, singing:

There was a king in Thule, True even to his grave— To him his dying mistress A golden beaker gave.

69 The hidden thought is Gretchen's doubt about Faust's fidelity. The song, unconsciously chosen by Gretchen, is what we have called the dream-material, which corresponds to the secret thought. One might apply this example to the dream, and suppose that Gretchen had not sung but dreamed this romance. In that case the song, with its tragic story of the loves of a far-off king of old, is the "manifest content" of the dream, its "façade." Anyone who did not know of Gretchen's secret sorrow would have no idea why she dreamt of this king. But we, who know the dream-thought which is her tragic love for Faust, can understand why the dream makes use of this particular song, for it is about the "rare faithfulness" of the king. Faust is not faithful, and Gretchen would like his faithfulness to her to resemble that of the king in the story. Her dream—in reality her song—expresses in a disguised form the ardent desire of her soul. Here we touch upon the real nature of the feeling-toned complex; it is always a question of a wish and resistance to it. Our life is spent in struggles for the realization of our wishes: all our actions proceed from the wish that something should or should not come to pass.

70 It is for this that we work, for this we think. If we cannot fulfil a wish in reality, we realize it at least in fantasy. The religious and the philosophic systems of every people in every age are the best proof of this. The thought of immortality, even in philosophic guise, is no other than a wish, for which philosophy is but the facade, even as Gretchen's song is only the outward form, a beneficent veil drawn over her grief. The dream represents her wish as fulfilled. Freud says that every dream represents the fulfilment of a repressed wish.

71 Carrying our illustration further, we see that in the dream Faust is replaced by the king. A transformation has taken place. Faust has become the far-off old king; the personality of Faust, which has a strong feeling-tone, is replaced by a neutral, legendary person. The king is an association by analogy, a symbol for Faust, and the "mistress" for Gretchen. We may ask what is the purpose of this arrangement, why Gretchen should dream, so to speak, indirectly about this thought, why she cannot conceive it clearly and without equivocation. This question is easily answered: Gretchen's sadness contains a thought that no one likes to dwell upon; it would be too painful. Her doubt about Faust's faithfulness is repressed and kept down. It makes its reappearance in the form of a melancholy story which, although it realizes her wish, is not accompanied by pleasant feelings. Freud says that the wishes which form the dream-thought are never desires which one openly admits to oneself, but desires that are repressed because of their painful character; and it is because they are excluded from conscious reflection in the waking state that they float up, indirectly, in dreams.

72 This reasoning is not at all surprising if we look at the lives of the saints. One can understand without difficulty the nature of the feelings repressed by St. Catherine of Siena, which reappeared indirectly in the vision of her celestial marriage, and see what are the wishes that manifest themselves more or less symbolically in the visions and temptations of the saints. As we know, there is as little difference between the somnambulistic consciousness of the hysteric and the normal dream as there is between the intellectual life of hysterics and that of normal people.

73 Naturally, if we ask someone why he had such and such a dream, what are the secret thoughts expressed in it, he cannot tell us. He will say that he had eaten too much in the evening, that he was lying on his back; that he had seen or heard this or that the day before—in short, all the things we can read in the numerous scientific books about dreams. As for the dream-thought, he does not and he cannot know it for, according to Freud, the thought is repressed because it is too disagreeable. So, if anyone solemnly assures us that he has never found in his own dreams any of the things Freud talks about, we can hardly suppress a smile; he has been straining to see things it is impossible to see directly. The dream disguises the repressed complex to prevent it from being recognized. By changing Faust into the King of Thule, Gretchen renders the situation inoffensive. Freud calls this mechanism, which prevents the repressed thought from showing itself clearly, the censor. The censor is nothing but the resistance which also prevents us, in the daytime, from following a line of reasoning right to the end. The censor will not allow the thought to pass until it is so disguised that the dreamer is unable to recognize it. If we try to acquaint the dreamer with the thought behind his dream, he will always oppose to us the same resistance that he opposes to his repressed complex.

74 We can now ask ourselves a series of important questions. Above all, what must we do to get behind the facade into the inside of the house—that is, beyond the manifest content of the dream to the real, secret thought behind it?

75 Let us return to our example and suppose that Gretchen is an hysterical patient who comes to consult me about a disagreeable dream. I will suppose, moreover, that I know nothing about her. In this case I would not waste my time questioning her directly, for as a rule these intimate sorrows cannot be uncovered without arousing the most intense resistance. I would try rather to conduct what I have called an "association experiment," 3 which would reveal to me the whole of her love-affair (her secret pregnancy, etc.). The conclusion would be easy to draw, and I should be able to submit the dream-thought to her without hesitation. But one may proceed more prudently.

76 I would ask her, for instance: Who is not so faithful as the King of Thule, or who ought to be? This question would very quickly illuminate the situation. In uncomplicated cases such as this, the interpretation or analysis of a dream is limited to a few simple questions.

