In Doctor Crispin, the witty valet, whose well-meant efforts land him in serious trouble, is the central figure who contributes much to the development and the conclusion of the play. Although he is far from brave, Crispin literarily risks life and limbs for the union of the lovers. He appears in over half of the scenes, and, especially, when dressed as a doctor, is in complete command of the stage. Most critics, including myself, believe that the huge success of the play is due in great part to the so-called “dissection scene” (II, iii). Crispin, stretched out on a table, ready to be dissected alive, and shaking with fear, always brings roars of laughter from the audience (LaPorte, pp. 222-223).
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Edwin L. Isley is currently teaching at Wittenberg University. He received his doctorate from The Ohio State University in seventeenth-century French drama and early modern philosophy. He resides in Columbus Ohio with his wife, two dogs, and two cats.
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