Immediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as their principal habitations. Taking this striking coincidence as its starting point, this book sets out to locate modern turriphilia in its cultural context and to explore the biographical circumstances that motivated the four writers to choose their unusual retreats. From the ziggurats of ancient Mesopotamia to the ivory towers of the fin de si cle, the author traces the emergence of a variety of symbolic associations with the proud towers of the past, ranging from spirituality and intellect to sexuality and sequestration.
But in every case the tower served both literally and symbolically as a refuge from the urban modernism with whose values the four writers found themselves at odds. While the classic modernists (Eliot, Woolf, Hart Crane) often singled out the broken tower as the image of a crumbling past, these writers actualized their powerful visions: Yeats and Rilke moved into medieval towers in Ireland and Switzerland, while Jeffers and Jung built themselves towers at Carmel and Bollingen as secluded spaces in which to cultivate the traditions and values they cherished. The last chapter traces this perseverance of the ancient image through its heyday in the twenties and into the present, where it has undergone renewal, institutionalization, and parody.
Originally published in 1998.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
"This is a fine study indeed. Ziolkowski makes a significant contribution to modern literary and cultural history and to the study of themes. I know of no comparable book, and since the work is presented free of jargon and in an elegant fashion, I believe that it will interest general readers, as well as specialists."--Werner Sollors, Harvard University
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Gebunden. Zustand: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorTheodore ZiolkowskiKlappentextrnrnImmediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as. Bestandsnummer des Verkäufers 447034619
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Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Immediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as their principal habitations. Taking this striking coincidence as its starting point, this book sets out to locate modern turriphilia in its cultural context and to explore the biographical circumstances that motivated the four writers to choose their unusual retreats. From the ziggurats of ancient Mesopotamia to the ivory towers of the fin de si cle, the author traces the emergence of a variety of symbolic associations with the proud towers of the past, ranging from spirituality and intellect to sexuality and sequestration.But in every case the tower served both literally and symbolically as a refuge from the urban modernism with whose values the four writers found themselves at odds. While the classic modernists (Eliot, Woolf, Hart Crane) often singled out the broken tower as the image of a crumbling past, these writers actualized their powerful visions: Yeats and Rilke moved into medieval towers in Ireland and Switzerland, while Jeffers and Jung built themselves towers at Carmel and Bollingen as secluded spaces in which to cultivate the traditions and values they cherished. The last chapter traces this perseverance of the ancient image through its heyday in the twenties and into the present, where it has undergone renewal, institutionalization, and parody.Originally published in 1998.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Bestandsnummer des Verkäufers 9780691633787
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Hardback. Zustand: New. Immediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as their principal habitations. Taking this striking coincidence as its starting point, this book sets out to locate modern turriphilia in its cultural context and to explore the biographical circumstances that motivated the four writers to choose their unusual retreats. From the ziggurats of ancient Mesopotamia to the ivory towers of the fin de si cle, the author traces the emergence of a variety of symbolic associations with the proud towers of the past, ranging from spirituality and intellect to sexuality and sequestration. But in every case the tower served both literally and symbolically as a refuge from the urban modernism with whose values the four writers found themselves at odds.While the classic modernists (Eliot, Woolf, Hart Crane) often singled out the broken tower as the image of a crumbling past, these writers actualized their powerful visions: Yeats and Rilke moved into medieval towers in Ireland and Switzerland, while Jeffers and Jung built themselves towers at Carmel and Bollingen as secluded spaces in which to cultivate the traditions and values they cherished. The last chapter traces this perseverance of the ancient image through its heyday in the twenties and into the present, where it has undergone renewal, institutionalization, and parody. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Bestandsnummer des Verkäufers LU-9780691633787
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Hardback. Zustand: New. Immediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as their principal habitations. Taking this striking coincidence as its starting point, this book sets out to locate modern turriphilia in its cultural context and to explore the biographical circumstances that motivated the four writers to choose their unusual retreats. From the ziggurats of ancient Mesopotamia to the ivory towers of the fin de si cle, the author traces the emergence of a variety of symbolic associations with the proud towers of the past, ranging from spirituality and intellect to sexuality and sequestration. But in every case the tower served both literally and symbolically as a refuge from the urban modernism with whose values the four writers found themselves at odds.While the classic modernists (Eliot, Woolf, Hart Crane) often singled out the broken tower as the image of a crumbling past, these writers actualized their powerful visions: Yeats and Rilke moved into medieval towers in Ireland and Switzerland, while Jeffers and Jung built themselves towers at Carmel and Bollingen as secluded spaces in which to cultivate the traditions and values they cherished. The last chapter traces this perseverance of the ancient image through its heyday in the twenties and into the present, where it has undergone renewal, institutionalization, and parody. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Bestandsnummer des Verkäufers LU-9780691633787
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Zustand: New. Series: Princeton Legacy Library. Num Pages: 216 pages, 25 halftones. BIC Classification: 1D; 2AB; DSBH; JFC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 229 x 152 x 14. Weight in Grams: 485. . 2017. Hardback. . . . . Books ship from the US and Ireland. Bestandsnummer des Verkäufers V9780691633787
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Hardcover. Zustand: new. Hardcover. Immediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as their principal habitations. Taking this striking coincidence as its starting point, this book sets out to locate modern turriphilia in its cultural context and to explore the biographical circumstances that motivated the four writers to choose their unusual retreats. From the ziggurats of ancient Mesopotamia to the ivory towers of the fin de si cle, the author traces the emergence of a variety of symbolic associations with the proud towers of the past, ranging from spirituality and intellect to sexuality and sequestration. But in every case the tower served both literally and symbolically as a refuge from the urban modernism with whose values the four writers found themselves at odds.While the classic modernists (Eliot, Woolf, Hart Crane) often singled out the broken tower as the image of a crumbling past, these writers actualized their powerful visions: Yeats and Rilke moved into medieval towers in Ireland and Switzerland, while Jeffers and Jung built themselves towers at Carmel and Bollingen as secluded spaces in which to cultivate the traditions and values they cherished. The last chapter traces this perseverance of the ancient image through its heyday in the twenties and into the present, where it has undergone renewal, institutionalization, and parody. Originally published in 1998. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Immediately after World War I, four major European and American poets and thinkers--W. B. Yeats, Robinson Jeffers, R. M. Rilke, and C. G. Jung--moved into towers as their principal habitations. Taking this striking coincidence as its starting point, this book sets out to locate modern turriphilia in its cultural context and to explore the biographi Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Bestandsnummer des Verkäufers 9780691633787
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