77 Here is an example of such a case. It concerns a man of whom I know nothing except that he lives in the colonies and happens at present to be in Europe on leave. During one of our interviews he related a dream which had made a profound impression on him. Two years before, he had dreamt that he was in a wild and desert place, and he saw, on a rock, a man dressed in black covering his face with both hands. Suddenly he set out towards a precipice, when a woman, likewise clothed in black, appeared and tried to restrain him. He flung himself into the abyss, dragging her with him. The dreamer awoke with a cry of anguish.

78 The question, Who was that man who put himself in a dangerous situation and dragged a woman to her doom? moved the dreamer deeply, for that man was the dreamer himself. Two years before, he had been on a journey of exploration across a rocky and desert land. His expedition was pursued relentlessly by the savage inhabitants of that country, who at night made attacks in which several of its members perished. He had undertaken this extremely perilous journey because at that time life had no value for him. The feeling he had when engaging in this adventure was that he was tempting fate. And the reason for his despair? For several years he had lived alone in a country with a very dangerous climate. When on leave in Europe two and a half years ago, he made the acquaintance of a young woman. They fell in love and the young woman wanted to marry him. He knew, however, that he would have to go back to the murderous climate of the tropics, and he had no wish to take a woman there and condemn her to almost certain death. He therefore broke off his engagement, after prolonged moral conflicts which plunged him into profound despair. It was in such a state of mind that he started on his perilous journey. The analysis of the dream does not end with this statement, for the wish-fulfilment is not yet evident. But as I am only citing this dream in order to demonstrate the discovery of the essential complex, the sequel of the analysis is without interest for us.

79 In this case the dreamer was a frank and courageous man. A little less frankness, or any feeling of unease or mistrust towards me, and the complex would not have been admitted. There are even some who would calmly have asseverated that the dream had no meaning and that my question was completely beside the point. In these cases the resistance is too great, and the complex cannot be brought up from the depths directly into ordinary consciousness. Generally the resistance is such that a direct inquiry, unless it is conducted with great experience, leads to no result. By creating the ''psychoanalytic method" Freud has given us a valuable instrument for resolving or overcoming the most tenacious resistances.

80 This method is practised in the following manner. One selects some specially striking portion of the dream, and then questions the subject about the associations that attach themselves to it. He is directed to say frankly whatever comes into his mind concerning this part of the dream, eliminating as far as possible any criticism. Criticism is nothing but the censor at work; it is the resistance against the complex, and it tends to suppress what is of the most importance.

81 The subject should, therefore, say absolutely everything that comes into his head without paying any attention to it. This is always difficult at first, especially in an introspective examination when his attention cannot be suppressed so far as to eliminate the inhibiting effect of the censor. For it is towards oneself that one has the strongest resistances. The following case demonstrates the course of an analysis against strong resistances.

82 A gentleman of whose intimate life I was ignorant told me the following dream: "I found myself in a little room, seated at a table beside Pope Pius X, whose features were far more handsome than they are in reality, which surprised me. I saw on one side of our room a great apartment with a table sumptuously laid, and a crowd of ladies in evening-dress. Suddenly I felt a need to urinate, and I went out. On my return the need was repeated; I went out again, and this happened several times. Finally I woke up, wanting to urinate."

83 The dreamer, a very intelligent and well-educated man, naturally explained this to himself as a dream caused by irritation of the bladder. Indeed, dreams of this class are always so explained.

84 He argued vigorously against the existence of any components of great individual significance in this dream. It is true that the facade of the dream was not very transparent, and I could not know what was hidden behind it. My first deduction was that the dreamer had a strong resistance because he put so much energy into protesting that the dream was meaningless.

85 In consequence, I did not venture to put the indiscreet question: Why did you compare yourself to the Pope? I only asked him what ideas he associated with "Pope." The analysis developed as follows:

Pope. "The Pope lives royally ..." (A well-known students' song.) Note that this gentleman was thirty-one and unmarried.

Seated beside the Pope. "Just in the same way I was seated at the side of a Sheikh of a Moslem sect, whose guest I was in Arabia. The Sheikh is a sort of Pope."

86 The Pope is a celibate, the Moslem a polygamist. The idea behind the dream seems to be clear: "I am a celibate like the Pope, but I would like to have many wives like the Moslem." I kept silent about these conjectures.

The room and the apartment with the table laid. "They are apartments in my cousin's house, where I was present at a large dinner-party he gave a fortnight ago."

The ladies in evening dress. "At this dinner there were also ladies, my cousin's daughters, girls of marriageable age."

(Continues...)

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Details zur Ausgabe

• Verlag: Princeton Univers. Press
• Erscheinungsdatum: 2011
• ISBN 10: 0691150486
• ISBN 13: 9780691150482
• Einband: Tapa blanda
• Sprache: Englisch
• Anzahl der Seiten: 337
• Kontakt zum Hersteller: Nicht verfügbar