Approaches to the history of art are probably more varied and more debated than in any other branch of history, and a study of different historical approaches has become an increasingly important component of many student courses. This critical anthology brings together the work of 27 influential art historians and writers from the Renaissance to the present day; key texts have been chosen in which the authors reflect on the nature of their subject and on their own methods of inquiry. Included are texts by Vasari, Winckelmann, Burckhardt, Wölfflin, Panofsky, Gombrich and Pollock, among others. The introduction is a lucid and readable summary of art-historical methods, and each of the texts is accompanied by a commentary that places it in context and discusses the issues it raises. A glossary of terms and a select bibliography make this book an invaluable resource in the study of art history.
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Eric Fernie was formerly Director of the Courtauld Institute of Art at the University of London and Watson Gordon Professor of Fine Art at the University of Edinburgh.
Approaches to the history of art are probably more varied and more debated than in any other branch of history, and a study of different historical approaches has become an important component of student courses.
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Paperback. Zustand: Very Good. Approaches to the history of art are probably more varied and more debated than in any other branch of history, and a study of different historical approaches has become an increasingly important component of many student courses. This critical anthology brings together the work of 27 influential art historians and writers from the Renaissance to the present day; key texts have been chosen in which the authors reflect on the nature of their subject and on their own methods of inquiry. Included are texts by Vasari, Winckelmann, Burckhardt, Wolfflin, Panofsky, Gombrich and Pollock, among others. The introduction is a lucid and readable summary of art-historical methods, and each of the texts is accompanied by a commentary that places it in context and discusses the issues it raises. A glossary of terms and a select bibliography make this book an invaluable resource in the study of art history. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Bestandsnummer des Verkäufers GOR001276653
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